The Frame

Documentary filmmaker Morgan Neville and chef/restaurateur David Chang talk about their Netflix series and how coronavirus is affecting food culture; with large gatherings essentially banned, how will it affect live theater?

Harvey Weinstein was sentenced to 23 years in prison today, and the Coachella Music Festival is being postponed from April to October. John talks with reporters from Variety to dissect both stories.

The glitzy film festival has no insurance coverage to cover a cancellation; "Never Rarely Sometimes Always" is a timely film about access to abortion; The Moth en español.

Co-writers Damon Lindelof and Nick Cuse talk about overcoming inaccurate press reports to finally have their film released; "Onward" director Dan Scanlon on how his film began with the loss of his own father.

Hillary Clinton on why she agreed to go deep with for a new doc; H.G. Wells reimagined as a metaphor for abuse; actor Steve Coogan uses comedy to highlight extreme gaps in wealth around the world.

Haley Bennett talks about playing a woman with a dangerous psychological disorder; more musical fallout from the coronavirus; keeping L.A.'s Pan Afrikan People’s Arkestra alive.

The avant-garde opera director's new work is about colonialism and displacement; where is Pete Buttigieg's and Elizabeth Warren's Hollywood support going now that they've exited the nomination race?; theater artist Geoff Sobelle explores the notion of "Home" onstage.

The British actor talks about how his latest comedy is a comment on income inequality; will the massive SxSW conference be canceled?; an emotional connection to the band KISS.

The four-part Hulu series includes the former First Lady and Secretary of State talking about the Democratic primaries and the presidential election; the coronavirus could be a disaster for the movie industry, but a boon for streaming services.

Director and screenwriter Leigh Whannel talks about his update of the H.G. Wells story; comedians who are feeling the Bern; the singer Vagabon breaks down her song, "Water Me Down."

Justin Simien reflects on how the 2016 election factored into the TV version of "Dear White People"; a tentative deal has been reached between the Writers Guild of America and TV/film producers, averting a strike; bass saxophonist Colin Stetson on the intricate method for recording his latest album and the physical demands of his sound.

In the new documentary "Risk," Oscar-winning filmmaker Laura Poitras grapples with unexpected contradictions about Julian Assange and Wikileaks. And as talks between the WGA and AMPTP come close to an end, the creators of two new TV shows, "Dear White People" and "Downward Dog," weigh in on what a strike could mean.

To mark the 25th anniversary of the LA Riots, actor-writer Roger Guenveur Smith's fiery solo show “Rodney King” has been turned into a Spike Lee film in which Smith places the beating of King in a broader social context. How did the 2007 writers strike affect the wider economy of LA and California and who would be affected if they strike again? The Fyre Festival is a fiasco.

Filmmaker (and self-professed troublemaker) John Waters spits some wisdom about living life by your terms and offers his advice for young people in his new book, "Make Trouble"; A look at the women of the real and the fictional 'Silicon Valley'; Summer blockbusters hitting theaters sooner and sooner and what actually defines a summer movie is rapidly changing.

Jodie Foster and Tom Hanks share memories of filmmaker Jonathan Demme, who died at the age of 73; executive producer/director Reed Morano talks about adapting Margaret Atwood's "The Handmaid's Tale" for television.

The unsolved JonBenet Ramsey murder became the focal point of a documentary that looks at the making of a film about the case; 50 years ago, the Sunset Strip became an outdoor gallery of billboards that promoted new albums; The Writers Guild was formed in 1921 as a social group.

How filmmaker J.D. Dillard went from receptionist to directing and co-writing the Sundance feature "Sleight." Why disputes over the Armenian genocide have plagued two recently released films including "The Promise." And Actress Vera Farmiga and Kerry Ehrin, co-creator of "Bates Motel," say goodbye to their beloved character, Norma Bates.

"Mystery Science Theater 3000" gets a reboot with comedian Jonah Ray taking over as host. Ray tells The Frame that to make fun of bad movies they actually have to be kind of good; We unpack the religious themes in Kendrick Lamar's new album "Damn"; Art studios and CalArts students pitch their creative ideas "Shark Tank" style.

The Oscar-winning screenwriter makes a documentary about the L.A. riots, 25 years after they happened; two powerhouse theater companies – one in L.A. and one in N.Y. – join forces to take new plays to Broadway; and a Mexican movie theater chain beckons families with an in-theater playground.

As Aloy in "Horizon Zero Dawn," actress Ashly Burch gets to be more than "just a gun with legs"; members of the Writers Guild of America are in the process of taking a strike authorization vote.

When the film's original director dropped out, longtime producer Denise Di Novi decided to take a turn in the director's chair; non-commercial stations that sold some of their broadcast bandwidth are cashing in with tens of millions of dollars.

'Veep' has returned for a new season and Matt Walsh, who plays Mike McClintock, tells The Frame how the show dovetails and collides with reality. On a Song Exploder segment Damon Albarn break down a tune from a new Gorillaz album. In a Coachella recap we hear what happened with Kendrick Lamar, Lady Gaga and Radiohead.