The Frame

Academy Award-winning documentary filmmaker Morgan Neville examines the career of the idiosyncratic record producer; the dilemma faced by cultural instititutions when they have received donations from alleged sexual predators; Black artists make a statement in "Soul of a Nation."

The comedian and actor wanted to go in a different direction after "The Big Sick," so he signed on for an atypical buddy-cop comedy; the latest battle in the video streaming wars; "Sea of Shadows" chronicles a marine life disaster in the Gulf of Mexico.

The piano-playing sisters perform everything from the classics to contemporary works by the likes of Thom Yorke and Bryce Dessner; will Jeffrey Katzenberg's big idea for short content fly?; the long-running Tuesday Night Café in Little Tokyo.

The film is based on a true story from the writer/director's own family about refusing to tell their grandmother that she is gravely ill; an appreciation of Brazilian songwriter João Gilberto, who has died at the age of 88.

"Midsommar" filmmaker says it's a horror film about co-dependency and the showrunner of the new ABC comedy "Mixed-ish" wants to inspire nuanced conversations about race. Given the massive TV audience for the World Cup why hasn't Hollywood tapped soccer fever for a great movie? All that and more on The Frame Weekend.

The play "Good Boys," written by "Riverdale" creator Roberto Aguirre-Sacasa, is updated in light of the Kavanaugh hearings; LA's Rogue Machine Theatre company tackles racism and gun violence with "Gunshot Medley: Part 1"; why are there so few movies about soccer?

The writer/director of "Hereditary" returns with another film that's guaranteed to creep you out; the summer box office is 10% from last year, as proven franchises underperform and original hits are nearly extinct; keeping the music of Harry Partch alive.

The former pro football player began directing music videos and TV shows, and is not turning his children's book into a short animated film; Spotify walks back a program for indie musicians; the exquisite voice of counter-tenor John Holiday.

The veteran producer started out as a lawyer, but she switched careers and is now one of Hollywood's top show-runners; Taylor Swift isn't happy about the fate of every album she has recorded to date; a visit to a collective of video game designers.

Daisy Ridley goes from "Star Wars" to Shakespeare, Alan Yang ("Master of None," "Forever") gives his take on the changing TV biz. Fifty years after Stonewall, we unearth the soundtrack to the gay liberation movement. Toni Morrison gets a documentary worthy of her genius. Himesh Patel channels the Beatles in "Yesterday" and more...

The Beijing-based Wanda Group financed "Southpaw," just the latest example of Chinese investments in Hollywood; The Next MacGyver contest hopes to encourage women engineers with the promise of a TV pilot; Juilliard-trained Brad Segal has become the go-to composer for reality shows.

The British actor reunites with director Bill Condon to play a 93-year-old version of Sherlock Holmes in "Mr. Holmes" (pictured); Chinese authorities have returned the passport of dissident artist Ai Weiwei, who had been unable to leave the country since 2011; the makers of the documentary about crowd-funding, "Capital C," financed their film through a crowd-funding campaign.

Noted muralist Kent Twitchell (pictured) has created a new work for the Special Olympics; playwright Todd Almond was inspired by Matthew Sweet's 1991 album, "Girlfriend," for his musical about growing up gay; the Teragram Ballroom tries to carve out a niche on the local live music landscape.

Kurt Sutter has been writing film scripts while working on demanding TV shows, and now his first feature, "Southpaw" (pictured), is being released; the singer Miguel talks about growing up mixed-race in his beloved L.A.; the box office for "Me and Earl and the Dying Girl" and "Dope" hasn't measured up to their indie darling hype.

A landmark album from 1966 (pictured) pairing the singer and bandleader is revisited as part of a Sinatra tribute at the Hollywood Bowl; YouTube is betting that audiences will pay for a commercial-free service; Camp Reel Stories is a summer camp designed to introduce teenaged girls to filmmaking.

Lisa Hanawalt's lifelong equine obsession pays off in her role as production designer for the animated series, "BoJack Horseman" (pictured); with embassies re-opening in Washington and Havana, cultural exchange could be on the upswing; costume designers for superhero movies take comic book drawings and turn them into flashy but practical outfits.

The film's director, Peyton Reed, says Marvel's smallest superhero (pictured) has always had a bit of an inferiority complex; Disney chief Bob Iger gave a preview this week of the long-in-the-works resort and theme park; Kristina Wong is out to destroy stereotypes of Asian women.

The host of "Comedy Bang! Bang!" (pictured) didn't get an Emmy nomination for the show, but he and his staff will write jokes for Emmy host Andy Samberg; Grantland's Andy Greenwald on the Emmy nods; Kyle Patrick Alvarez revisits an infamous episode in "The Stanford Prison Experiment."

The Emmy nominations will be announced on July 16, but have the awards lost their luster?; Inara George and Greg Kurstin, aka The Bird and the Bee (pictured), are back with a new album after a five-year gap; writer and performer Sandra Tsing Loh's new stage show draws, as usual, on just about anything she sees and hears.

The feature film "Tangerine" (pictured), directed by Sean Baker, was ingeniously shot on an iPhone; a report from the Berklee College of Music calls for transparency in the record business; Tim Heidecker and Eric Wareheim turn their twisted humor into a parody of a self-help book.

A new documentary follows comedian Tig Notaro (pictured) after her cancer diagnosis and double mastectomy; 'True Detective' is shot in Southern California, but avoids the usual postcard locales; Comic-Con teased audiences with some of the most anticipated films in nerd culture.

“The Gospel at Colonus,” the 1980s musical that blends gospel and greek tragedy still resonates with people today; Why comic-con and comic books appeal to people with disabilities; We get the highlights from the first days of Comic-Con and how thousands of fake weapons get real inspections at the Con.