The Frame

The iconoclastic theater/opera director Peter Sellars (pictured) uses Los Angeles as his base while he travels the world to mount work with themes of social justice; a new investigation concludes North Korea wasn't behind the Sony hack; and a look at the top films of 2014.

We break down the Christmas weekend box office and video-on-demand numbers for the controversial film, "The Interview"; writer/director J.C. Chandor talks about his latest film, "A Most Violent Year," starring Oscar Isaac and Jessica Chastain (pictured); David Lynch's artwork is featured in a major museum exhibition.

Alamo Drafthouse cinema on convincing Sony to release "The Interview"; The screenwriter of ‘The Imitation Game’ always wanted to tell the true story of Alan Turing; Celebrating 10 years of The Black List, the place where Oscar winners “Argo,” “Slumdog Millionaire” and “The King’s Speech” debuted; What television to binge-watch over the holidays.

Sony will allow "The Interview" to be seen after all! We talk to the founder of the Downtown Independent about his quest to get the film at his theater; The screenwriters of “Big Eyes” spent a decade trying to get their movie about kitschy art made —and it cost them dearly; Song Exploder dissects a tune from the rock band, The National; Meet the L.A. rabbi with a side job in television.

Playwright James Lapine compares the Hollywood and Broadway versions of "Into The Woods"; "Nightcrawler" writer/director Dan Gilroy weighs in on the Sony hack and "The Interview" scandal; and a Festivus for the rest of us.

Director Angelina Jolie talks about her personal commitment to bring Lou Zamperini’s story to the screen in the movie “Unbroken.” Seth Rogen and James Franco, the stars of “The Interview,” got a special shout-out from President Obama at a White House news conference.

Since you won't see "The Interview," we have a recap of the film, and two critics weigh in on whether the movie is worth all the drama; The Museum of Latin American Art in Long Beach has the first solo U.S. museum exhibition of contemporary Cuban artist Esterio Segura; and we end our Colbert Countdown.

Sony won't release "The Interview" amid threats and the largest theater chains declining to screen the film; writer/director Judd Apatow weighs in on potential harm to the industry; Day 3 of our countdown to the end of 'The Colbert Report'; Rafe Fiennes on working with Wes Anderson.

The Japanese rock star Miyavi was picked by Angelina Jolie to play a WWII prison commandant for his first acting role; what makes Stephen Colbert geek-out, and what did an appearance on "The Colbert Report" do for author Gregory Rodriguez?; artist Ben Noam looks for inspiration in a park.

Dan Sterling talks about the genesis of "The Interview" (starring James Franco, left, and Seth Rogen, right) and how North Korea's leader Kim Jong Un made his way into the script; we launch our week-long farewell tribute to "The Colbert Report."

The new Netflix documentary series, "Making a Murder," is being favorably compared to the podcast "Serial" and HBO's "The Jinx"; meet the "Star Wars" fans who are members of the R2 Builders Club; Disney has a marketing challenge in China, where the first "Star Wars" movies were never seen.

David Lang wrote the music for "Youth," a film about a composer struggling with loss and aging; in 1981, George Lucas allowed a public radio station to turn the first three "Star Wars" films into radio plays; new research shows that moviegoers believe theater owners aren't doing enough to keep them safe.

Adrian Tomine's most recent book, "Killing and Dying," is showing up on a lot of "Best of 2015" lists; Lucas Hnath, who once considered becoming a preacher, addresses themes of faith and salvation in "The Christians"; young British actors John Boyega and Daisy Ridley are in "The Force Awakens"

Will Smith reveals why he was reluctant to be in "Concussion" and how he sees Hollywood's diversity problem; Star Wars mega premiere and Disney's plans to monetize the new movie to the tune of billions; Spike Lee commends J.J. Abrams

Mary Steenburgen may be the busiest actress in TV. She can be seen on "Togetherness,” “Orange Is the New Black” and “The Last Man on Earth”; the annual list of the top un-produced screenplays is out; The Force is strong on the shelves of grocery and drug stores where you’ll find an endless variety of "Star Wars" tie-ins.

Nick Hornby is an esteemed novelist who also adapts other authors for the big screen, including his latest, "Brooklyn"; composer Dustin O’Halloran deconstructs his theme music from "Transparent" for Song Exploder; the Havana Film Festival showcases the nascent Cuban indie film movement.

The screenwriter talks about dramatizing the Apple co-founder's story and how Donald Trump "may be the end of political satire"; John Malkovich's reading of Plato's "Allegory of the Cave" has been set to music by Yoko Ono, Ric Ocasek and other musicians.

The premise of the comedy "You're the Worst," created by Stephen Falk, is that even the most flawed people deserve to find love; the Screen Actors Guild Award nominations provide an early indicator of Oscar choices; The Beach Boys' album, "Pet Sounds," gets a spoken word treatment, of sorts.

Nathan Fielder offers off-the-wall business advice on his Comedy Central series, "Nathan For You"; the Grammys could be a face-off between friends Taylor Swift and Kendrick Lamar; Scott Fagan's 1968 album, "South Atlantic Blues," gets new life thanks to Light In the Attic records.

Daniel Wu was born in California but launched his acting career in China. Now he's starring in an AMC series that puts his martial arts background to good use; Katie Couric and Stephanie Soechtig will debut "Under the Gun" at the Sundance Film Festival.

At 82, Michael Caine plays the lead in 'Youth' but for the most part he considers himself retired; Roy Orbison's son releases his dad's 1969 lost album 'One Of The Lonely Ones'; The Oscar short list for documentaries is out and Sundance is the big winner.

Alan Yang says the Netflix series he created with Aziz Ansari was sparked by their shared experiences as millennials and second-generation Americans; Hollywood power brokers have ideas for improving the standing of women in the entertainment industry; the Sundance festival will include the directing debut of actress Clea Duvall.