The Frame

The singer/songwriter wrote his Grammy-nominated album, "American Utopia," prior to our recent political discord, but he remains determined to find the silver lining in society; studio executives are talking the talk but not walking the walk when it comes to hiring women directors.

Kit Steinkellner talks about creating the Facebook Watch series about a widow dealing with her husband's unexpected death; the 2019 Coachella headliners include Childish Gambino(!) and Ariana Grande(?); Janelle Monáe breaks down a song from her Grammy-nominated album, "Dirty Computer"

The stage director made history with "The Lifespan of a Fact" by assembling the first all-female design team for a Broadway show; Netflix has pulled an episode of Hasan Minhaj's "Patriot Act" from its service in Saudi Arabia after a protest from the Saudi government; Mary Gauthier's "Rifles and Rosary Beads" has a Grammy nomination for Best Folk Album.

The former Monty Python member revisits his life and career in the memoir, "Always Look on the Bright Side of Life: A Sortabiography"; Luciana Souza puts Leonard Cohen poems to music.

José James pays tribute to singer/songwriter Bill Withers with his new album "Lean on Me."

Alfonso Cuarón reveals the intense process of mining his own memory, and those of his siblings and childhood nanny, to recreate their shared story for the screen in "Roma."

Rosamund Pike reveals how she channeled the late war reporter Marie Colvin in the film "A Private War."

Afghan-American artist Ariana Delawari documents the process of recording an album of music in her family's homeland; Max Baca of the band Texmaniacs on covering the Woody Guthrie song "Deportee"; Boz Scaggs still sings the blues.

We bring you some of our favorite interviews from the year — covering television, movies, music and the arts. Guests include Tessa Thompson, Riz Ahmed, Lena Waithe and Hannah Gadsby.

John C. Reilly joins "Stan & Ollie" director Jon S. Baird to talk about making a movie about the legendary comedic duo Laurel and Hardy. Then, Joanna Kulig stars in "Cold War," Poland's official submission for Oscar which is also the story of filmmaker Pawel Pawlikowski's parents.

Jon Robin Baitz's "Vicuña" now has a different resonance for actor Harry Groener, who plays a Donald Trump-like character; the final part of Richard Nelson’s trilogy, “Women of a Certain Age,” was set on election day and it premiered at N.Y.'s Public Theater as Americans voted; Serj Tankian of the metal band System of a Down is also a symphonic composer.

If Hillary Clinton is elected, she probably won't want to emulate the women presidents depicted on TV and in films; The Second City comedy troupe and Slate magazine teamed up for a “completely unbiased political revue”; which late night shows have benefitted most from the wild presidential campaign?

Benjamin Millepied opens up about why he abandoned a lifetime appointment at the Paris Opera Ballet to return full-time to the L.A. Dance Project; 'Doctor Strange' is the latest Marvel movie that will dominate the box office, but there's a casting controversy around Tilda Swinton in a role that originated in the comic book as an Asian character.

"The Ivory Game" directors used hidden cameras and bulletproof vests as they captured the underground ivory trade for the documentary that they hope will save elephants from extinction; writer-director Barry Jenkins opens up about the personal backstory to making his hit film, "Moonlight"; GLAAD releases its annual study of how LGBTQ characters are portrayed on TV.

Actor Aaron Eckhart says he’s come to terms with the reality of aging in Hollywood; it’s no longer rare to come across a women’s mariachi group, so the accomplished musicians of La Victoria are making their mark in different ways; the annual American Film Market in Santa Monica is crucial to the financing of independent movies.

The podcast network Gimlet Media's new shows include a radio drama with Oscar Isaac, Catherine Keener and David Schwimmer and a docuseries from the producers of HBO's The Jinx; Filmmaker Janicza Bravo got her first TV break directing the most recent episode of "Atlanta"; Playwright Donald Margulies on the origin story of his play "The Model Apartment."

The film “Loving” is about the couple behind the landmark 1967 Supreme Court case that legalized interracial marriage in the U.S. Writer-director Jeff Nichols says he decided to concentrate on the relationship between Mildred and Richard Loving, instead of the case; Playwright Jon Robin Baitz’s talks about his new play, “Vicuña,” conceived just seven months ago when it became likely that Trump would be the GOP’s nominee.

British actress Phoebe Waller-Bridge turned her solo stage show, "Fleabag," into a hit TV series for the BBC and Amazon; comedian and rapper Pedro Herrera put his marketing degree to use when he created his stage persona, Chingo Bling; Vine is being shut down, but those six-second videos helped launch many careers.

Did you know 'The Good Place' is a tutorial on good and evil disguised as a network sit-com? Creator Mike Schur shares his hopes for his new NBC comedy starring Kristen Bell; The Frame gets a rare fly on the wall view of how the filmmakers of "Ouija: Origin of Evil" created the scary soundscape of the movie; CA film commissioner says the production economy in the Golden State is strong.

The co-creator of "The Blair Witch Project” talks about the genre of "found footage" movies that followed the 1999 hit; Hollywood's awards season is underway and it looks like there could be a diverse slate of actor nominees; execs from top tech and entertainment companies meet to figure out their next moves.

The legendary TV producer is going strong at the age of 94, with a remake of "One Day at a Time" set for Netflix; Janelle Monáe takes a break from music to act in her debut feature film, “Moonlight”; could Facebook challenge TV networks and YouTube as a platform for live streaming?

Prentice Penny, showrunner of "Insecure," shares his passion for making a slice-of-life comedy about young African-American women; a look inside USC's Glorya Kaufman International Dance Center; is AT&T's play for Time Warner a good business move?