The Frame

Musicians Inara George and Eleni Mandell host an occasional performance and conversation series with songwriters of all genres composing music around a common theme; is R. Kelly still getting paid?; TV composer Kurt Farquhar was once homeless.

The veteran R&B singer finds the soul in classics such as "It AIn't Me Babe" and "Mama, You Been On My Mind" on her latest album, "Things Have Changed"; Emma Thompson went public with her decision to pull out of a movie produced by the company that recently hired a disgraced former Pixar executive.

There were surprises ("Green Book"! Olivia Colman!) and some history was made (Hannah Beachler, Ruth Carter). John Horn recaps the show with film critic Claudia Puig and L.A. Times film reporter Jen Yamato.

John Horn and Rebecca Keegan of The Hollywood Reporter co-host the hour-long special, which features interviews with many nominees, including Glenn Close, Rami Malek, Spike Lee and Rachel Weisz.

Bo Burnham's script won a top award from the Writers Guild, but it wasn't nominated for an Oscar; there's now an algorithm that writes movie scripts; Anthony Wilson's album of songs and photographs.

Twenty years after its premiere, the musical based on E.L. Doctorow's novel gets an elaborate revival at the Pasadena Playhouse; unpacking the Jussie Smollett story; what to expect (and not to expect) at the Academy Awards this weekend.

The prolific photographer talks about the survey that chronicles 50 years of documenting pop culture and politics; Hollywood Reporter TV critic Daniel Fienberg on the state of television.

In 1993, Lorena Bobbitt became famous for cutting off her husband's penis, but a new Amazon docu-series reveals the more complicated story; how the Oscar-nominated sound editors of "First Man" conveyed the anxiety of space flight; the Hollywood guilds spread awards love.

Barry Jenkins talks about his adaptation of James Baldwin's novel, and composer Nicholas Britell explains and demonstrates how he created the film's score.

The singer/songwriter is part of country music royalty, but her politics are out of the Nashville mainstream; the documentary about Supreme Court Justice Ruth Bader Ginsburg, "RBG," is up for an Academy Award.

Mary-Louise Parker and Denis Arndt on the spare staging of "Heisenberg" at the Mark Taper Forum; inside a rehearsal with Nancy Keystone – a theater artist from L.A. whose new production will open the REDCAT's New Original Works Festival; Hollywood Reporter film writer Tatiana Siegel discusses the rocky relationship between Hollywood studios and outside financiers.

“Atomic Blonde" director David Leitch is a former stunt man and coordinator, but this is his first solo directing effort; Musician Flying Lotus called on British animator David Firth to help him make his debut film, "Kuso"; Film composer Michael Giacchino has written scores for every reboot and remake from his childhood, including “Star Trek,” “Star Wars” and “Mission Impossible."

Actress and "Daily Show" veteran Jessica Williams is now starring in "The Incredible Jessica James," her first feature film; the California Film Commission announced tax incentives for eight movies, including titles with budgets over $75 million; and Hollywood Reporter film writer Borys Kit talks about the winners and losers at Comic-Con.

Thomas Wilkins wears many musical hats, including being the principal conductor for the Hollywood Bowl Orchestra; Trent Reznor and Atticus Ross have collaborated on film scores and Nine Inch Nails albums, and now they're bandmates; Jeffrey Katzenberg is seeking backers for his idea to create high-quality content for mobile devices.

Edie Falco has gone from “The Sopranos” to “Nurse Jackie,” and now her latest is the indie film, “Landline”; “Hansel & Gretel” at New York's Park Avenue Armory is an installation by the Chinese artist Ai Weiwei and architects Jacques Herzog and Pierre de Meuron that explores the meaning of public space in our surveillance-laden world.

The filmmakers behind "Chasing Coral" hope to show the world how dire things are under the sea; the annual pop culture nerd-fest known as Comic-Con prepares to welcome huge crowds to the San Diego Convention Center.

The virtuoso bass player Stephen Bruner, aka Thundercat, is a key part of a jazz and R&B renaissance in L.A.; there's more to "Baby Driver" than the hip soundtrack; Netflix is growing fast, but can it make the economics work in the long run?

We look at the legacy of horror movie director George Romero and the work he left behind; veteran stunt coordinator Conrad Palmisano talks about how safety has improved on TV and film sets; real-life married couple Francesa Delbanco and Nick Stoller collaborated on the new Netflix series, "Friends from College.”

Filmmaker Marti Noxon drew on her own experience with eating disorders for her movie, “To the Bone”; Universal Music has exited its $31 million deal to acquire the distribution rights to much of Prince’s music; With “Game of Thrones” returning, one of the show’s sound designers talks about how she creates those dragon sounds. (Hint: think giant tortoises having sex. Really.)

What do the nominations tell us about today's television landscape? And how does our social-political climate affect what's been nominated?; "The Cake" is a new play about a conservative Christian baker who's deeply conflicted when she gets asked to make a cake for a lesbian wedding.

The Broadway production of “1984" is a chilling adaptation of George Orwell’s dystopian novel whose graphic torture scenes are eliciting intense reactions from audience members; After “Lady Macbeth” opens this weekend, young actress Florence Pugh will likely surface on Hollywood's radar.

Filmmaker Matthew Heineman's timely new documentary, “City of Ghosts,” follows a group of Syrian citizen journalists who have been reporting on the battle for the city of Raqqa; The New York Musical Festival is underway is an annual showcase of works-in-progress whose creators have Broadway dreams.