The Frame

On today's show: 50 years after the assassination of Robert F. Kennedy, filmmaker Dawn Porter talks about her Netflix docu-series, "Bobby Kennedy For President"; until recently, singer-guitarist Naia Izumi could barely survive by performing on the streets of L.A. Now, he’s on his very first national tour after winning NPR’s Tiny Desk Song Contest.

On today's show: Filmmaker Morgan Neville adds Fred Rogers to his eclectic list of documentary subjects; Jihan Zencirli is unlike any balloon artist you've ever encountered.

On today's show: Samantha Bee said she crossed a line with her vulgar comment about Ivanka Trump, but where is that line these days on TV?; actor Simon Baker makes his film directing debut with "Breath"; music under the stars at the Mt. Wilson Observatory.

On today's show: Writer/director Bart Layton talks about the true story behind his new heist film, "American Animals"; Spotify's founder admits the company erred in its attempt to punish some recording artists accused of misconduct; The Miracle Project brings together teenagers and young adults with autism to create and perform a musical.

On today's show: TV critics Lorraine Ali (Los Angeles Times) and Daniel Fienberg (Hollywood Reporter) talk with John Horn about the broader issues raised by the "Roseanne" debacle; With "The Americans" coming to an end, we learn trade secrets from the show's costumer and makeup artist.

On today's show: Ted Johnson of Variety talks about ABC's dramatic move after Barr's racist tweet about former Obama official Valerie Jarrett; actress Shailene Woodley talks about her role in the new film, "Adrift"; L.A. Times art critic on how MOCA should solve its leadership issues.

The Frame's John Horn and L.A. Times reporter Jen Yamato guide you through the summer movie lineup. We've got interviews with Ethan Hawke, Shailene Woodley and Tessa Thompson, "Incredibles 2" director Brad Bird, and the paleontologist who consulted on all the "Jurassic" movies. Plus, John visits with concession stand vendors who are marketing the next generation of movie snacks.

On today's show: actor Jussie Smollett is an executive producer of "America Divided." His episode looks at the inheritance of slavery; songwriter Mary Gauthier wrote an entire album with veterans; an attorney who represents sexual harassment victims talks about the significance of Harvey Weinstein's arrest.

On today's show: The acclaimed filmmaker responded to the pope's invitation to make a documentary about the Catholic Church under his leadership; with "Solo: A Star Wars Story" opening, are fans suffering from galactic fatigue?; screenwriter Zak Penn on what makes for a successful Summer blockbuster.

On today's show: L.A. Times pop music critic emeritus Robert Hilburn talks about his new Paul Simon biography and about the singer/songwriter's final tour; the Portland-based musicians who record as Wonderly on how they created the theme song for The Daily — the radio version of the New York Times’ hugely popular daily news podcast.

Actor Jason Segel made his career in big studio comedies such as “Forgetting Susan Marshall," the TV sitcom, “How I Met Your Mother," and as author David Foster Wallace in the film “The End of the Tour,” which won him a lot of acclaim. Now he's taking that new image into his latest movie, the sci-fi love story “The Discovery,” which co-stars Rooney Mara and Robert Redford.

Jessica Williams was a correspondent on "The Daily Show" and now co-hosts the popular podcast, “2 Dope Queens." And this summer she can be seen in the Netflix movie, “The Incredible Jessica James"; movie theater owners are gathered in Las Vegas for CinemaCon. While movie studios preview their big 2017 releases, hovering over the party is the looming threat of streaming and video-on-demand.

The Wooster Group’s latest stage show, “The Town Hall Affair,” re-creates an infamous 1971 public debate about feminism moderated by – of all people – the chauvinistic writer Norman Mailer. Now on stage at the REDCAT in downtown Los Angeles, the show has resonance in an era when a presidential candidate can get away with ugly talk about women and millions of women took to the streets on the day after his inauguration.

Film producers Bonnie Curtis and Julie Lynn have made several small budget, character-driven movies together including “Albert Nobbs” with Glenn Close and “Last Days in the Desert” with Ewan McGregor. But "Life" is completely different. They talk with The Frame about managing a bigger budget –with special effects and zero gravity– and what makes their partnership work.

Caro's latest film is “The Zookeeper’s Wife," but her next project, the live-action version of “Mulan,” will make her only the 4th woman to have a budget over $100 million; The Writer’s Guild is negotiating its next contract, and there has been talk of a strike over wages for TV writers; children’s book author/illustrator Claire Keane worked with her Disney animator father on a story about Rapunzel that is being turned into a TV series.

"The Americans" creator Joe Weisberg and fellow showrunner Joel Fields talk about creating their 1980's Russian espionage show in the era of Russian hacking. The two are joined by director Chris Long– who shot some of the show in Moscow– to talk about creating a family drama that's also a secret agent story.

The 1991 Disney animated film "Beauty and the Beast," is considered by many to be a classic. But the man behind the lyrics of some of our favorite songs never got to see the final film. We put together this oral history/remembrance of his life and legacy; “Good Grief" is a new play by LA-based playwright Ngozi Anyanwu that can help people cope with their own losses; Drake’s new album "More Life” was the soundtrack to this past weekend. Literally.

Deborah Borda is leaving her post as CEO of the L.A. Philharmonic to run the N.Y. Philharmonic; filmmaker Taylor Hackford recalls making his 1987 documentary about Chuck Berry; Discostan is a monthly club night that features Middle Eastern music.

A new Japanese American National Museum (JANM) exhibit remembers the dark history of legalized discrimination in the US. Classical music composer Julia Adolphe is a rising star with a new work at the Los Angeles Chamber Orchestra. Director Sydney Freeland discusses her coming-of-age movie "Deidra & Laney Rob a Train."

What does President Trump's budget proposal to eliminate the NEA, NEH and CPB actually mean? New York Magazine art critic Jerry Saltz finds hope in the political messages and diverse voices at the Whitney Biennal. And director Ferne Pearlstein and Holocaust survivor Renee Firestone discuss the new documentary "The Last Laugh."

LA Phil chief Deborah Borda will depart to head the NY philharmonic. She leaves behind a flourishing institution, a happy orchestra, and a charismatic artistic director. Documentarian Marina Zenovich tries to uncover who owns California's water supply in "Water & Power: A California Heist." And filmmaker Ritesh Batra goes from "The Lunchbox" to "The Sense of an Ending."

Misha Green, co-creator of the WGN series "Underground," talks about how characters like Harriet Tubman are real-life superheroes and how she's sometimes mistaken for an assistant on set; Goldenvoice—the promoters behind Coachella, Stagecoach and Desert Trip—bring their latest fest to Pasadena, called Arroyo Seco Weekend.