The Frame

Errol Morris' documentary miniseries examines the mysterious death of a government biochemist who was given LSD by the CIA; Kira Kelly is a Hollywood rarity: an African-American female cinematographer. She got an Emmy nomination for shooting Ava DuVernay's documentary, "13th," which led to her working on the filmmaker's drama series, "Queen Sugar."

The filmmaker says the roots of his latest movie, "The Shape of Water," go back to his childhood when he saw "Creature from the Black Lagoon."

From The Frame's vaults: actress and writer Zoe Kazan was speaking about rampant sexual harassment in Hollywood months before the Harvey Weinstein floodgates broke; singer and performer Lizzo on her wild year that started with a fateful appearance on Samantha Bee's show.

“The Post" screenwriters Elizabeth Hannah and Josh Singer talk about writing a movie with a woman— Washington Post publisher Katharine Graham — as the hero; Los Angeles Times pop music critic Mikael Wood shares some of his picks for the best music of 2017.

The film “Hostiles,” written and directed by Scott Cooper, both indulges in and overturns some of the familiar tropes of the Western genre; Rotten Tomatoes senior editor Grae Drake looks back on the year in film reviews and addresses some of the controversy surrounding the movie review aggregation site.

Writer/director Dee Rees on her film "Mudbound," about the harsh reality of life in the Jim Crow South, and its new resonance in 2017; Pasadena Playhouse brings the 1947 'Miracle on 34th Street' radio play to the stage; Facebook makes a play for YouTube's hold on music videos.

Questlove, drummer and leader of "The Tonight Show's" house band The Roots, talks about the emotional ballad he wrote for the movie "Detroit"; Actor/tax attorney Sandra Karas explains Actors' Equity Association's opposition to the tax overhaul that Congress passed today.

For his role in "The Florida Project" Willem Dafoe immersed himself into the world of the "hidden homeless;" A new website called Rotten Apples allows users to search TV shows and movies to see if anyone on the projects was accused of sexual misconduct; Italian filmmaker Marta Savina revisits a landmark rape case from 1965 in her short film “Viola, Franca."

Meet Hong Chau, the actress from Alexander Payne's movie "Downsizing," who's grabbing attention even before the film opens; how the radio drama version of "Star Wars" helped put NPR on the map; and three film critics (who happen to be under the age of 10) weigh in on "The Last Jedi."

DeLappe's play about high school girl soccer players was a Pulitzer Prize finalist for drama; what effect will the Net Neutrality vote have on content creators and distributors?; an old fashioned marquee gives a theater company a new identity.

Ilene Chaiken runs "Empire" while co-creator Lee Daniels develops his next show for Fox, "Star"; the SxSW Interactive Conference is getting heat for canceling sessions about sexism in the gaming industry; the Hammer Museum will benefit from UCLA's purchase of the Occidental Petroleum building.

The duo's production company, Smokehouse, has examined politics in the TV series, "K Street," and the films “The Ides of March" and "Good Night and Good Luck." Their latest is "Our Brand is Crisis."

Rock star Courtney Love has acted in films and TV, but now she's hitting the boards in Todd Almond's "Kansas City Choir Boy"; the "Steve Jobs" biopic got good reviews from critics, but audiences are staying away in droves; Upright Citizens Brigade is taking its comedy franchise online.

Sean Rameswaram of WNYC and Soraya Nadia McDonald of the Washington Post talk about the week's top stories from the wide world of culture; the new music ensemble Bang on a Can All-Stars performs Brian Eno's "Music for Airports" for the first time in an American airport.

Mark Mothersbaugh, a founding member of the new wave band Devo, is also a film and TV composer with a long list of credits that includes "The Last Man on Earth"; an exhibition of Cuban art arrives as the island nation develops a new relationship with the United States.

"Suffragette" screenwriter Abi Morgan and director Sarah Gavron made a period film that has current-day resonance; Disney is going all out to sell "Star Wars" in the world's second-biggest film market; Pakistani and L.A. musicians collaborated to create a new East-meets-West sound.

Filmmaker James Vanderbilt revisits the story that led to Dan Rather and a "60 Minutes" producer losing their jobs at CBS; producer Noah Hawley says the key to making "Fargo" a TV series was to not be bound by the Coen brothers movie.

As the most prominent woman on HBO's "Project Greenlight," film producer Effie Brown has had to address race and gender issues; Lenny Abrahamson wrote a long letter to "Room" novelist Emma Donoghue to convince her that he was the right director for the film version.

FX chief John Landgraf says his warning of there being too much TV for the industry to bear -- and the consumer to watch -- struck a chord with other network heads; How composer Jóhann Jóhannsson created the haunting score for 'Sicario'

The actor has directed a documentary about the rise and fall of the once powerful record store chain; the first-ever Politicon was a sort of Comic-Con for political junkies, journalists and jokesters; Fox is developing more TV shows with comic book heroes, including "X-Men" characters.

Kelly Sue DeConnick describes her feminist sci-fi series, "Bitch Planet," as "Margaret Atwood meets Inglourious Basterds”; Cary Fukunaga encountered severe challenges while shooting "Beasts of No Nation" in Ghana.

Producer Aline Brosh McKenna wants to upend genre stereotypes on her new CW network comedy. (Cue the band!) ; several films hitting theaters this fall are tackling stories of women striving for equality; Kurt Vile has a new album of chilled-out folk music.