The Frame

Re-animated artists have become a big part of the concert business, now including Buddy Holly, Roy Orbison and opera star Maria Callas; why is Netflix buying the Egyptian Theatre?; an experimental production of "King Lear" leaves the king offstage.

The Tony Award-winning actor takes on the role of newsman Howard Beale in a stage adaptation of the 1976 movie; with 'Game of Thrones' about to resume, we visit with the show's weapons master.

Since going viral after the 2017 Women's March, the song by MILCK has taken on a life of its own; what's in store for fans at Coachella this weekend?; the indie hip-hop duo Closegood blends experimental hip-hop with poetry and emo music.

The company specializes in abridged versions of The Bard's works that are played strictly for yuks; what are the challenges facing movie theater owners?; Yo-Yo Ma is embarked on a wildly ambitious Bach Project.

Emilio Estevez writes, directs and stars in the movie, about a library that's a refuge for homeless patrons; "Fresh Off The Boat" hits 100 episodes – what is its lasting impact on the TV landscape?; at CinemaCon, AMC announced theaters in Saudi Arabia, and Helen Mirren yells "F--- Netflix."

The singer's 1972 gospel concert film finally arrives in theaters after decades of technical and legal challenges; the Gay Men's Chorus of Los Angeles is trying to move on from leadership controversies; the Los Angeles Poverty Department has been making theater with the residents of Skid Row for nearly 35 years.

The annual exhibit of site-specific public art has visitors flocking to the Palm Springs area for more than the usual fun-in-the-sun; rapper Nipsey Hussle left behind a legacy of music and community activism.

The writer's iconic essay about the tumultuous 1960s is interpreted by director Lars Jan and actress Mia Barron; remembering French filmmaker Agnes Varda, who died at the age of 90; Resonance Records is unearthing never-released jazz classics.

Jordan Peele's "Get Out" and "Us" were scored by Michael Abels who, prior to those films, was teaching music in LA; Jazz album made by Dreamers wins Grammys; Employment conditions for janitorial staff at big movie theater chains may surprise you.

A new study concludes that the people who rate films for the MPAA are becoming desensitized to violence; "Fury" rolls over the weekend box office; and a "Mad Men" actor goes back in time again.

How filmmaker Jorge Gutierrez (far right) got Guillermo del Toro to produce his feature debut, "The Book of Life"; a look at Brad Pitt's WWII drama, "Fury," and other new films out today; and musician Marissa Lauren talks about opening for Lena Dunham.

Director Alejandro Gonzalez Iñárritu flies high with “Birdman"; undocumented students tell their own stories on stage in “Dreaming Sin Fronteras"; and playwright Dael Orlandersmith confronts family matters in “Forever.”

HBO will launch a streaming service, but Warner Bros. studios must cut $200 million in overhead; What makes a hit song? Ask the "Song Exploder"; and California tries cultural diplomacy in China.

"The Walking Dead" debuted to big numbers — meanwhile, Nielsen's hold on the ratings business is being challenged; Foxygen releases a new album; and the Encuentro Theater Festival launches.

The networks seek Latino viewers with "Cristela" and "Jane the Virgin"; "Gone Girl" stays on top at the box office; and director David Dobkin switches genres for "The Judge."

Comedian Dan Mintz talks about his new stand-up album and his "Bob's Burgers" character, Tina; Grae Drake of Rotten Tomatoes dissects this weekend's film releases; and John Lydon, née Rotten, speaks his mind.

Move over Sundance — the L.A. neighborhood adds an independent film festival; The band OK Go on the new album, “Hungry Ghost”; and Joan Baez adapts to her changing voice.

29-year-old writer/director Damien Chazelle (in red shirt) makes his feature film debut with "Whiplash"; Deaf West Theatre hits it big with the 2006 Tony Award winner; and Slate's popular podcast comes to L.A. for a live stage show.

"The Judge" is the first release from Robert and Susan Downey's new production company; PBS' "Makers" series looks at women in the entertainment business; Common Sense Media lends its imprimatur to film studios; and a life in photos with Led Zep's guitarist.

Visual effects artists prepare for the day when virtual reality is a filmmaking reality; a low-budget horror film rakes in the bucks; touring tips from Belle & Sebastian's singer.

Director John Leonetti joins us to talk about 'Annabelle,' the prequel to the wildly successful "The Conjuring"; we visit the unlikely cultural hub of Marfa, Texas for its annual music festival; and Nicolas Cage takes a dubious step into the rapture film genre.