The Frame

Elvis Costello wrote a new ballad for the movie, "Film Stars Don't Die in Liverpool," about the eccentric actress, Gloria Grahame; after leaving Saturday Night Live, Dana Carvey made a sketch show for ABC that was an epic bust. The tale is told in the documentary, "Too Funny to Fail."

Joe Berlinger's film examines how Hollywood has depicted the Armenian Genocide, and how it has been pressured to ignore that story; a new USC study shows teenage girls are more likely to be sexualized in feature films; the Greenway Court Theatre survives through a partnership with Fairfax High School.

If Mel Gibson can revive his career, could Kevin Spacey and Louis C.K.?; Yuval Sharon turns Orson Welles' radio play into a multi-site opera; it's awards season in Hollywood, but there are some familiar names you won't be hearing, e.g., Harvey Weinstein.

The New York Times confirms the long-standing rumors of sexual misconduct by the writer and comedian Louis C.K.; director Ridley Scott will re-shoot Kevin Spacey's scenes in an already finished film; in “What Haunts Us,” director Paige Tolmach explores why so many male former students at her prep school alma mater had died by suicide.

Music industry veteran Bill Bentley pairs his stories with crowdsourced photos in “Smithsonian Rock and Roll: Live and Unseen”; the Weinstein Company is seeking buyers, but may not avoid bankruptcy; Rockabye Baby turns songs by artists like David Bowie, Rihanna and Coldplay into kid-friendly lullabies.

Meet Hong Chau, the actress from Alexander Payne's movie "Downsizing," who will blow you away; LA Times pop music critic Mikael Wood says that some performers use their music as "guilt laundering" for sexual harassment and abuse; and what power do Hollywood's guilds and unions have to shut down sexual predation?

Actor Sam Rockwell discusses his new movie "Three Billboards Outside Ebbing, Missouri," and his approach to playing George W. Bush in Adam McKay's forthcoming Dick Cheney biopic; Jon Robin Baitz's play "Vicuña,"about a Trumpian presidential candidate, premiered in L.A. before the 2016 election. Now it's on stage in Washington, DC.

The new movie from the director of "Boyhood" is about three Vietnam vets who reunite when one of their sons is killed in the Iraq War; talent agent Tyler Grasham has been accused by eight young male actors and industry workers of sexual misconduct while Grasham worked for the APA agency, which specializes in representing young actors.

The producer/director says Hollywood must eradicate the culture of enabling that keeps sexual predators in power; The Joshua Light Show was a staple of '60s concert lighting and its creator is reviving the magic.

Actress and screenwriter Greta Gerwig goes behind the camera for "Lady Bug"; producer/director Brett Ratner is the latest Hollywood figure to be accused of sexual harassment and misconduct; young L.A. dancers audition for Miami City Ballet's "The Nutcracker."

The Academy of Motion Picture Arts and Sciences makes changes to its board in an effort to diversify. We talk with two members of the Academy about what's to come. Then composer Laura Karpman talks about her Grammy-winning composition "Ask Your Mama" and how she's working to get more women into the scoring stage.

Producer Janet Yang (The Joy Luck Club, The People v. Larry Flynt) was among the Asian American professionals in Hollywood who sent a letter to the Academy of Motion Pictures Arts and Sciences protesting offensive jokes told at the Oscars. Touring LACMA'S Mapplethorpe exhibit and finding unexpected art. We meet a young African American filmmaker undeterred by Hollywood's diversity problem.

Robert Mapplethorpe gets a massive retrospective at two L.A. museums courtesy of the Mapplethorpe Foundation. Can a set top box that streams first run films the day they're in theaters disrupt the movie business as we know it? Closing the gender gap one women artist at a time.

The massive Hauser Wirth & Schimmel gallery is the newest addition to L.A.'s bustling downtown arts district; singer and bass player Esperanza Spalding adds some theatrical touches to her live show; the South by Southwest film festival kicks off today in Austin.

Actress Ellen Page and Ian Daniel are co-hosts of a new Viceland channel show that documents LGBTQ communities around the world; a Marine's experience in Iraq is dramatized by the adventurous Long Beach Opera.

Actress Sarah Paulson is getting rave reviews for her performance as prosecutor Marcia Clark in "The People v. O.J. Simpson"; the music collective known as Dublab partnered with Metro to create an ambient music experience at L.A.'s Union Station.

Writer-producer Terence Winter creates an HBO drama out of the 1970's music business in "Vinyl"; SNL alumnus Seth Meyers injects politics into his "Late Night" humor; Swedish-Argentine musician José González redefines "global music."

Nahnatchka Khan's experience as a daughter of immigrants helped shape the outsider perspective of "Fresh Off the Boat"; the box office success of "Zootopia" is due to Disney's embrace of Pixar's ethic; KT Tunstall deconstructs the song that launched her career, "Suddenly I See."

David Litt was President Obama's funniest speechwriter and now he's mining Washington for Funny or Die; Robert Carlock talks about adapting "Whiskey Tango Foxtrot" for his longtime writing partner, Tina Fey; Kendrick Lamar drops a surprise album.

Series creator Beau Willimon tees up the fourth season of "House of Cards" on Netflix; the trailer for the remake of "Ghostbusters" depicts a very different New York City; Pulitzer Prize-winning composer Julia Wolfe readies the West Coast premiere of her oratorio.

Over the past 25 years, Jon Brion has quietly become a go-to producer and composer for musicians and filmmakers; L.A. County tightens the rules for raves on public property; the Colburn School teaches its students how to audition for orchestra jobs.

Roger Guenveur Smith on directing "The Mountaintop," a play set in a Memphis motel on the eve of Martin Luther King Jr.'s assassination; criticism mounts over Chris Rock's treatment of diversity and Asian-Americans; high school students perform August Wilson monologues.