The Frame

Musicians Inara George and Eleni Mandell host an occasional performance and conversation series with songwriters of all genres composing music around a common theme; is R. Kelly still getting paid?; TV composer Kurt Farquhar was once homeless.

The veteran R&B singer finds the soul in classics such as "It AIn't Me Babe" and "Mama, You Been On My Mind" on her latest album, "Things Have Changed"; Emma Thompson went public with her decision to pull out of a movie produced by the company that recently hired a disgraced former Pixar executive.

There were surprises ("Green Book"! Olivia Colman!) and some history was made (Hannah Beachler, Ruth Carter). John Horn recaps the show with film critic Claudia Puig and L.A. Times film reporter Jen Yamato.

John Horn and Rebecca Keegan of The Hollywood Reporter co-host the hour-long special, which features interviews with many nominees, including Glenn Close, Rami Malek, Spike Lee and Rachel Weisz.

Bo Burnham's script won a top award from the Writers Guild, but it wasn't nominated for an Oscar; there's now an algorithm that writes movie scripts; Anthony Wilson's album of songs and photographs.

Twenty years after its premiere, the musical based on E.L. Doctorow's novel gets an elaborate revival at the Pasadena Playhouse; unpacking the Jussie Smollett story; what to expect (and not to expect) at the Academy Awards this weekend.

The prolific photographer talks about the survey that chronicles 50 years of documenting pop culture and politics; Hollywood Reporter TV critic Daniel Fienberg on the state of television.

In 1993, Lorena Bobbitt became famous for cutting off her husband's penis, but a new Amazon docu-series reveals the more complicated story; how the Oscar-nominated sound editors of "First Man" conveyed the anxiety of space flight; the Hollywood guilds spread awards love.

Barry Jenkins talks about his adaptation of James Baldwin's novel, and composer Nicholas Britell explains and demonstrates how he created the film's score.

The singer/songwriter is part of country music royalty, but her politics are out of the Nashville mainstream; the documentary about Supreme Court Justice Ruth Bader Ginsburg, "RBG," is up for an Academy Award.

The singer revisits work from his 50 years of writing and recording music; the semi-annual TV critics press tour has ended, so what's in store for viewers this Fall?; a new campaign calls for Hollywood to place a priority on telling stories about and by transgender people.

The Academy of Motion Picture Arts and Sciences announced some surprising changes to the Oscar broadcast today, including a new category for 'popular film'; Sarah Silverman talks about her Emmy-nominated Hulu series, "I Love You, America."

Producer David Klawans and writer Jeff Maysh find unusual real-life stories, turn them into long-form articles and pitch them to Hollywood; the Netflix docuseries "Wild Wild Country" tells the remarkable true story of the friction and violence that ensued when an Indian guru tried to create a massive utopia in Oregon in the 1980s.

The new Spike Lee film 'BlacKkKlansman' tells the amazing true story of Ron Stallworth, the black police detective who fooled the KKK into letting him join their ranks; Rosie & the Riveters play folk music with a feminist bent.

Nico sang with the influential Velvet Underground, but this film chronicles the latter part of her career and life; the U.S. Justice Dept. is reviewing a longtime prohibition on movie studios owning their own theaters; mariachi students from around the country are in SoCal for a workshop and competition

The song list is part of Turning the Tables, an ongoing project from NPR Music dedicated to recasting the popular music canon in more inclusive – and accurate – ways; With the sale of 20th Century Fox's studio to the Walt Disney Co., film historian and author Leonard Maltin looks at Fox's movie legacy.

The actress makes her directing debut with a film about two young girls on a journey to avenge their mother's death; the National Hispanic Media Coalition is targeting movie studios over lack of Latino representation; teenaged jazz bassist Anna Abondolo is going places.

The company that revolutionized moviegoing is floundering as movie theater chains launch similar pass programs; first-time novelist Elizabeth Klehfoth sold her book to Hollywood before she even had a publisher; Taj Mahal and Keb' Mo' bring their blues collaboration to the Hollywood Bowl.

The director and co-writer of "The Spy Who Dumped Me" turns the action-comedy genre on its head; what's the fate of CBS chief Les Moonves?; Netflix and Amazon preview their coming attractions at the TV Critics Assn. press tour.

The Texas native shot her indie feature in her home state, with a script based on her own teenage years there; the Idyllwild Arts Academy appears to have escaped the fire that's ravaging the area; the use of "white voice" by black characters in current films is a comment on white privilege.

On her latest album, the French singer and actress pays tribute to her family legacy and also mourns her sister's death; Spotify is paying advances to some artists, but says it's not actually signing artists the way record labels do. But if it walks like a duck and quacks like a duck ...

The photographer has shot virtually every famous face for Rolling Stone, Vanity Fair and other magazines; the Venice and Toronto film festivals have released their schedules — let the award campaigning begin!; streaming services aren't as encyclopedic as you might think.