The Frame

Re-animated artists have become a big part of the concert business, now including Buddy Holly, Roy Orbison and opera star Maria Callas; why is Netflix buying the Egyptian Theatre?; an experimental production of "King Lear" leaves the king offstage.

The Tony Award-winning actor takes on the role of newsman Howard Beale in a stage adaptation of the 1976 movie; with 'Game of Thrones' about to resume, we visit with the show's weapons master.

Since going viral after the 2017 Women's March, the song by MILCK has taken on a life of its own; what's in store for fans at Coachella this weekend?; the indie hip-hop duo Closegood blends experimental hip-hop with poetry and emo music.

The company specializes in abridged versions of The Bard's works that are played strictly for yuks; what are the challenges facing movie theater owners?; Yo-Yo Ma is embarked on a wildly ambitious Bach Project.

Emilio Estevez writes, directs and stars in the movie, about a library that's a refuge for homeless patrons; "Fresh Off The Boat" hits 100 episodes – what is its lasting impact on the TV landscape?; at CinemaCon, AMC announced theaters in Saudi Arabia, and Helen Mirren yells "F--- Netflix."

The singer's 1972 gospel concert film finally arrives in theaters after decades of technical and legal challenges; the Gay Men's Chorus of Los Angeles is trying to move on from leadership controversies; the Los Angeles Poverty Department has been making theater with the residents of Skid Row for nearly 35 years.

The annual exhibit of site-specific public art has visitors flocking to the Palm Springs area for more than the usual fun-in-the-sun; rapper Nipsey Hussle left behind a legacy of music and community activism.

The writer's iconic essay about the tumultuous 1960s is interpreted by director Lars Jan and actress Mia Barron; remembering French filmmaker Agnes Varda, who died at the age of 90; Resonance Records is unearthing never-released jazz classics.

Jordan Peele's "Get Out" and "Us" were scored by Michael Abels who, prior to those films, was teaching music in LA; Jazz album made by Dreamers wins Grammys; Employment conditions for janitorial staff at big movie theater chains may surprise you.

Fifteen young musicians from L.A. are collaborating with counterparts from the Japanese region struck by disaster four years ago (pictured); Burger Records has built a mini-indie empire in Southern California; Alex Gibney's documentary about the Church of Scientology debuts on HBO.

The Youth Orchestra is in Japan to conduct some teenage musical diplomacy (pictured); "Marilyn Forever" gives the Hollywood icon the opera treatment; Chapman University's film program decides to compete at the multiplex; Rihanna’s singing career just collided with her film career — and not in a good way.

Considering the success of TV shows such as "Fresh Off the Boat" (pictured), two casting directors discuss whether the demand for diversity has turned into a new form of affirmative action; filmmaker Noah Baumbach joins us for a discussion about his new film, "While We're Young."

Last year, for the first time, the record industry made more money from streaming services than from the sale of CDs; British singer/songwriter Laura Marling (pictured) talks about her love-hate relationship with L.A.; “Justified” creator Graham Yost on how the show maintained its spirit after the death of co-creator, Elmore Leonard.

NPR music critic Ann Powers provides a rundown of standout acts, including Leon Bridges (pictured), at SxSW; Twin Shadow goes from indie rock to pop music on his latest album, “Eclipse"; Lacey Schwartz talks about uncovering her secret racial identity in her documentary, "Little White Lie."

This weekend GLAAD honors entertainment and media that best represent LGBT characters. But handing out awards isn’t the group's only job in Hollywood; Why the Iranian band Kiosk had to flee their country to fully realize their art; Suge Knight's bail is set to $25 million, and his lawyers accuse the prosecution of equating Knight with "Empire."

James Corden reveals his hopes and fears as host of the revamped "Late Late Show." Actor Ethan Hawke and pianist Seymour Bernstein talk stage fright and their new documentary. Mr. T gets a reality show gig.

ASCAP president and board chairman Paul Williams (pictured) advocates better pay for songwriters; The Emmys define TV comedies by length; Hammer Museum celebrates the work of artist Charles Atlas.

Apple plans to offer an online package of 25 TV channels including ABC, CBS and FOX, perhaps as soon as this fall; singer/songwriter Tobias Jesso Jr. turned his misfortune into a music career that's blowing up.

Violinist Bing Wang (pictured) is one of the 120-plus L.A. Philharmonic musicians on a two-week tour of Asia; HBO's "The Jinx" is just the latest documentary to play a key role in a criminal case; hanging out with the dudes at the 14th annual celebration of "The Big Lebowski."

How is SxSW in Austin different from all other film festivals?; artist Charles Gaines (pictured) reflects on being black in the art world and gets a retrospective of his very own at the Hammer Museum.

The L.A. Philharmonic is set to leave on a tour of Asia, where it will make its first visit to mainland China and conductor Gustavo Dudamel will work with a youth orchestra born out of the Fukushima disaster in Japan; We take an audio tour of the Bjork exhibit at MOMA that's generating so much snark