The Frame

On today's show: jazz trumpeter Terence Blanchard's interest in social issues comes through in his choice of projects, such as his score for “BlacKkKlansman,” the forthcoming film by Spike Lee; documentary films are having a renaissance, evidenced by the success of "RBG" and "Won't You Be My Neighbor."

On today's show: filmmaker Debra Granik says if studios are the equivalent of big agriculture, she is the organic farmer; off the court, LeBron James has a big Hollywood presence; singer-songwriter Sam Buck contrasts '90s pop country with personal anecdotes of queer identity.

On today's show: Sarah Silverman is ramping up for the second season of her Hulu series, in which she travels the country to examine the causes of America’s polarization through a comedic lens.

On today's show: "Woman Walks Ahead" tells the story of Catherine Weldon, a real-life activist and artist who traveled from Brooklyn to the Standing Rock Reservation in the 1880s to paint a portrait of Sitting Bull. Jessica Chastain plays Weldon and is also an activist herself — for equal pay and equal opportunities for women in Hollywood.

On today's show: filmmaker Tim Wardle tells the unreal story of three men who discovered siblings they never knew existed; the mixed messages of the Motion Picture Academy's latest membership push; two exhibitions bring street art inside Chinatown galleries.

On today's show: the lead singer of Imagine Dragons is a practicing Mormon, but he questions the church's stance on LGTBQ issues in the HBO documentary, "Believer."

On today's show: The actress produced and narrates the documentary, which is based on the book of the same name by Jonathan Safran Foer. She wants you to think twice about being a meat-eater; filmmaker Eugene Jarecki goes in search of the America that produced Elvis Presley.

Steven Canals, co-creator of the FX series about the underground club culture, talks about re-creating those elaborate scenes; why is the Pasadena Museum of California Art shutting its doors?; Ben Lewin's film, "The Catcher Was a Spy," is about a major league baseball player who lived a double life during World War II.

Writer/director Shana Feste's father was a troubled but charismatic man who inspired her new film; in the Vice series, "Minority Reports," Lee Adams explores racial angles of fish-out-of-water stories; Rosie & the Riveters play folk music with a feminist bent.

On today's show: After going dark for five years, LALIFF has been revived by its co-founder, Edward James Olmos; Disney makes a counteroffer for properties being sold by Fox; The documentary, "Half the Picture," looks at the long history of systemic discrimination against women filmmakers.

Salim Akil, creator of the CW series, "Black Lightning," says black superheroes are needed more than ever; after Uma Thurman accused Tarantino of abusing her and putting her at risk on a movie set, will his next film proceed as planned?; hardcore movie fans now have a fantasy league of their own.

Justin Timberlake is back at the Super Bowl, but why isn't Janet Jackson?; Jennifer Fox's "The Tale" is the true story of the sexual abuse inflicted by her riding coach when she was a teen; women in the music industry are calling for Grammy president Neil Portnow to resign.

2017 was a breakout year for writer/actress Lena Waithe and she's already off to bigger things in the new year; the Producers Guild of America has developed a code of conduct for its members, who wield a lot of power in the industry.

The latest show from Cirque looks to Mexican history and culture for inspiration; the L.A. Phil marks Leonard Bernstein's centennial with his sprawling 'Mass'; the National Gallery of Art indefinitely postponed a show by Chuck Close because of allegations of inappropriate behavior against the artist.

With the State of the Union upon us, Bill Pullman recalls his roles as Commander-in-Chief; trans actress Daniela Vega plays a groundbreaking trans role; Rachel Morrison is the first woman nominated for an Academy Award in cinematography.

The Grammys are slammed for under-representing women; a New York Times essay argues that the Time's Up movement is subverted by award shows; Aimee Mann won the Best Folk Album Grammy — one of the few women to take home a trophy.

How did Pati Jinich, the granddaughter of Eastern European immigrants, end up hosting a popular Mexican food show?; the NAMM show is a dizzying array of instruments and gadgets; The Secret Sisters are nominated for best folk album at the Grammys.

The Irish actor traverses big budget movies like "Star Wars" and indie films like “A Futile and Stupid Gesture”; a new USC study shows how women are underrepresented in pop music; Benj Pasek and Justin Paul are nominated for the Broadway musical, “Dear Evan Hansen.”

Best jazz album nominee Billy Childs talks about how L.A. inspired his hybrid style; as the music industry gathers for the Grammys, what are its challenges?; two filmmakers step out from the shadow of the legendary Hayao Miyazaki.

Kyle Buchanan of Vulture.com and film critic Amy Nicholson maintain that younger and more diverse nominees are a result of the academy broadening its membership; "Baby Driver" director is a Grammy nominee for the film's pop-heavy soundtrack.

John Horn chats with Daveed Diggs and Rafael Casal about their ode to Oakland; the SAG Awards put the spotlight on women and the road ahead to gender equality on Hollywood; PJ Morton is nominated for best R&B album (“Gumbo”) and best R&B song (“First Began”).

A report from John Horn at Sundance, where the festival offerings include a film about a certain Supreme Court justice; Pacific Standard Time LA/LA includes a performance festival with Latino/a artists from the U.S., Mexico and South America.