The Frame

On today's show: jazz trumpeter Terence Blanchard's interest in social issues comes through in his choice of projects, such as his score for “BlacKkKlansman,” the forthcoming film by Spike Lee; documentary films are having a renaissance, evidenced by the success of "RBG" and "Won't You Be My Neighbor."

On today's show: filmmaker Debra Granik says if studios are the equivalent of big agriculture, she is the organic farmer; off the court, LeBron James has a big Hollywood presence; singer-songwriter Sam Buck contrasts '90s pop country with personal anecdotes of queer identity.

On today's show: Sarah Silverman is ramping up for the second season of her Hulu series, in which she travels the country to examine the causes of America’s polarization through a comedic lens.

On today's show: "Woman Walks Ahead" tells the story of Catherine Weldon, a real-life activist and artist who traveled from Brooklyn to the Standing Rock Reservation in the 1880s to paint a portrait of Sitting Bull. Jessica Chastain plays Weldon and is also an activist herself — for equal pay and equal opportunities for women in Hollywood.

On today's show: filmmaker Tim Wardle tells the unreal story of three men who discovered siblings they never knew existed; the mixed messages of the Motion Picture Academy's latest membership push; two exhibitions bring street art inside Chinatown galleries.

On today's show: the lead singer of Imagine Dragons is a practicing Mormon, but he questions the church's stance on LGTBQ issues in the HBO documentary, "Believer."

On today's show: The actress produced and narrates the documentary, which is based on the book of the same name by Jonathan Safran Foer. She wants you to think twice about being a meat-eater; filmmaker Eugene Jarecki goes in search of the America that produced Elvis Presley.

Steven Canals, co-creator of the FX series about the underground club culture, talks about re-creating those elaborate scenes; why is the Pasadena Museum of California Art shutting its doors?; Ben Lewin's film, "The Catcher Was a Spy," is about a major league baseball player who lived a double life during World War II.

Writer/director Shana Feste's father was a troubled but charismatic man who inspired her new film; in the Vice series, "Minority Reports," Lee Adams explores racial angles of fish-out-of-water stories; Rosie & the Riveters play folk music with a feminist bent.

On today's show: After going dark for five years, LALIFF has been revived by its co-founder, Edward James Olmos; Disney makes a counteroffer for properties being sold by Fox; The documentary, "Half the Picture," looks at the long history of systemic discrimination against women filmmakers.

Actor Jason Segel made his career in big studio comedies such as “Forgetting Susan Marshall," the TV sitcom, “How I Met Your Mother," and as author David Foster Wallace in the film “The End of the Tour,” which won him a lot of acclaim. Now he's taking that new image into his latest movie, the sci-fi love story “The Discovery,” which co-stars Rooney Mara and Robert Redford.

Jessica Williams was a correspondent on "The Daily Show" and now co-hosts the popular podcast, “2 Dope Queens." And this summer she can be seen in the Netflix movie, “The Incredible Jessica James"; movie theater owners are gathered in Las Vegas for CinemaCon. While movie studios preview their big 2017 releases, hovering over the party is the looming threat of streaming and video-on-demand.

The Wooster Group’s latest stage show, “The Town Hall Affair,” re-creates an infamous 1971 public debate about feminism moderated by – of all people – the chauvinistic writer Norman Mailer. Now on stage at the REDCAT in downtown Los Angeles, the show has resonance in an era when a presidential candidate can get away with ugly talk about women and millions of women took to the streets on the day after his inauguration.

Film producers Bonnie Curtis and Julie Lynn have made several small budget, character-driven movies together including “Albert Nobbs” with Glenn Close and “Last Days in the Desert” with Ewan McGregor. But "Life" is completely different. They talk with The Frame about managing a bigger budget –with special effects and zero gravity– and what makes their partnership work.

Caro's latest film is “The Zookeeper’s Wife," but her next project, the live-action version of “Mulan,” will make her only the 4th woman to have a budget over $100 million; The Writer’s Guild is negotiating its next contract, and there has been talk of a strike over wages for TV writers; children’s book author/illustrator Claire Keane worked with her Disney animator father on a story about Rapunzel that is being turned into a TV series.

"The Americans" creator Joe Weisberg and fellow showrunner Joel Fields talk about creating their 1980's Russian espionage show in the era of Russian hacking. The two are joined by director Chris Long– who shot some of the show in Moscow– to talk about creating a family drama that's also a secret agent story.

The 1991 Disney animated film "Beauty and the Beast," is considered by many to be a classic. But the man behind the lyrics of some of our favorite songs never got to see the final film. We put together this oral history/remembrance of his life and legacy; “Good Grief" is a new play by LA-based playwright Ngozi Anyanwu that can help people cope with their own losses; Drake’s new album "More Life” was the soundtrack to this past weekend. Literally.

Deborah Borda is leaving her post as CEO of the L.A. Philharmonic to run the N.Y. Philharmonic; filmmaker Taylor Hackford recalls making his 1987 documentary about Chuck Berry; Discostan is a monthly club night that features Middle Eastern music.

A new Japanese American National Museum (JANM) exhibit remembers the dark history of legalized discrimination in the US. Classical music composer Julia Adolphe is a rising star with a new work at the Los Angeles Chamber Orchestra. Director Sydney Freeland discusses her coming-of-age movie "Deidra & Laney Rob a Train."

What does President Trump's budget proposal to eliminate the NEA, NEH and CPB actually mean? New York Magazine art critic Jerry Saltz finds hope in the political messages and diverse voices at the Whitney Biennal. And director Ferne Pearlstein and Holocaust survivor Renee Firestone discuss the new documentary "The Last Laugh."

LA Phil chief Deborah Borda will depart to head the NY philharmonic. She leaves behind a flourishing institution, a happy orchestra, and a charismatic artistic director. Documentarian Marina Zenovich tries to uncover who owns California's water supply in "Water & Power: A California Heist." And filmmaker Ritesh Batra goes from "The Lunchbox" to "The Sense of an Ending."

Misha Green, co-creator of the WGN series "Underground," talks about how characters like Harriet Tubman are real-life superheroes and how she's sometimes mistaken for an assistant on set; Goldenvoice—the promoters behind Coachella, Stagecoach and Desert Trip—bring their latest fest to Pasadena, called Arroyo Seco Weekend.