The Frame

The film is an attempt to understand the motives behind the horrific 2011 attack at a teen camp in Norway; Taylor Swift showed her political leanings this week, but can she make a difference?

The Academy Award-winning director takes on a biopic of astronaut Neil Armstrong; "American Saga: Gunshot Medley: Part 1" is a new play about the struggle against systemic racism.

Cinematographer Matthew Libatique talks about shooting the film's live concert scenes at Coachella and other venues; New York Times culture critic Amanda Hess on how the new TV season is addressing the #MeToo movement; Chan Marshall, aka Cat Power, breaks down her song, "Woman."

It's been 11 years since the writer/director's last film, and she returns with a personal movie about infertility; singer Luciana Souza has a new album based on Leonard Cohen's poetry.

The man who made crucial contributions to the music of Duke Ellington gets a tribute in David Rousséve's "Halfway to Dawn"; a dozen years after his death, James Brown's estate remains a muddled mess; Icelandic artist Ragnar Kjartansson has a riveting video installation at The Broad.

The dissident Chinese artist has three current exhibitions in Los Angeles; the Kavanaugh-Ford hearing gets a theatrical treatment with the gender roles reversed; Manhattan's High Line is the setting for "The Mile Long Opera."

He's currently in the films "The Sisters Brothers" and "Venom," he's about to perform in the title role of "Hamlet" for Netflix, while also furthering his career as a rapper; Donald Trump's presidency is the ultimate reality show, but will it get renewed in 2020?

Robert Redford, Sissy Spacek and the film's writer/director talk about what may or may not be the actor's final role; actress Chantal Cousineau on California's new sexual harassment laws; New Yorker magazine cartoonist Liana Finck.

The primary lyricist for Los Lobos is also a visual artist and he has paired his lyrics and drawings and paintings in a new book, "Good Morning Aztlán"; Sarah Jones' "Sell/Buy/Date" is a one-woman play with many views of the sex industry.

The iconic L.A. artist leads John Horn on a tour of his vast workspace and talks about his past and current work; media scholar Robert Thompson talks about the historic nature of Judge Brett Kavanaugh's televised confirmation hearings; Cuban pianist Dayramir Gonzalez is a rising star in jazz.

Despite an ongoing dispute between The Recording Academy and its recently-ousted CEO, the show will go on, so we’ll spotlight a wide range of nominees and celebrate the music they make.

The festival's opening night featured a film about a 1970s camp for disabled teens, some of whom became activists in the disability-rights movement; the Grammys' problem du jour; the Academy Award-nominated documentary, "For Sama."

John Horn is off to the film festival, where the schedule includes a documentary about Hillary Clinton and a feature film, "The Assistant," largely inspired by stories of working for Harvey Weinstein; Jonathan Pryce, Academy Award best actor nominee for "The Two Popes," talks about portraying Pope Francis.

The actress and writer heads for the Sundance Film Festival with a TV project that is partially inspired by her Iranian immigrant family; opening arguments take place today in Harvey Weinstein's trial; the controversy shrouding the Grammy Awards continues to evolve.

The former R.E.M. frontman retreated from music after the band split up in 2011, but he's back with two new songs; wrapping up the Television Critics Assn. winter tour, which previewed what's coming up from networks, cable channels and streaming services.

Michael Stipe has two new solo singles; Victoria Mahoney is the first woman and first person of color behind a camera on a "Star Wars" movie, Mary Steenburgen turns a bizarre brain phenomenon into a music career; "American Factory" gets an Oscar nomination; Franklin Leonard makes an alt Oscar ballot.

An exhibition at New York's Museum of Jewish Heritage attempts to fight growing ignorance about the Holocaust; turmoil at the Grammy organization; a new fund aims to improve equity and inclusion in film and TV.

The prolific author examines his craft in “Consider This: Moments in My Writing Life After Which Everything Was Different"; J. Clara Chan of The Wrap reports from the Harvey Weinstein trial; the satirical comedy group Culture Clash takes on a Baroque opera;

Justin Levine, music supervisor for the Broadway adaptation of Baz Luhrmann’s 2001 film, talks about adapting recent pop songs for the period musical; The Lucas Museum has acquired a prominent collection of ephemera related to African American film history; Mary Steenburgen's sudden and odd songwriting career.

Oscar-nominated screenwriter Krysty Wilson-Cairns on how she and director Sam Mendes penned the script knowing the film would be shot as if it was one continuous take; an alternate history of this year's Oscar nominations; multimedia artist Miwa Matreyek takes her environmental activism to the stage.

The Academy Award nominations include only one non-white artist among the 20 nominees in the acting categories. And women are again shut out in the directing category.

Jon Batiste reveals how he and Stephen Colbert first bonded; Zahra Noorbakhsh, a proud "feminist, Muslim, Iranian-American comedian" uses her voice more than ever; Cristela Alonzo reflects on her life in a new memoir; meet the man behind the Daptone sound and more...