The Frame

On today's show: jazz trumpeter Terence Blanchard's interest in social issues comes through in his choice of projects, such as his score for “BlacKkKlansman,” the forthcoming film by Spike Lee; documentary films are having a renaissance, evidenced by the success of "RBG" and "Won't You Be My Neighbor."

On today's show: filmmaker Debra Granik says if studios are the equivalent of big agriculture, she is the organic farmer; off the court, LeBron James has a big Hollywood presence; singer-songwriter Sam Buck contrasts '90s pop country with personal anecdotes of queer identity.

On today's show: Sarah Silverman is ramping up for the second season of her Hulu series, in which she travels the country to examine the causes of America’s polarization through a comedic lens.

On today's show: "Woman Walks Ahead" tells the story of Catherine Weldon, a real-life activist and artist who traveled from Brooklyn to the Standing Rock Reservation in the 1880s to paint a portrait of Sitting Bull. Jessica Chastain plays Weldon and is also an activist herself — for equal pay and equal opportunities for women in Hollywood.

On today's show: filmmaker Tim Wardle tells the unreal story of three men who discovered siblings they never knew existed; the mixed messages of the Motion Picture Academy's latest membership push; two exhibitions bring street art inside Chinatown galleries.

On today's show: the lead singer of Imagine Dragons is a practicing Mormon, but he questions the church's stance on LGTBQ issues in the HBO documentary, "Believer."

On today's show: The actress produced and narrates the documentary, which is based on the book of the same name by Jonathan Safran Foer. She wants you to think twice about being a meat-eater; filmmaker Eugene Jarecki goes in search of the America that produced Elvis Presley.

Steven Canals, co-creator of the FX series about the underground club culture, talks about re-creating those elaborate scenes; why is the Pasadena Museum of California Art shutting its doors?; Ben Lewin's film, "The Catcher Was a Spy," is about a major league baseball player who lived a double life during World War II.

Writer/director Shana Feste's father was a troubled but charismatic man who inspired her new film; in the Vice series, "Minority Reports," Lee Adams explores racial angles of fish-out-of-water stories; Rosie & the Riveters play folk music with a feminist bent.

On today's show: After going dark for five years, LALIFF has been revived by its co-founder, Edward James Olmos; Disney makes a counteroffer for properties being sold by Fox; The documentary, "Half the Picture," looks at the long history of systemic discrimination against women filmmakers.

A vocal group from "Pitch Perfect 2" (pictured) takes us inside the world of competitive singing; a week after Chris Burden died, his final work launches at the L.A. County Museum of Art; the Minnesota Orchestra plays a role in normalizing relations between the U.S. and Cuba; critics are effusive about the debut album by Shamir.

You know who’s really sad to see “Mad Men” end? The local businesses that supplied all that vintage clothing and furniture; musician Robert Cray and filmmaker Antoine Fuqua pay tribute to blues legend B.B. King (pictured); director Andrew Niccol’s new film, “Good Kill,” examines the difficult life of an Air Force drone pilot.

"Mad Men" creator Matthew Weiner (far right) talks about the show's legacy; if Harry Shearer leaves "The Simpsons," what would Ned Flanders, Kent Brockman and Mr. Burns say?; Chad Hodge sheds some light on his confusing new series, "Wayward Pines"; CBS' fall plans include "Supergirl."

Marc Maron (pictured) does stand-up, hosts a popular podcast, and his TV show is beginning its second season; at the TV upfronts in New York, the never-ending search for Latino audiences goes on; an artist-turned-radio producer seeks to find out why he's compelled to draw while riding the subway.

"Mad Max: Fury Road" has the hottest trailer, the best reviews and one of the oldest working filmmakers. We go deep with director George Miller (pictured with Charlize Theron); Crash the red carpet with our sneak peek of the Cannes Film Festival; ABC doubles down on diversity for fall season.

Reggie Watts (pictured), the one-man band from "Comedy Bang Bang," has moved on to become a bonafide bandleader on CBS' "The Late Late Show"; L.A. Times art critic Christopher Knight discusses the work of the late Chris Burden, who created two popular installations at the L.A. County Museum of Art.

As the Los Angeles County Museum of Art marks its 50th anniversary, CEO Michael Govan discusses the museum's past, present and future; the museum's coming exhibitions include a showcase for the late L.A. assemblage artist, Noah Purifoy.

As the big TV networks prep to unveil their new Fall line-ups, one show looms large — "Empire"; a new film about Gloria Trevi, known as "The Mexican Madonna"; former MTV news correspondent Tabitha Soren has a new photo exhibit of her work documenting the careers of minor league baseball players (pictured).

CalArts marks the 25th anniversary of its Community Arts Partnership with an annual stage show at Plaza de la Raza; Chaz Budwick is the musical talent behind Toro y Moi; first-time filmmakers Jarrad Paul and Andrew Mogel were fortunate to get Jack Black for "The D Train" (pictured).

Disney is in a dispute with theater owners over box office revenue from "Avengers: Age of Ultron"; the defunct TV show "Revolution"gets new life as a digital comic book; Best Coast (pictured) continues its love affair with California on the band's new album.

A writer asks: How Much Is Music Worth?; an L.A. teen is a finalist in the August Wilson Monologue Competition on Broadway; composer Brian Tyler creates movie magic with his scores to films like "Avengers: Age of Ultron" (pictured) and "Furious 7"; and "Game of Thrones" author George R.R. Martin is a Deadhead.

New York magazine art critic Jerry Saltz says the new Whitney Museum is showing up the rest of the art scene; a new exhibit at Sotheby’s (pictured) pairs work by prominent African-American artists with a soundtrack curated by rapper Drake; Rebekah Maysles, daughter of the late documentary filmmaker Albert Maysles, worked with her father on one of his last films, “Iris.”