The Frame

On today's show: Olivia Milch wrote and directed the Netflix film, "Dude," and she co-wrote the much anticipated "Ocean's 8"; GLAAD's annual report says movie studios have regressed when it comes to LGBTQ representation; music producer Sebastian Krys' path from lowly intern to studio wizard.

On today's episode, filmmaker Jennifer Fox adds a personal chapter to the #MeToo movement with her film, "The Tale" (starring Laura Dern); Kyle Buchanan of Vulture.com talks about the highlights of the Cannes Film Festival; and writer Robert Gordon explores Memphis blues and R&B.

The documentary, “Bombshell,” tells the amazing life story of movie star and wartime inventor Hedy Lamarr; YouTube will compete with Spotify and Apple Music through its new streaming platform; the schlocky horror comedy, "Killer Klowns from Outer Space," turns 30.

Broadcast networks finished pitching to advertisers today, with the news that "Crazy Ex-Girlfriend" will end after next season; a look at the Billboard Top 40 charts reveals that rock just isn’t very popular these days; Canadian singer-songwriter Lindi Ortega's latest album was inspired by spaghetti Westerns, Ennio Morricone film scores and Quentin Tarantino movies.

Playwright David Henry Hwang and composer Jeanine Tesori — both Tony Award winners — created a play with music that imagines China becoming the pre-eminent world power after the 2016 presidential election; it’s that time of year in Hollywood: the season known mostly by the acronym FYC — For Your Consideration.

Ethan Hawke has three movies coming out this year: "First Reformed," "Juliet, Naked" and “Blaze." Hawke opens up about his choices to make indie films and how he's wrestled with the notion of being a celebrity; a new study from the Annenberg Public Policy Center looks at whether some movie violence should merit a new PG-15 rating.

The issue of representation for women in film has come up at the Cannes Film Festival, where the festival’s leaders have pledged to reach 50/50 parity for women filmmakers by 2020. We get a report from Rico Gagliano; In "I'm Sorry," actress Andrea Savage plays a "heightened" version of herself: a comedian with wildly inappropriate jokes who's also the mother of a young girl; We meet the Iranian singer Googoosh, who performed Saturday night at a packed Hollywood Bowl.

Director Jason Reitman has collaborated with screenwriter Diablo Cody on three films — "Juno," "Young Adult," and now, "Tully," which stars Charlize Theron; why Spotify's decision to take R. Kelly’s music off its curated playlists is so controversial; the documentary "Unrest" raises awareness about chronic fatigue syndrome, a common but poorly understood disease;

The second season of Justin Simien's "Dear White People" has a lot to say about race, truth and what it means to be an American; YouTube's foray into the original content game includes "Cobra Kai," a sequel to "Karate Kid" with original star Ralph Macchio.

Arranged marriage in modern day India is explored in "A Suitable Girl," which tries to dispel Western misconceptions about the tradition; it's that time of the year when TV networks must decide which shows are renewed and which ones are toast; Ellen Reid's new work hopes to capture the nation’s sense of urgency.

Series creator Damon Lindelof and director Stephen Williams walk us through the pivotal sixth episode; Kanye West's "opera" at the Hollywood Bowl; The Grammy Museum adds a gallery for Latin music.

The Red Hot Chili Peppers' Flea writes about his violent step-father who also inspired his love of music; Elizabeth Banks wants to up-end Hollywood’s outdated ideas of what kinds of movies women can direct; and Comedian Gabriel Iglesias reunites with the high school teacher who helped him find his voice.

The actor plays a corporate attorney who switches sides to go after an environmental polluter; Hollywood Reporter TV critic Daniel Feinberg on the glut of TV programming.

Native American playwright Larissa FastHorse examines cultural pitfalls of the holiday; late-night TV hosts are having a field day with the impeachment hearings; singer Dorian Wood channels Chavela Vargas.

The bassist for the Red Hot Chili Peppers has a new memoir that recounts his days before he met his bandmates in high school; the Grammy nominations make history, but could still use some improvement.

The 19-year-old filmmaker shot the movie while he was still in high school, and it won him awards at the Tribeca Film Festival; the U.S. Justice Dept. may allow studios to once again own movie theaters; the comedians who warm up TV studio audiences.

The writer/director strives for a sense of sisterhood in all her projects; Louie C.K.'s return to the stage; comedian Gabriel Iglesias reunites with an influential high school teacher of his.

Lena Waithe and Melina Matsoukas want “Queen & Slim" to make an impact on the culture as a form of protest art; Congressman Julian Castro questions in Hollywood is engaged in "systemic exclusion" of Latinos; "Ford v Ferrari" director James Mangold; "Scandalous" doc tell story of National Enquirer

Director Trey Edward Shults and actress Taylor Russell talk about their drama focused on an African-American family; Taylor Swift's ongoing battle for her early music; Josh Homme's "Desert Sessions."

The actor takes on a new challenge for Lauren Yee's play at The Pasadena Playhouse; the Country Music Association Awards and a dichotomy in country music; the composers of "Dickinson" use modern music for the classic tale.

Mark Landsman's documentary looks at the roots and the modern history of the notorious tabloid; Anna Waronker and the revival of the band That Dog; Song Exploder with Raphael Saadiq.

Daniel J. Jones, the Senate investigator who uncovered the CIA's use of torture in the wake of 9/11, talks about the movie based on his work, in which he's played by Adam Driver; Disney's new streaming service got off to a shaky start because of tech issues; Sam Beam of Iron & Wine and Joey Burns from Calexico have teamed up for another album.