The Frame

Elvis Costello wrote a new ballad for the movie, "Film Stars Don't Die in Liverpool," about the eccentric actress, Gloria Grahame; after leaving Saturday Night Live, Dana Carvey made a sketch show for ABC that was an epic bust. The tale is told in the documentary, "Too Funny to Fail."

Joe Berlinger's film examines how Hollywood has depicted the Armenian Genocide, and how it has been pressured to ignore that story; a new USC study shows teenage girls are more likely to be sexualized in feature films; the Greenway Court Theatre survives through a partnership with Fairfax High School.

If Mel Gibson can revive his career, could Kevin Spacey and Louis C.K.?; Yuval Sharon turns Orson Welles' radio play into a multi-site opera; it's awards season in Hollywood, but there are some familiar names you won't be hearing, e.g., Harvey Weinstein.

The New York Times confirms the long-standing rumors of sexual misconduct by the writer and comedian Louis C.K.; director Ridley Scott will re-shoot Kevin Spacey's scenes in an already finished film; in “What Haunts Us,” director Paige Tolmach explores why so many male former students at her prep school alma mater had died by suicide.

Music industry veteran Bill Bentley pairs his stories with crowdsourced photos in “Smithsonian Rock and Roll: Live and Unseen”; the Weinstein Company is seeking buyers, but may not avoid bankruptcy; Rockabye Baby turns songs by artists like David Bowie, Rihanna and Coldplay into kid-friendly lullabies.

Meet Hong Chau, the actress from Alexander Payne's movie "Downsizing," who will blow you away; LA Times pop music critic Mikael Wood says that some performers use their music as "guilt laundering" for sexual harassment and abuse; and what power do Hollywood's guilds and unions have to shut down sexual predation?

Actor Sam Rockwell discusses his new movie "Three Billboards Outside Ebbing, Missouri," and his approach to playing George W. Bush in Adam McKay's forthcoming Dick Cheney biopic; Jon Robin Baitz's play "Vicuña,"about a Trumpian presidential candidate, premiered in L.A. before the 2016 election. Now it's on stage in Washington, DC.

The new movie from the director of "Boyhood" is about three Vietnam vets who reunite when one of their sons is killed in the Iraq War; talent agent Tyler Grasham has been accused by eight young male actors and industry workers of sexual misconduct while Grasham worked for the APA agency, which specializes in representing young actors.

The producer/director says Hollywood must eradicate the culture of enabling that keeps sexual predators in power; The Joshua Light Show was a staple of '60s concert lighting and its creator is reviving the magic.

Actress and screenwriter Greta Gerwig goes behind the camera for "Lady Bug"; producer/director Brett Ratner is the latest Hollywood figure to be accused of sexual harassment and misconduct; young L.A. dancers audition for Miami City Ballet's "The Nutcracker."

Alexandra Dean's documentary, “Bombshell: The Hedy Lamarr Story,” reveals the actress' other life as an inventor; director Bryan Singer was fired and sued this week; Alynda Segarra of the band Hurray for the Riff Raff explores her Puerto Rican roots.

Morris' new documentary examines the mysterious 1953 death of a government biochemist who was given LSD by the CIA; John Adams and Peter Sellars collaborate on the opera "Girls of the Golden West"; SoCal wildfires are affecting TV and film production.

Brothers Wayne and Karey Kirkpatrick think musicals are a little absurd, so they wrote the parody, “Something Rotten!”; six women have filed a lawsuit against Harvey Weinstein and they're seeking class action status; Cornerstone marks its 25th year in L.A. with the culmination of an eight-play cycle.

"SpongeBob SquarePants" is now a Broadway musical. Playwright Kyle Jarron reveals how the beloved Nickelodeon cartoon was adapted for the stage; Russia's banishment from the 2018 Olympics is connected to Bryan Fogel's documentary "Icarus" about trying to dope his way through bicycle races.

"Beauty and the Beast" lyricist died before the original film was complete. We put together this remembrance of his life and legacy; "Call Me By Your Name" screenwriter James Ivory talks about adapting the celebrated gay love story for the screen; a pot entrepreneur takes issue with Hollywood portrayals of the pot industry.

Actor Doug Jones has made a career of playing monsters in Guillermo del Toro films. His latest is half-man, half-fish; Women in Film holds gathering to discuss how to combat sexual harassment in the workplace.

Franco directs and stars (with his brother, Dave) in a film about the making of "The Room" — considered one of the worst movies ever made; Amy Adrion directed a documentary that examines the long history of systemic discrimination against women filmmakers

The director's WWII film returns to theaters as awards season heats up in Hollywood; "The Today Show" co-host Matt Lauer was fired amid allegations of sexual misconduct; the group Women in Film is launching a help line to support victims of harassment.

Jay-Z led the pack with 8 nominations, including his first ever Album of the Year nod, in a year when rap and R&B dominate the major categories; Mary Harron talks about directing the TV adaptation of another Margaret Atwood book.

Lee Unkrich and Adrian Molina co-wrote and co-directed the latest hit from Pixar Animation; Kyle Buchanan of Vulture.com looks at the early contenders for the Academy Awards.

We revisit two of our favorite interviews of the year: Jordan Peele on his hit social thriller; and Liz Flahive and Carly Mensch, creators of the Netflix series about women's wrestling in the 1980s.

Anthony McCarten was inspired by Winston Churchill's oratorical skills for his "Darkest Hour" screenplay; Pixar chief John Lasseter is the latest Hollywood figure accused of sexual harassment; two companies led by women are interested in buying all or some of The Weinstein Co.