The Frame

With rock 'n' roll bands no longer headlining top music festivals, is the genre finally dead?; what to expect from this year's Cannes festival; comedic actor Drew Droege came to L.A. with glamorous dreams of making it in Hollywood, only to find success with a viral video.

Writer Tanya Saracho talks about her arc in the TV business — from being a "diversity hire" on "Devious Maids" to creating her own show "Vida" about two Latinx sisters who move back home after their mother's death; and Goldenvoice, the concert promoter of FYF Fest has canceled this year's festival because of low ticket sales. Is it a case of festival fatigue or something else?

Jim DeRogatis has been reporting on allegations of sexual abuse against R. Kelly for nearly two decades including a new report in Buzzfeed today – why this singer may be finally facing his #metoo moment; and as costume designer for "The Crown," Jane Petrie discusses the pressure to get the look of the royal family just right.

A new exhibit at the Skirball Cultural Arts Center celebrates the life and work of composer Leonard Bernstein; the Academy of Motion Picture Arts and Sciences votes to expel Bill Cosby and Roman Polanski; and Memphis-based author and filmmaker Robert Gordon captures the grit of his hometown's music in his new book “Memphis Rent Party.”

Actor Martin Freeman goes from 'The Office,' to 'Black Panther,' into two small-scale horror films; Billionaire businessman Wang Jailin of the Dalian Wanda Group hoped that Hollywood studios would see China as a location for making movies, but the Wall Street Journal reveals that’s not happening; We go inside the new production called, “theater is a blank space,” which takes you from Powell Library to the rafters of UCLA’s Royce Hall, literally.

"Mean Girls” and “SpongeBob” led this year’s Tony nominations with 12 picks each. New York Times theater reporter Michael Paulson helped break down the nominations for us; We talk with 'RBG' co-director Betsy West about convincing Justice Ginsburg to give them access to her life; “Spongebob Squarepants the Musical” snagged 12 Tony nominations today, including the top prize, best musical. We talk with playwright Kyle Jarrow.

The screenwriters of "Avengers: Infinity War" explain how the sitcom "Frasier" influenced the film; the Hulu documentary “Tiny Shoulders: Rethinking Barbie” shows how executives at Mattel went about changing the body shape of their iconic and controversial doll.

Alia Shawkat co-wrote and stars in “Duck Butter," a movie about two women who spend 24 hours doing nothing but being with each other and having sex; San Francisco's Grace Cathedral holds a Beyoncé-themed service; YouTube struggles to clean up its act.

With her new film, "Disobedience," Rachel Weisz found something she had been seeking but couldn't find: a story with two female leads; former comedian and TV host Byron Allen has quietly built a company with interests in both film and television.

Movie theater owners look beyond popcorn to find new concessions at CinemaCon; Chicano photographer George Rodriguez captures two very different L.A.'s over a 50-year period; CalArts celebrates world music with its own salsa band.

The director and co-writer talks about making a movie that's more than just racing scenes; the Congressional Hispanic Caucus meets with Hollywood execs about representation; veterans turn to ancient Greek dramas to tell their own stories.

Mark Ruffalo wants to make movies that make a difference and make Marvel films too; "Honey Boy" director Alma Har'el on how she and Shia LaBeouf bonded; Nell Scovell confronts David Letterman; How "Moonface" was made; Writer Nell Scovell confronts her old boss, David Letterman.

After her longtime stint in Sonic Youth, followed by a two-person band called Body/Head, the singer and bassist has her first solo album, "No Home Record"; writer Nell Scovell mends fences (sort of) with David Letterman; Mati Diop's Senegalese film, "Atlantics."

The author's latest deep dive into pop culture is about his love for cinema; why did the Marciano Art Foundation suddenly shut its doors?; "The Red Thread" magic show.

The director wrote the script based on conversations with friends about marriage and divorce; Adam Driver talks about "Marriage Story," his fourth collaboration with Baumbach; Mexican composer Gabriela Ortiz on her ongoing relationship with the L.A. Philharmonic.

Alma Har'el talks about making her narrative feature directing debut in the film that stars Shia LaBeouf in his first feature-length screenplay; an oral history of "Blade Runner."

The former first lady of the Philippines gave access to filmmaker Lauren Greenfield for a new documentary; why are same-sex love scenes being edited out of films on Delta Airlines?; the new podcast "Moonface" examines homosexuality and cultural barriers.

Ed Norton brings "Motherless Brooklyn" to theaters 20 years after he first had the idea; star Cynthia Erivo and director Kasi Lemons tell the story of telling the story of Harriet Tubman on screen; Should arts orgs partner with Saudi Arabia?; Josh Homme of Queens of the Ston

On his new double album, the mixmaster works with other prominent hip hop artists, but he also composed instrumentals for an orchestra; why isn't Martin Scorsese's "The Irishman" in more theaters?

Over more than a half-century, George Rodriguez has taken countless photos of celebrities, but also of social movements such as farmworker strikes and student protests; after a high-profile departure, what's next for the "Star Wars" franchise?; singer San Cha

Director Kasi Lemmons and actress Cynthia Erivo talk about bringing Harriet Tubman's story to the big screen; HBO's new streaming service will launch with a vast library; singer, songwriter and producer Ayoni.

Series producer Caroline Dries talks about the responsibility of telling an LGBTQ+ story through the show's heroine; what's at stake for the first batch of shows from Apple Plus?; Josh Homme returns to the desert.