The Frame

Director Steven Spielberg, producer Amy Pascal and Tom Hanks discuss the present-day resonance of their new film 'The Post'; with Disney buying much of 21st Century Fox we look at what that means for Hulu; and Canadian singer Elise LeGrow taps Chicago roots in her debut album.

SAG announced its nominees for their awards and that all the presenters plus the host of the telecast will be women. How else will Hollywood awards shows amplify women's voices in this #metoo era?; Trans actress Daniela Vega from the Chilean film "A Fantastic Woman" hopes it teaches audiences empathy; watching Pixar's "Coco" in Mexico is a singular experience.

TV and film writer and producer Judd Apatow returns to his stand-up comedy roots in a special for Netflix; The Black List is an annual compilation of highly regarded, but unproduced scripts that are floating around town.

Actress Margot Robbie says she has empathy for the misunderstood skater Tonya Harding, who suffered from abuse; Disney is reportedly close to a deal to purchase Fox's movie studio and some TV assets; the art world came to Miami for Art Basel and related showcases.

Alexandra Dean's documentary, “Bombshell: The Hedy Lamarr Story,” reveals the actress' other life as an inventor; director Bryan Singer was fired and sued this week; Alynda Segarra of the band Hurray for the Riff Raff explores her Puerto Rican roots.

Morris' new documentary examines the mysterious 1953 death of a government biochemist who was given LSD by the CIA; John Adams and Peter Sellars collaborate on the opera "Girls of the Golden West"; SoCal wildfires are affecting TV and film production.

Brothers Wayne and Karey Kirkpatrick think musicals are a little absurd, so they wrote the parody, “Something Rotten!”; six women have filed a lawsuit against Harvey Weinstein and they're seeking class action status; Cornerstone marks its 25th year in L.A. with the culmination of an eight-play cycle.

"SpongeBob SquarePants" is now a Broadway musical. Playwright Kyle Jarron reveals how the beloved Nickelodeon cartoon was adapted for the stage; Russia's banishment from the 2018 Olympics is connected to Bryan Fogel's documentary "Icarus" about trying to dope his way through bicycle races.

"Beauty and the Beast" lyricist died before the original film was complete. We put together this remembrance of his life and legacy; "Call Me By Your Name" screenwriter James Ivory talks about adapting the celebrated gay love story for the screen; a pot entrepreneur takes issue with Hollywood portrayals of the pot industry.

Actor Doug Jones has made a career of playing monsters in Guillermo del Toro films. His latest is half-man, half-fish; Women in Film holds gathering to discuss how to combat sexual harassment in the workplace.

Justin Simien reflects on how the 2016 election factored into the TV version of "Dear White People"; a tentative deal has been reached between the Writers Guild of America and TV/film producers, averting a strike; bass saxophonist Colin Stetson on the intricate method for recording his latest album and the physical demands of his sound.

In the new documentary "Risk," Oscar-winning filmmaker Laura Poitras grapples with unexpected contradictions about Julian Assange and Wikileaks. And as talks between the WGA and AMPTP come close to an end, the creators of two new TV shows, "Dear White People" and "Downward Dog," weigh in on what a strike could mean.

To mark the 25th anniversary of the LA Riots, actor-writer Roger Guenveur Smith's fiery solo show “Rodney King” has been turned into a Spike Lee film in which Smith places the beating of King in a broader social context. How did the 2007 writers strike affect the wider economy of LA and California and who would be affected if they strike again? The Fyre Festival is a fiasco.

Filmmaker (and self-professed troublemaker) John Waters spits some wisdom about living life by your terms and offers his advice for young people in his new book, "Make Trouble"; A look at the women of the real and the fictional 'Silicon Valley'; Summer blockbusters hitting theaters sooner and sooner and what actually defines a summer movie is rapidly changing.

Jodie Foster and Tom Hanks share memories of filmmaker Jonathan Demme, who died at the age of 73; executive producer/director Reed Morano talks about adapting Margaret Atwood's "The Handmaid's Tale" for television.

The unsolved JonBenet Ramsey murder became the focal point of a documentary that looks at the making of a film about the case; 50 years ago, the Sunset Strip became an outdoor gallery of billboards that promoted new albums; The Writers Guild was formed in 1921 as a social group.

How filmmaker J.D. Dillard went from receptionist to directing and co-writing the Sundance feature "Sleight." Why disputes over the Armenian genocide have plagued two recently released films including "The Promise." And Actress Vera Farmiga and Kerry Ehrin, co-creator of "Bates Motel," say goodbye to their beloved character, Norma Bates.

"Mystery Science Theater 3000" gets a reboot with comedian Jonah Ray taking over as host. Ray tells The Frame that to make fun of bad movies they actually have to be kind of good; We unpack the religious themes in Kendrick Lamar's new album "Damn"; Art studios and CalArts students pitch their creative ideas "Shark Tank" style.

The Oscar-winning screenwriter makes a documentary about the L.A. riots, 25 years after they happened; two powerhouse theater companies – one in L.A. and one in N.Y. – join forces to take new plays to Broadway; and a Mexican movie theater chain beckons families with an in-theater playground.

As Aloy in "Horizon Zero Dawn," actress Ashly Burch gets to be more than "just a gun with legs"; members of the Writers Guild of America are in the process of taking a strike authorization vote.

When the film's original director dropped out, longtime producer Denise Di Novi decided to take a turn in the director's chair; non-commercial stations that sold some of their broadcast bandwidth are cashing in with tens of millions of dollars.

'Veep' has returned for a new season and Matt Walsh, who plays Mike McClintock, tells The Frame how the show dovetails and collides with reality. On a Song Exploder segment Damon Albarn break down a tune from a new Gorillaz album. In a Coachella recap we hear what happened with Kendrick Lamar, Lady Gaga and Radiohead.