The Frame

On today's show: Olivia Milch wrote and directed the Netflix film, "Dude," and she co-wrote the much anticipated "Ocean's 8"; GLAAD's annual report says movie studios have regressed when it comes to LGBTQ representation; music producer Sebastian Krys' path from lowly intern to studio wizard.

On today's episode, filmmaker Jennifer Fox adds a personal chapter to the #MeToo movement with her film, "The Tale" (starring Laura Dern); Kyle Buchanan of Vulture.com talks about the highlights of the Cannes Film Festival; and writer Robert Gordon explores Memphis blues and R&B.

The documentary, “Bombshell,” tells the amazing life story of movie star and wartime inventor Hedy Lamarr; YouTube will compete with Spotify and Apple Music through its new streaming platform; the schlocky horror comedy, "Killer Klowns from Outer Space," turns 30.

Broadcast networks finished pitching to advertisers today, with the news that "Crazy Ex-Girlfriend" will end after next season; a look at the Billboard Top 40 charts reveals that rock just isn’t very popular these days; Canadian singer-songwriter Lindi Ortega's latest album was inspired by spaghetti Westerns, Ennio Morricone film scores and Quentin Tarantino movies.

Playwright David Henry Hwang and composer Jeanine Tesori — both Tony Award winners — created a play with music that imagines China becoming the pre-eminent world power after the 2016 presidential election; it’s that time of year in Hollywood: the season known mostly by the acronym FYC — For Your Consideration.

Ethan Hawke has three movies coming out this year: "First Reformed," "Juliet, Naked" and “Blaze." Hawke opens up about his choices to make indie films and how he's wrestled with the notion of being a celebrity; a new study from the Annenberg Public Policy Center looks at whether some movie violence should merit a new PG-15 rating.

The issue of representation for women in film has come up at the Cannes Film Festival, where the festival’s leaders have pledged to reach 50/50 parity for women filmmakers by 2020. We get a report from Rico Gagliano; In "I'm Sorry," actress Andrea Savage plays a "heightened" version of herself: a comedian with wildly inappropriate jokes who's also the mother of a young girl; We meet the Iranian singer Googoosh, who performed Saturday night at a packed Hollywood Bowl.

Director Jason Reitman has collaborated with screenwriter Diablo Cody on three films — "Juno," "Young Adult," and now, "Tully," which stars Charlize Theron; why Spotify's decision to take R. Kelly’s music off its curated playlists is so controversial; the documentary "Unrest" raises awareness about chronic fatigue syndrome, a common but poorly understood disease;

The second season of Justin Simien's "Dear White People" has a lot to say about race, truth and what it means to be an American; YouTube's foray into the original content game includes "Cobra Kai," a sequel to "Karate Kid" with original star Ralph Macchio.

Arranged marriage in modern day India is explored in "A Suitable Girl," which tries to dispel Western misconceptions about the tradition; it's that time of the year when TV networks must decide which shows are renewed and which ones are toast; Ellen Reid's new work hopes to capture the nation’s sense of urgency.

The Academy of Motion Picture Arts and Sciences makes changes to its board in an effort to diversify. We talk with two members of the Academy about what's to come. Then composer Laura Karpman talks about her Grammy-winning composition "Ask Your Mama" and how she's working to get more women into the scoring stage.

Producer Janet Yang (The Joy Luck Club, The People v. Larry Flynt) was among the Asian American professionals in Hollywood who sent a letter to the Academy of Motion Pictures Arts and Sciences protesting offensive jokes told at the Oscars. Touring LACMA'S Mapplethorpe exhibit and finding unexpected art. We meet a young African American filmmaker undeterred by Hollywood's diversity problem.

Robert Mapplethorpe gets a massive retrospective at two L.A. museums courtesy of the Mapplethorpe Foundation. Can a set top box that streams first run films the day they're in theaters disrupt the movie business as we know it? Closing the gender gap one women artist at a time.

The massive Hauser Wirth & Schimmel gallery is the newest addition to L.A.'s bustling downtown arts district; singer and bass player Esperanza Spalding adds some theatrical touches to her live show; the South by Southwest film festival kicks off today in Austin.

Actress Ellen Page and Ian Daniel are co-hosts of a new Viceland channel show that documents LGBTQ communities around the world; a Marine's experience in Iraq is dramatized by the adventurous Long Beach Opera.

Actress Sarah Paulson is getting rave reviews for her performance as prosecutor Marcia Clark in "The People v. O.J. Simpson"; the music collective known as Dublab partnered with Metro to create an ambient music experience at L.A.'s Union Station.

Writer-producer Terence Winter creates an HBO drama out of the 1970's music business in "Vinyl"; SNL alumnus Seth Meyers injects politics into his "Late Night" humor; Swedish-Argentine musician José González redefines "global music."

Nahnatchka Khan's experience as a daughter of immigrants helped shape the outsider perspective of "Fresh Off the Boat"; the box office success of "Zootopia" is due to Disney's embrace of Pixar's ethic; KT Tunstall deconstructs the song that launched her career, "Suddenly I See."

David Litt was President Obama's funniest speechwriter and now he's mining Washington for Funny or Die; Robert Carlock talks about adapting "Whiskey Tango Foxtrot" for his longtime writing partner, Tina Fey; Kendrick Lamar drops a surprise album.

Series creator Beau Willimon tees up the fourth season of "House of Cards" on Netflix; the trailer for the remake of "Ghostbusters" depicts a very different New York City; Pulitzer Prize-winning composer Julia Wolfe readies the West Coast premiere of her oratorio.

Over the past 25 years, Jon Brion has quietly become a go-to producer and composer for musicians and filmmakers; L.A. County tightens the rules for raves on public property; the Colburn School teaches its students how to audition for orchestra jobs.

Roger Guenveur Smith on directing "The Mountaintop," a play set in a Memphis motel on the eve of Martin Luther King Jr.'s assassination; criticism mounts over Chris Rock's treatment of diversity and Asian-Americans; high school students perform August Wilson monologues.