The Frame

The singer/songwriter wrote his Grammy-nominated album, "American Utopia," prior to our recent political discord, but he remains determined to find the silver lining in society; studio executives are talking the talk but not walking the walk when it comes to hiring women directors.

Kit Steinkellner talks about creating the Facebook Watch series about a widow dealing with her husband's unexpected death; the 2019 Coachella headliners include Childish Gambino(!) and Ariana Grande(?); Janelle Monáe breaks down a song from her Grammy-nominated album, "Dirty Computer"

The stage director made history with "The Lifespan of a Fact" by assembling the first all-female design team for a Broadway show; Netflix has pulled an episode of Hasan Minhaj's "Patriot Act" from its service in Saudi Arabia after a protest from the Saudi government; Mary Gauthier's "Rifles and Rosary Beads" has a Grammy nomination for Best Folk Album.

The former Monty Python member revisits his life and career in the memoir, "Always Look on the Bright Side of Life: A Sortabiography"; Luciana Souza puts Leonard Cohen poems to music.

José James pays tribute to singer/songwriter Bill Withers with his new album "Lean on Me."

Alfonso Cuarón reveals the intense process of mining his own memory, and those of his siblings and childhood nanny, to recreate their shared story for the screen in "Roma."

Rosamund Pike reveals how she channeled the late war reporter Marie Colvin in the film "A Private War."

Afghan-American artist Ariana Delawari documents the process of recording an album of music in her family's homeland; Max Baca of the band Texmaniacs on covering the Woody Guthrie song "Deportee"; Boz Scaggs still sings the blues.

We bring you some of our favorite interviews from the year — covering television, movies, music and the arts. Guests include Tessa Thompson, Riz Ahmed, Lena Waithe and Hannah Gadsby.

John C. Reilly joins "Stan & Ollie" director Jon S. Baird to talk about making a movie about the legendary comedic duo Laurel and Hardy. Then, Joanna Kulig stars in "Cold War," Poland's official submission for Oscar which is also the story of filmmaker Pawel Pawlikowski's parents.

Filmmaker Andrew Jarecki made a feature and now an HBO documentary series (pictured) about Robert Durst, an heir-turned-suspected murderer; the comedy trio Culture Clash revisits "Chavez Ravine," about a key moment in L.A. history; "Jupiter Ascending" and "Seventh Son" are big budget box office flops.

Beyoncé (pictured) is up for six Grammys, including album of the year. Who will win trophies and who should?; Pitchfork has established itself as the go-to music website for millennials; The zombie guru from "Walking Dead" tells all; "Jupiter Ascending" is earthbound, according to critics.

In the wake of the studio's embarrassing computer hack, the co-chair of Sony Pictures will become a producer; Dick Cavett plays himself in a stage play (pictured) that recounts a famous literary feud; "Wild Tales" director Damián Szifrón's film is Argentina's entry in the Academy Awards foreign language film category.

Was Jay-Z wise to plunk down $56 million for the Aspiro music streaming company? The Decemberists (pictured) return with their seventh studio album; Frank Gehry's home was the inspiration for music commissioned by the L.A. Chamber Orchestra; Lynn Shelton talks about directing the pilot for "Fresh Off the Boat."

Director Pawel Pawlikowski on his foreign film nominee, "Ida" (pictured); "Cartel Land" director Matthew Heineman on facing danger in Mexico; "High Maintenance" is a web series that's like “Cheers,” but with weed instead of whiskey; what might Hollywood do with the sequel to “To Kill a Mockingbird"?

Recapping this year's Sundance Film Festival, and a chat with the co-directors of "Meru," which won the Audience Award for U.S. Documentary; actor Randall Park goes from the fire ("The Interview") to the frying pan ("Fresh Off the Boat," pictured).

Anna Bass and Monica Bill Barnes (pictured) imbue their choreography with humor; how the creator of 'Doc McStuffins' made her hit show that counts Michelle Obama among its fans; and two Sundance documentaries show the power of movies to liberate people’s minds.

Rick Famuyiwa, the writer-director of the 2015 Sundance favorite, "Dope," describes being at the center of one of the buzziest films at the fest; “Dear White People” filmmaker Justin Simien looks back at Sundance a year after his breakout; composer Bear McCreary rocks out on his hurdy-gurdy.

Venues for Bill Cosby's live shows sometimes can't cancel a show on their own; Alfonso Gómez-Rejón, director of Sundance favorite "Me & Earl ..." (pictured), on why the film is so personal to him; can Pivot TV's $40 million series, "Fortitude," be a hit for the fledgling network?; "Schoolhouse Rock" creators explain its origins.

Noted documentary director Alex Gibney debuts his HBO film, “Going Clear: Scientology and the Prison of Belief”; no sales record after all for Sundance darling “Me and Earl and the Dying Girl”; Jamie Cullum puts his stamp on jazz standards on his new album, "Interlude."

Awards from the Screen Actors and Producers guilds put "Birdman" (pictured) in the driver's seat for Oscars; watchdog group says "American Sniper" has inspired threats against Arab-Americans and Muslims; sex is a common theme at this year's Sundance festival; actor Tony Hale's children's book.

Karina Canellakis (pictured) is a conductor who does double duty as a violinist, often at the same time; The Frame host John Horn reports from the Sundance Film Festival, where filmmaker Benson Lee returns with a new movie, "Seoul Searching."