The Frame

On today's show: comedian Hannah Gadsby grew up in Tasmania, where being gay wasn't just dangerous, it was criminalized. Now, she’s sharing her story in a Netflix special; WeTransfer creates a platform for artists and other creatives to showcase their work; Anna Abondolo is a teen musician who's going places.

On today's show: Beyoncé and Jay thrilled their fans by dropping a surprise album over the weekend; playwright Stephen Karam turned a bad family Thanksgiving dinner into "The Humans"; real life paleontologist Jack Horner inspired the Sam Neill character in the "Jurassic" franchise.

On today's show: Lea Thompson didn’t always like the way women were depicted in movies. So she directed a female-positive feature — written by and starring her daughter; mixed news for people who work in Hollywood; Jeff Tomsic, director of the buddy comedy, "Tag."

On today's show: Hanks is spending a good chuck of his summer playing Falstaff in "Henry IV" under the stars on the grounds of the V.A. campus in Brentwood; Spotify's curated playlists are hugely influential, but are they also sexist?

On today's show: Director Domee Shi mined her childhood for the story about a Chinese dumpling that comes to life in the animated short, "Bao"; Fox can only hope for the best as the World Cup kicks of without the U.S. team; between streaming services and countless cable channels, why are there still movies that can't be seen?

On today's show: the British actress has gone from an Oscar-nominated role in "Phantom Thread" to sharing the stage with Jeremy Irons; the E3 gaming convention is not just about guns and bombast; a new episode of Song Exploder features Liz Phair revisiting her 1993 debut album, "Exile in Guyville."

On today's show: Director X (that's what he goes by) says his film is a "re-imagining" of the '70s blaxploitation classic; what does it mean that the major film critics are overwhelmingly white and male?; we take you out to the ol' ballgame with the L.A. Dodgers' organist.

On today's show: actress Toni Collette talks about her intense performance in the new horror film, "Hereditary"; remembering Anthony Bourdain, the author and TV host who had a profound influence on food culture; a preview of the Tony Awards with New York Times co-theater critic Jesse Green.

On today's show: the theater satire trio known as Culture Clash revisits the volatile region in its latest show, “Bordertown Now”; the ReFrame coalition is partnering with IMDbPro to recognize standout, gender-balanced film and TV projects; the L.A.-based American Contemporary Ballet performs at its studio on the 32nd floor of a downtown high-rise.

On today's show: director Brad Bird explains the long gestation between the original and "Incredibles 2"; is the traditionally conservative country music industry changing its stripes?; the PLAY organization helps people tap into their creative, playful selves.

Salim Akil, creator of the CW series, "Black Lightning," says black superheroes are needed more than ever; after Uma Thurman accused Tarantino of abusing her and putting her at risk on a movie set, will his next film proceed as planned?; hardcore movie fans now have a fantasy league of their own.

Justin Timberlake is back at the Super Bowl, but why isn't Janet Jackson?; Jennifer Fox's "The Tale" is the true story of the sexual abuse inflicted by her riding coach when she was a teen; women in the music industry are calling for Grammy president Neil Portnow to resign.

2017 was a breakout year for writer/actress Lena Waithe and she's already off to bigger things in the new year; the Producers Guild of America has developed a code of conduct for its members, who wield a lot of power in the industry.

The latest show from Cirque looks to Mexican history and culture for inspiration; the L.A. Phil marks Leonard Bernstein's centennial with his sprawling 'Mass'; the National Gallery of Art indefinitely postponed a show by Chuck Close because of allegations of inappropriate behavior against the artist.

With the State of the Union upon us, Bill Pullman recalls his roles as Commander-in-Chief; trans actress Daniela Vega plays a groundbreaking trans role; Rachel Morrison is the first woman nominated for an Academy Award in cinematography.

The Grammys are slammed for under-representing women; a New York Times essay argues that the Time's Up movement is subverted by award shows; Aimee Mann won the Best Folk Album Grammy — one of the few women to take home a trophy.

How did Pati Jinich, the granddaughter of Eastern European immigrants, end up hosting a popular Mexican food show?; the NAMM show is a dizzying array of instruments and gadgets; The Secret Sisters are nominated for best folk album at the Grammys.

The Irish actor traverses big budget movies like "Star Wars" and indie films like “A Futile and Stupid Gesture”; a new USC study shows how women are underrepresented in pop music; Benj Pasek and Justin Paul are nominated for the Broadway musical, “Dear Evan Hansen.”

Best jazz album nominee Billy Childs talks about how L.A. inspired his hybrid style; as the music industry gathers for the Grammys, what are its challenges?; two filmmakers step out from the shadow of the legendary Hayao Miyazaki.

Kyle Buchanan of Vulture.com and film critic Amy Nicholson maintain that younger and more diverse nominees are a result of the academy broadening its membership; "Baby Driver" director is a Grammy nominee for the film's pop-heavy soundtrack.

John Horn chats with Daveed Diggs and Rafael Casal about their ode to Oakland; the SAG Awards put the spotlight on women and the road ahead to gender equality on Hollywood; PJ Morton is nominated for best R&B album (“Gumbo”) and best R&B song (“First Began”).

A report from John Horn at Sundance, where the festival offerings include a film about a certain Supreme Court justice; Pacific Standard Time LA/LA includes a performance festival with Latino/a artists from the U.S., Mexico and South America.