The Frame

The singer is on top of the charts and she's in the upcoming movie, "Hustlers"; a preview of Variety's first-ever Climate Crisis issue; singer John Paul White.

Linda Ronstadt doc filmmakers reveal her range ; Eddie Redmaye and Felicity Jones show their new film in Telluride; Flor de Toloache is a modern mariachi band in more ways than one; the Oregon Shakespeare Festival gets a new Artistic Director and filmmaker Justin Chon takes us to Koreatown.

The festival is one of the leading regional theaters in the country, presenting traditional and non-traditional classics, along with cutting-edge new plays; the state of the music industry; the documentary, "Linda Ronstadt: The Sound of My Voice."

L.A.'s Koreatown is the setting for the filmmaker's new movie about a young woman who has to defer her musical dreams; what's new — and good — on TV right now; Flor de Toloache is not your traditional mariachi group.

The pioneering queer performance artist and writer talks about his evolution as an activist; highlights from the Telluride Film Festival; "Untouchable" is a new documentary about Harvey Weinstein and the multiple allegations of sexual assault and harassment that he faces.

Filmmaker Stanley Nelson talks about his new documentary on the iconic jazz trumpeter, Miles Davis; with more streaming services coming online, is binge watching the best way to enjoy TV?; producer Larry Klein takes "world music" literally on his new project.

Emmy nominees John Leguizamo ("When They See Us") and Mahershala Ali ("True Detective") talk about their acclaimed performances; Renée Zellweger chats with John Horn at the Telluride Film Festival about portraying Judy Garland.

The actress plays Judy Garland in a biopic that's premiering at the Telluride Film Festival; SAG-AFTRA keeps its president ahead of a crucial year; singer R&B singer Michael Marshall transforms a '60s hippie anthem for "The Last Black Man in San Francisco."

The film festival high in the Rocky Mountains has an amazing track record of debuting movies that end up as Academy Award nominees and winners; singer Snoh Aalegra is an unlikely R&B artist, having grown up in Sweden as the daughter of Iranian immigrants; finding the spirit at Ambient Church.

The actor's Emmy-nominated role in "When They See Us" and his latest solo stage show, “Latin History for Morons,” have important messages about Latino history; even Martin Scorsese's "The Irishman" can't convince movie theater owners to soften their stance on Netflix releases.

Designer Connie Geppert takes on depression and loneliness in her much-anticipated video game; a new effort to diversity the ranks of film and TV critics; in the classroom with a real life 'School of Rock' teacher dude.

Composer Anthony Davis turns the troubling tale into a world premiere for Long Beach Opera; the Hollywood courtship continues for Democratic presidential candidates; singer-songwriter Steve Gunn collaborates with Japanese folk singer Sachiko Kanenobu.

Lauren Morelli created the Netflix reboot of a 1994 PBS series that was ahead of its time; screenwriter Max Landis faces multiple allegations of sexual abuse and harassment; the band Big Thief.

The prolific artist wrote many songs that were recorded by other artists. Susannah Melvoin talks about "Nothing Compares 2 You"; Hollywood gets caught up in China trade war; film composer Bear McCreary ("Child's Play").

The Irish actress plays a Scottish singer trying to make it big in Nashville in what she hopes is her breakout movie role; is "Men in Black: International" the latest proof that audiences are suffering from sequel fatigue?; the Cuban singer known as Cimafunk draws comparisons to James Brown.

Bryan Cranston wins a Tony; Eleni Mandell makes music with prisoners; playwright Lucas Hnath tells brings the true story of his mother's kidnapping to stage. Also, a top film critic wants Hollywood to bring back sex scenes of yore and best friends made a love letter to their city with the film "The Last Black Man in San Francisco."

The legendary singer-songwriter's 1975 tour is revisited in a new documentary by Martin Scorsese; the cultural week-in-review with L.A. Times TV critic Lorraine Ali; the new surf film, "Self-Discovery for Social Survival.”

After a Broadway run, her play about a 1920s obscenity trial comes to Los Angeles; the annual E3 convention draws to a close with plenty of news from the gaming world; the band Making Movies got a boost on its latest album from Ruben Blades.

The singer-songwriter's latest album, "Wake Up Again," was inspired by teaching songwriting at a women’s prison in Southern California; Washington Post movie critic Ann Hornaday wonders why American movies shy away from sex scenes; media critic and feminist Anita Sarkeesian on sexist and misogynist depictions in video games.

A new docu-drama by Don Argott and Sheena M. Joyce explores the car designer's turbulent career and flamboyant life; YouTube’s struggle to dealing with hateful and harmful content; 'Baskets' returns for its fourth season.

The film is loosely based on the story of actor Jimmie Fails. He once lived with his friend Joe Talbot, who would eventually direct and co-write the film; re-capping the Tony Awards, and revisiting our interview with Bryan Cranston, who won Best Leading Actor in a Play.

Emma Thompson talks about her new movie "Late Night." Neil Gaiman adapts his novel "Good Omens" into an Amazon series. Plus, we meet up with Mexico guitar duo Rodrigo y Gabriela in a Los Angeles guitar shop. All that, and more, on this debut episode of The Frame Weekend.