The Frame

Documentary filmmaker Morgan Neville and chef/restaurateur David Chang talk about their Netflix series and how coronavirus is affecting food culture; with large gatherings essentially banned, how will it affect live theater?

Harvey Weinstein was sentenced to 23 years in prison today, and the Coachella Music Festival is being postponed from April to October. John talks with reporters from Variety to dissect both stories.

The glitzy film festival has no insurance coverage to cover a cancellation; "Never Rarely Sometimes Always" is a timely film about access to abortion; The Moth en español.

Co-writers Damon Lindelof and Nick Cuse talk about overcoming inaccurate press reports to finally have their film released; "Onward" director Dan Scanlon on how his film began with the loss of his own father.

Hillary Clinton on why she agreed to go deep with for a new doc; H.G. Wells reimagined as a metaphor for abuse; actor Steve Coogan uses comedy to highlight extreme gaps in wealth around the world.

Haley Bennett talks about playing a woman with a dangerous psychological disorder; more musical fallout from the coronavirus; keeping L.A.'s Pan Afrikan People’s Arkestra alive.

The avant-garde opera director's new work is about colonialism and displacement; where is Pete Buttigieg's and Elizabeth Warren's Hollywood support going now that they've exited the nomination race?; theater artist Geoff Sobelle explores the notion of "Home" onstage.

The British actor talks about how his latest comedy is a comment on income inequality; will the massive SxSW conference be canceled?; an emotional connection to the band KISS.

The four-part Hulu series includes the former First Lady and Secretary of State talking about the Democratic primaries and the presidential election; the coronavirus could be a disaster for the movie industry, but a boon for streaming services.

Director and screenwriter Leigh Whannel talks about his update of the H.G. Wells story; comedians who are feeling the Bern; the singer Vagabon breaks down her song, "Water Me Down."

The singer revisits work from his 50 years of writing and recording music; the semi-annual TV critics press tour has ended, so what's in store for viewers this Fall?; a new campaign calls for Hollywood to place a priority on telling stories about and by transgender people.

The Academy of Motion Picture Arts and Sciences announced some surprising changes to the Oscar broadcast today, including a new category for 'popular film'; Sarah Silverman talks about her Emmy-nominated Hulu series, "I Love You, America."

Producer David Klawans and writer Jeff Maysh find unusual real-life stories, turn them into long-form articles and pitch them to Hollywood; the Netflix docuseries "Wild Wild Country" tells the remarkable true story of the friction and violence that ensued when an Indian guru tried to create a massive utopia in Oregon in the 1980s.

The new Spike Lee film 'BlacKkKlansman' tells the amazing true story of Ron Stallworth, the black police detective who fooled the KKK into letting him join their ranks; Rosie & the Riveters play folk music with a feminist bent.

Nico sang with the influential Velvet Underground, but this film chronicles the latter part of her career and life; the U.S. Justice Dept. is reviewing a longtime prohibition on movie studios owning their own theaters; mariachi students from around the country are in SoCal for a workshop and competition

The song list is part of Turning the Tables, an ongoing project from NPR Music dedicated to recasting the popular music canon in more inclusive – and accurate – ways; With the sale of 20th Century Fox's studio to the Walt Disney Co., film historian and author Leonard Maltin looks at Fox's movie legacy.

The actress makes her directing debut with a film about two young girls on a journey to avenge their mother's death; the National Hispanic Media Coalition is targeting movie studios over lack of Latino representation; teenaged jazz bassist Anna Abondolo is going places.

The company that revolutionized moviegoing is floundering as movie theater chains launch similar pass programs; first-time novelist Elizabeth Klehfoth sold her book to Hollywood before she even had a publisher; Taj Mahal and Keb' Mo' bring their blues collaboration to the Hollywood Bowl.

The director and co-writer of "The Spy Who Dumped Me" turns the action-comedy genre on its head; what's the fate of CBS chief Les Moonves?; Netflix and Amazon preview their coming attractions at the TV Critics Assn. press tour.

The Texas native shot her indie feature in her home state, with a script based on her own teenage years there; the Idyllwild Arts Academy appears to have escaped the fire that's ravaging the area; the use of "white voice" by black characters in current films is a comment on white privilege.

On her latest album, the French singer and actress pays tribute to her family legacy and also mourns her sister's death; Spotify is paying advances to some artists, but says it's not actually signing artists the way record labels do. But if it walks like a duck and quacks like a duck ...

The photographer has shot virtually every famous face for Rolling Stone, Vanity Fair and other magazines; the Venice and Toronto film festivals have released their schedules — let the award campaigning begin!; streaming services aren't as encyclopedic as you might think.