The Frame

"It's Always Sunny in Philadelphia" teams makes an Apple TV+ show; Comedian Maria Bamford masters the impersonation; Alex Newell brings his unique voice to "Zoey's Extraordinary Playlist"; After Weinstein's conviction, what's left to do?

Tamar-kali is a film composer with unique musical roots; Linas Phillips is a rideshare driver/spiritual coach in "The Ride"; what comes next for Hollywood after the Weinstein verdict?

Alex Newell plays a nonbinary character and Mary Steenburgen is Zoey's mother on the new NBC show; Hollywood is bracing for fallout from the coronavirus.

Filmmaker Benh Zeitlin returns to directing for the first time since "Beasts of the Southern Wild" with "Wendy"; Dr. Shari Fink, executive producer of "Pandemic: How to Prevent an Outbreak"; Gabriel Roth, the man behind The Daptone Sound.

Co-creators Rob McElhenney and Megan Ganz, who also work together on "It's Always Sunny in Philadelphia," talk about their new Apple TV+ series; Bob Iger's successor is named at Disney; a report from the the Eurosonic music festival in the Netherlands.

Lauren Greenfield's documentary tracks the rise and fall of the woman who still holds sway in the Philippines; Harvey Weinstein found guilty on two of five charges.

Kerry Washington and the team behind "Weiner" make a documentary about ACLU lawyers taking on the Trump administration; Alfred Molina tackles dementia on stage and in his family; Robbie Robertson reflects on life in The Band.

A new documentary produced by Kerry Washington examines the battle over civil liberties on several fronts; why Harvey Weinstein might escape a conviction; the real science behind horror movies.

The comedian's latest hilarious exploration of mental health is titled “Weakness Is The Brand”; recollections from the engineer who 50 years ago won the only Grammy for The Beatles' "Abbey Road."

The filmmakers of the HBO docu-series talk about how the game was rigged without the knowledge of McDonald's; still no verdict in Weinstein trial; Robbie Robertson on the new documentary about The Band, "Once Were Brothers."

Bill Maher’s use of a racial epithet on his HBO show has led to calls for Maher's firing and ignited debate over who can say the N-word. We get reaction from NPR's Karen Grigsby Bates and "Dear White People" filmmaker Justin Simien; Brett Haley's new movie, “The Hero," looks at our admiration of cinematic heroes through the life of an aging actor whose public persona is defined by a role he played on screen.

Artist Jeff Koons has his detractors, but he is an undeniable force in contemporary art; blues veterans Taj Mahal and Keb' Mo' have finally made an album together; George Pérez is the DC Comics writer and artist who revived "Wonder Woman" in the 1980s.

Between the White House Correspondents Dinner, his "Daily Show" gig and Netflix special, comedian Hasan Minjaj is having a good year; a playwriting workshop tries to help veterans re-connect with civilian life; Spotify settles a class action lawsuit that was filed by songwriters claiming they weren’t being properly compensated.

Sheila Nevins talks about how she navigated the workforce early in her career as assumptions about women were changing in America; Now that the DGA and WGA contracts are signed, it’s time for SAG-AFTRA to step to the negotiating table; Mexican-American singer Lila Downs has a new album that takes the romantic ballad genre known as bolero and pairs it with topical lyrics.

After a performance in blackface at an inaugural gala for President Ronald Reagan in 1981, Ben Vereen's career suffered. Artist Edgar Arceneaux has written an experimental play that explores the Broadway legend's intent; Vulture.com's Kyle Buchanan gives a recap on the most striking moments of this year's Cannes Film Festival.

Reed Morano talks about being executive producer and director for the first three episodes of "The Handmaid's Tale"; Zoe Lister-Jones' directed "Band Aid" with marriage and music in mind.

Yuja Wang is an internationally recognized piano genius who is in L.A. for the next two weeks to perform Bartók's piano concertos with the L.A. Phil; David Michod talks about how he’d been looking to make a film about America’s wars in Iraq and Afghanistan for about a decade before he came across Michael Hastings’ book.

Luhrmann's love of hip-hop history brought him on to the series 'The Get Down' which Netflix has just decided not to renew for a second season. He discusses his first foray into television– an ambitious project that Luhrmann says was like producing a Broadway show in every episode. And The Frame visits writer-director Robin Swicord on the set of her Bryan Cranston-Jennifer Garner movie 'Wakefield.'

"Long Strange Trip" documents how The Grateful Dead found its sound and made Jerry Garcia a reluctant leader. "Wait Wait Don't Kill Me" is a podcast musical that satirizes the podcast "Serial," but it's also about our fascination with true crime and murder. Can Snapchat build an audience for short form shows by well-known TV celebs like Conan O'Brien?

Documentary filmmaker Ryan White's investigation of a nun's murder led to uncovering a sex abuse scandal in Baltimore; music critic Ann Powers on the connection between young girls and live music.

"Black Mirror" creator Charlie Brooker and co-executive producer Annabel Jones on their sci-fi show that has become a touchstone for certain moments in real life; promoters of the ill-fated Fyre Festival are reportedly facing a federal fraud investigation.

'Guardians of the Galaxy' director James Gunn opens up about how Marvel Comics and Alice Cooper made him realize he wasn't alone in the world. He explains the importance of score and music to the success of the 'Guardians' franchise; Daniel Fienberg, TV critic for The Hollywood Reporter, and Jeanine Poggi, media reporter at AdAge, recap Upfronts 2017.