The Frame

Re-animated artists have become a big part of the concert business, now including Buddy Holly, Roy Orbison and opera star Maria Callas; why is Netflix buying the Egyptian Theatre?; an experimental production of "King Lear" leaves the king offstage.

The Tony Award-winning actor takes on the role of newsman Howard Beale in a stage adaptation of the 1976 movie; with 'Game of Thrones' about to resume, we visit with the show's weapons master.

Since going viral after the 2017 Women's March, the song by MILCK has taken on a life of its own; what's in store for fans at Coachella this weekend?; the indie hip-hop duo Closegood blends experimental hip-hop with poetry and emo music.

The company specializes in abridged versions of The Bard's works that are played strictly for yuks; what are the challenges facing movie theater owners?; Yo-Yo Ma is embarked on a wildly ambitious Bach Project.

Emilio Estevez writes, directs and stars in the movie, about a library that's a refuge for homeless patrons; "Fresh Off The Boat" hits 100 episodes – what is its lasting impact on the TV landscape?; at CinemaCon, AMC announced theaters in Saudi Arabia, and Helen Mirren yells "F--- Netflix."

The singer's 1972 gospel concert film finally arrives in theaters after decades of technical and legal challenges; the Gay Men's Chorus of Los Angeles is trying to move on from leadership controversies; the Los Angeles Poverty Department has been making theater with the residents of Skid Row for nearly 35 years.

The annual exhibit of site-specific public art has visitors flocking to the Palm Springs area for more than the usual fun-in-the-sun; rapper Nipsey Hussle left behind a legacy of music and community activism.

The writer's iconic essay about the tumultuous 1960s is interpreted by director Lars Jan and actress Mia Barron; remembering French filmmaker Agnes Varda, who died at the age of 90; Resonance Records is unearthing never-released jazz classics.

Jordan Peele's "Get Out" and "Us" were scored by Michael Abels who, prior to those films, was teaching music in LA; Jazz album made by Dreamers wins Grammys; Employment conditions for janitorial staff at big movie theater chains may surprise you.

Director Bill Pohlad cast two actors to play Beach Boys mastermind Brian Wilson in two periods of his life (pictured: Paul Dano as the young Wilson); Algiers' singer Franklin James Fisher talks about the group’s politically-charged debut album; 28-year-old New Orleans musician Jon Batiste will lead the band on "Late Night with Stephen Colbert."

Hollywood is rarely more out of touch with reality than in how it romantically pairs young actresses with much older actors (pictured: Emma Stone with Ed Norton); Rupert Parkes, aka Photek, is known for his remixes, but he’s also the composer for TV's “How to Get Away With Murder”; California's increased tax credits for movies and TV is already paying dividends.

Apple is expected to introduce its music streaming service next week, but can the company make gains against Spotify?; L.A. Philharmonic music director Gustavo Dudamel (pictured) reflects on his six seasons on the podium and his long-term future here; Pete Townsend has recorded a new version of his rock opera, "Quadrophenia," with actual opera singers.

Writer-director Paul Feig gets to fulfill his Bond movie fantasy with "Spy"; the bistro at Whole Foods in Pasadena hosts a monthly comedy night (pictured); "San Andreas" director Brad Peyton takes us into his edit suite to show how he assembled one key sequence for the disaster film.

Cameron Crowe's new movie, "Aloha," is being savaged by critics; a visit with legendary L.A. artist Ed Moses (pictured) at his Venice compound; the arts organization Clockshop is making good use of a parcel of land on the banks of the Los Angeles River.

Terry Teachout turned his biography of Louis Armstrong into a play, "Satchmo at the Waldorf" (pictured); a tour of the inventory for special effects and makeup master Rick Baker's auction of his monstrous creations; Film LA reports an increase in movie production in California in 2013 — even before the new tax incentives kicked in.

U2 begins a string of five shows at The Forum on its Innocence + Experience Tour; a new work by Philip Glass is being premiered by the L.A. Philharmonic; Special effects and makeup master Rick Baker (far right) is auctioning a career's worth of monstrous creations.

The Cannes Film Festival wrapped up in typical fashion with an unexpected grand prize winner alongside the requisite victim of critics' ire; in our "Song Exploder" segment, a breakdown of the "Downton Abbey" theme music; playwright Paul Oakley Stovall tackles racism and homophobia among African-Americans in "Immediate Family" (pictured).

Four filmmakers talk about possible solutions for an industry that's been criticized for "widespread exclusion" of women directors; the movie "Tomorrowland" continues the futuristic vision promoted by Walt Disney (pictured at left); Memorial Day is no longer the beginning of summer for the movie business.

Four successful women filmmakers share their stories about an industry that's been criticized for "widespread exclusion" of women directors (pictured: Catherine Hardwicke); classical guitarist Angel Romero performs "Concierto de Aranjuez" with the L.A. Philharmonic; the Rolling Stones rolled into L.A. for a semi-secret show. Were you there?

Memorable moments with David Letterman from comedian Paul Morrissey, Louie Pérez of Los Lobos, and former assistant Cassie St. Onge; comc book writer G. Willow Wilson famously created Ms. Marvel — a female superhero who, like Wilson, is an American Muslim.

"Mad Max: Fury Road" production designer Colin Gibson (pictured) was responsible for the film's insanely tricked-out cars, trucks and motorcycles; Hot Chip's new album goes in a different direction for the indie-electro band; Deaf West Theatre moves its hit production of the musical "Spring Awakening" to a larger space.