The Frame

In "Girl" director Lukas Dhont tells the true story of trans dancer Nora Monsecour and he defends his choice to cast a cis-male in the lead role; Hollywood Screenwriters argue with their talent agencies saying they're putting their companies' interests ahead of their clients.

Laure de Clermont-Tonnerre's feature film debut is about a former inmate sent to a rehab program to train wild horses; a new study from the Berklee School examines at women in the music industry; a report from the SxSW Film Festival in Austin.

The filmmaker directs an HBO docu-series about the murder case made famous in the podcast, "Serial"; drummer Antonio Sanchez, who created the percussion score for the film, "Birdman," is performing his album, "Bad Hombre," live for the first time.

The playwright's drama, set in Northern Ireland during "The Troubles," is based on a real story; Spotify and other streaming services balk at paying more to songwriters; "Captain Marvel" is female-centric, down to the music.

It's hard to gain traction in the oversaturated podcast market, but Wondery has become know for its deep dives into true crime stories; one-half of Kevin & Bean is calling it quits; comedian Angelina Spicer found humor in her darkest moments.

A new documentary includes never-before-seen footage and newly discovered audio recordings to dramatize the 1969 moon landing.

"Gloria Bell," starring Julianne Moore, is a remake of the 2013 Chilean film "Gloria." Both are directed by Sebastián Lelio who celebrates a character usually sidelined in traditional movies. And we meet the Portland-based group Y LA BAMBA and we what learn what China can teach the world about music streaming.

He's a co-founder of the rock band The National, but also a sought-after composer of contemporary classical works; Dan Reed, director of the Michael Jackson documentary, "Leaving Neverland," on how his film came together; celebrating the 100th anniversary of the theremin.

Series co-creators Anna Konkle and Maya Erskine talk about capturing the awkward and hilarious middle school experience; Martin Scorsese may be forcing Netflix to change its theatrical screening strategy.

The actor didn't imagine he would write and direct the adaptation of "The Boy Who Harnessed The Wind," but that's what happened; composer, conductor and pianist André Previn has died; Van Nuys High School students collaborate with the L.A. Master Chorale.

California's film and TV industries are happily anticipating the state's expanded program to help keep production in-state; NBC will make all 13 episodes of "Aquarius" available online when the series debuts; Josh Gad (at left, with Billy Crystal) hopes "The Comedians" will improve his track record with TV projects.

At a presentation for advertisers, Hulu announces a new "Walking Dead" spinoff and an Amy Poehler project; Warpaint drummer Stella Mozgawa left Australia to join the band; Brett Morgen was given free rein in directing the documentary, "Kurt Cobain: Montage of Heck" (pictured).

Hollywood actors, and one prominent producer, are largely bypassed in the Tony nominations; artist William Pope.L has his iconoclastic vision on display at MOCA (pictured); comedian Paul F. Tompkins isn't quite the King of All Media, but he's getting close; "The Wire" creator David Simon has good reason to care about Baltimore.

Documentarian Phelim MacLeer on his controversial play "Ferguson," a work of verbatim theater comprised entirely of excerpts from testimony in the Michael Brown case; Costume designer Lisa Padovani on mashing up influences for her work on "Gotham"; French artist Vincent Lamouroux's piece "Projection" covers an abandoned Silver Lake motel and it's palm trees with lime wash.

Summer movie preview of those films we shouldn't miss. Could Cuba's massive Biennial become a global center for art? The rise of the Asian American youtube star. And, as the latest sequel is set to pass $1 billion overseas, the "Fast and Furious" franchise adds number 8.

Hollywood studios continue to preview their 2015 slates at CinemaCon, the splashy convention for theater owners; Song Exploder dissects a new song by My Morning Jacket; photographer Ken Gonzales-Day draws parallels between the history of lynching and recent fatal shootings by police (pictured).

By the end of 2015, movie concession stands will have to divulge how many calories there are in your favorite snacks; Phox talks about the unglamorous life of a touring band; ‘Happyish’ creator Shalom Auslander (at right, with Bradley Whitford) on how the show handled the death of original lead actor, Philip Seymour Hoffman.

The annual convention for film studios and movie theater owners gets underway in Las Vegas; a group of Latino musicians have put together a tribute to Morrissey (pictured) and The Smiths; David Rubin and Lora Kennedy discuss being a casting director in today’s film business.

The band Tame Impala teases Coachella audience with its next album (pictured: Kevin Parker); some L.A. stage actors say working in small theaters for next to nothing can actually help their careers; John Fithian, president of the movie theater trade association, has a strategy to boost slumping business.

With Verizon offering a pseudo a la carte TV model, is cable as we know it becoming a thing of the past?; L.A. Opera's production of "Hercules vs. Vampires" (pictured) blends a campy sword-and-sandal film with high art; Kyle Kinane admits the absurdity of his job as a stand-up comic.

A second trailer for "Star Wars: The Force Awakens" was unveiled today; "Dolphin's of Hollywood" (pictured) was a groundbreaking record store that opened in 1948, and its story is now the subject of a stage musical; how DJ and producer Mark Ronson ended up working with Stevie Wonder and author Michael Chabon.

Could the Santa Monica Museum of Art be leaving Santa Monica?; “Unfriended” producers Jason Blum and Couper Samuelson on the challenge of making a film thriller that plays out in real time on a laptop; the duo behind the band Sylvan Esso (pictured), currently playing Coachella, talk about the grind of being on tour.