The Frame

"It's Always Sunny in Philadelphia" teams makes an Apple TV+ show; Comedian Maria Bamford masters the impersonation; Alex Newell brings his unique voice to "Zoey's Extraordinary Playlist"; After Weinstein's conviction, what's left to do?

Tamar-kali is a film composer with unique musical roots; Linas Phillips is a rideshare driver/spiritual coach in "The Ride"; what comes next for Hollywood after the Weinstein verdict?

Alex Newell plays a nonbinary character and Mary Steenburgen is Zoey's mother on the new NBC show; Hollywood is bracing for fallout from the coronavirus.

Filmmaker Benh Zeitlin returns to directing for the first time since "Beasts of the Southern Wild" with "Wendy"; Dr. Shari Fink, executive producer of "Pandemic: How to Prevent an Outbreak"; Gabriel Roth, the man behind The Daptone Sound.

Co-creators Rob McElhenney and Megan Ganz, who also work together on "It's Always Sunny in Philadelphia," talk about their new Apple TV+ series; Bob Iger's successor is named at Disney; a report from the the Eurosonic music festival in the Netherlands.

Lauren Greenfield's documentary tracks the rise and fall of the woman who still holds sway in the Philippines; Harvey Weinstein found guilty on two of five charges.

Kerry Washington and the team behind "Weiner" make a documentary about ACLU lawyers taking on the Trump administration; Alfred Molina tackles dementia on stage and in his family; Robbie Robertson reflects on life in The Band.

A new documentary produced by Kerry Washington examines the battle over civil liberties on several fronts; why Harvey Weinstein might escape a conviction; the real science behind horror movies.

The comedian's latest hilarious exploration of mental health is titled “Weakness Is The Brand”; recollections from the engineer who 50 years ago won the only Grammy for The Beatles' "Abbey Road."

The filmmakers of the HBO docu-series talk about how the game was rigged without the knowledge of McDonald's; still no verdict in Weinstein trial; Robbie Robertson on the new documentary about The Band, "Once Were Brothers."

We revisit two of our favorite interviews of the year: Jordan Peele on his hit social thriller; and Liz Flahive and Carly Mensch, creators of the Netflix series about women's wrestling in the 1980s.

Anthony McCarten was inspired by Winston Churchill's oratorical skills for his "Darkest Hour" screenplay; Pixar chief John Lasseter is the latest Hollywood figure accused of sexual harassment; two companies led by women are interested in buying all or some of The Weinstein Co.

With Jeffrey Tambor bowing out of the Amazon series, what does that mean for the show's future?; Zoe Kazan, who comes from a show biz family, says she's been dealing with harassment since her teen years.

Fifty years after his L.A. debut, Plácido Domingo is still an operatic force; Jason Bateman and Laura Linney are a married couple who get caught up with the wrong crowd in the Netflix series, “Ozark”; transgender singer Our Lady J left a music career to join the writing staff on "Transparent."

The Irish actress talks about her role as a California teenager, and about the troublesome male behavior she’s seen in Hollywood; Claes Bang plays an art museum director in the offbeat and unpredictable film, "The Square."

Comedian Hari Kondabolu explores his love-hate relationship with “The Simpsons” in a documentary about the show's portrayal of the South Asian store keeper; with The Weinstein Co. out of the picture, Quentin Tarantino is a free agent with his next film; the L.A. band Quetzal explores its musical roots in Veracruz.

Elvis Costello wrote a new ballad for the movie, "Film Stars Don't Die in Liverpool," about the eccentric actress, Gloria Grahame; after leaving Saturday Night Live, Dana Carvey made a sketch show for ABC that was an epic bust. The tale is told in the documentary, "Too Funny to Fail."

Joe Berlinger's film examines how Hollywood has depicted the Armenian Genocide, and how it has been pressured to ignore that story; a new USC study shows teenage girls are more likely to be sexualized in feature films; the Greenway Court Theatre survives through a partnership with Fairfax High School.

If Mel Gibson can revive his career, could Kevin Spacey and Louis C.K.?; Yuval Sharon turns Orson Welles' radio play into a multi-site opera; it's awards season in Hollywood, but there are some familiar names you won't be hearing, e.g., Harvey Weinstein.

The New York Times confirms the long-standing rumors of sexual misconduct by the writer and comedian Louis C.K.; director Ridley Scott will re-shoot Kevin Spacey's scenes in an already finished film; in “What Haunts Us,” director Paige Tolmach explores why so many male former students at her prep school alma mater had died by suicide.

Music industry veteran Bill Bentley pairs his stories with crowdsourced photos in “Smithsonian Rock and Roll: Live and Unseen”; the Weinstein Company is seeking buyers, but may not avoid bankruptcy; Rockabye Baby turns songs by artists like David Bowie, Rihanna and Coldplay into kid-friendly lullabies.

Meet Hong Chau, the actress from Alexander Payne's movie "Downsizing," who will blow you away; LA Times pop music critic Mikael Wood says that some performers use their music as "guilt laundering" for sexual harassment and abuse; and what power do Hollywood's guilds and unions have to shut down sexual predation?