The Frame

At the age of 23, Saoirse Ronan already has two Academy Award nominations as a lead actress, including for "Lady Bird"; Barack and Michelle Obama's official portraits have people talking; inside an audition for "America's Got Talent."

Actress Allison Janney has an Oscar nomination for playing Tonya Harding's mother in "I, Tonya"; several Olympic ice skaters are using songs from Baz Luhrmann's "Moulin Rouge"; the N.Y. attorney general filed a civil rights lawsuit that could halt sale of The Weinstein Co.

Kumail Nanjiani and Emily V. Gordon, the Oscar-nominated co-writers of "The Big Sick," talk about the eventful year since their semi-autobiographical film debuted; Oscar-nominated actor Willem Dafoe explains why the first-time actors in "The Florida Project" had a leg up on him.

How much does The Peacock Network have riding on the Winter Games? A lot.; "The Trade" is Showtime's bracing documentary series about the opiod epidemic; James Ivory's screenplay for "Call Me By Your Name" could finally give him his first Oscar.

Dee Rees on her film "Mudbound," about the harsh reality of life in the Jim Crow South, and its new resonance today; morality clauses meant to curb workplace harassment enter Hollywood contracts; after years of estrangement, photographers (and brothers) Andrew and Stuart Douglas reunite with an LA photo exhibition.

The rapper and veteran songwriter collaborated on the Oscar-nominated "Stand Up for Something"; playwright Quiara Alegría Hudes trilogy of plays get a concurrent staging in L.A.; this year's Havana Jazz Fest featured first-time performances by a few expats.

Salim Akil, creator of the CW series, "Black Lightning," says black superheroes are needed more than ever; after Uma Thurman accused Tarantino of abusing her and putting her at risk on a movie set, will his next film proceed as planned?; hardcore movie fans now have a fantasy league of their own.

Justin Timberlake is back at the Super Bowl, but why isn't Janet Jackson?; Jennifer Fox's "The Tale" is the true story of the sexual abuse inflicted by her riding coach when she was a teen; women in the music industry are calling for Grammy president Neil Portnow to resign.

2017 was a breakout year for writer/actress Lena Waithe and she's already off to bigger things in the new year; the Producers Guild of America has developed a code of conduct for its members, who wield a lot of power in the industry.

The latest show from Cirque looks to Mexican history and culture for inspiration; the L.A. Phil marks Leonard Bernstein's centennial with his sprawling 'Mass'; the National Gallery of Art indefinitely postponed a show by Chuck Close because of allegations of inappropriate behavior against the artist.

Joel Edgerton talks about directing his adaptation of a memoir about a boy (played by Lucas Hedges) whose parents (Nicole Kidman and Russell Crowe) won't accept his homosexuality; can politicians play any music they want at rallies?; Jadis is prop store in Santa Monica like no other,

Eli Horowitz and Micah Bloomberg created "Homecoming" as a scripted, fictional podcast, and now they're overseeing the Amazon TV version; the movie ratings system has existed for 50 years, but it has occasionally been plagued by inconsistencies.

The new documentary examines the relationship between art, money, success and notoriety; “Delusion: The Blue Blade" is an immersive theater production described by its creator as "Indiana Jones"-meets-"Blade Runner."

Game designer Ben Esposito takes a user-friendly approach to examine L.A.'s changing neighborhoods; does NBC's Megyn Kelly have a future in TV?; the past, present and future of the L.A. Philharmonic (part 2).

Two prominent music critics look at where the orchestra has been and where it's heading; filmmaker Sandi Tan looks for a lost film of hers in "Shirkers."

Aoife O'Donovan, Sarah Jarosz and Sara Watkins all have successful individual careers, but decided to combine forces for their folk-Americana trio; how is "House of Cards" concluding without Kevin Spacey?; MOCA puts the spotlight on influential painter and film critic Manny Farber.

"The Good Place" creator Michael Schur and writer Jen Statsky talk about making a sitcom that takes on ethics and philosophy; as the Trump Administration reportedly considers rolling back civil rights protections for trans people, we revisit The Frame's 2017 roundtable discussion on transgender representation on television.

The award-winning Broadway smash with music and lyrics by Benj Pasek and Justin Paul finally arrives in Los Angeles; how deep are Saudi Arabia's tentacles in American museums?; the Berlin-based performance group, Gob Squad, examines how we cope with aging.

The mezzo-soprano had a promising hoops career, but then she discovered singing; Netflix buys a huge production studio in Albuquerque; Janelle Monáe breaks down her song, "So Afraid."

She's a rare female minority show-runner, but her main goal is to let the mom character have some fun; how are immigrants depicted on TV?; the L.A. Master Chorale takes its show on the road.

Actor Peter Dinklage and filmmaker Sacha Gervasi on making "My Dinner With Hervé," about the French actor Hervé Villechaize; how do "The Conners" fare without Roseanne? L.A. Times TV critic Lorraine Ali shares her thoughts.

Muslim comedian Mo Amer once sat next to Eric Trump on an international flight. That's just one of many stories in his Netflix special "Vagabond." In the wake of Jamal Khashoggi's disapperance, Hollywood rethinks its relationship with Saudi Arabia. Plus, how Dieter Ruehle came to be the Dodgers' organist.