The Frame

The iconoclastic theater/opera director Peter Sellars (pictured) uses Los Angeles as his base while he travels the world to mount work with themes of social justice; a new investigation concludes North Korea wasn't behind the Sony hack; and a look at the top films of 2014.

We break down the Christmas weekend box office and video-on-demand numbers for the controversial film, "The Interview"; writer/director J.C. Chandor talks about his latest film, "A Most Violent Year," starring Oscar Isaac and Jessica Chastain (pictured); David Lynch's artwork is featured in a major museum exhibition.

Alamo Drafthouse cinema on convincing Sony to release "The Interview"; The screenwriter of ‘The Imitation Game’ always wanted to tell the true story of Alan Turing; Celebrating 10 years of The Black List, the place where Oscar winners “Argo,” “Slumdog Millionaire” and “The King’s Speech” debuted; What television to binge-watch over the holidays.

Sony will allow "The Interview" to be seen after all! We talk to the founder of the Downtown Independent about his quest to get the film at his theater; The screenwriters of “Big Eyes” spent a decade trying to get their movie about kitschy art made —and it cost them dearly; Song Exploder dissects a tune from the rock band, The National; Meet the L.A. rabbi with a side job in television.

Playwright James Lapine compares the Hollywood and Broadway versions of "Into The Woods"; "Nightcrawler" writer/director Dan Gilroy weighs in on the Sony hack and "The Interview" scandal; and a Festivus for the rest of us.

Director Angelina Jolie talks about her personal commitment to bring Lou Zamperini’s story to the screen in the movie “Unbroken.” Seth Rogen and James Franco, the stars of “The Interview,” got a special shout-out from President Obama at a White House news conference.

Since you won't see "The Interview," we have a recap of the film, and two critics weigh in on whether the movie is worth all the drama; The Museum of Latin American Art in Long Beach has the first solo U.S. museum exhibition of contemporary Cuban artist Esterio Segura; and we end our Colbert Countdown.

Sony won't release "The Interview" amid threats and the largest theater chains declining to screen the film; writer/director Judd Apatow weighs in on potential harm to the industry; Day 3 of our countdown to the end of 'The Colbert Report'; Rafe Fiennes on working with Wes Anderson.

The Japanese rock star Miyavi was picked by Angelina Jolie to play a WWII prison commandant for his first acting role; what makes Stephen Colbert geek-out, and what did an appearance on "The Colbert Report" do for author Gregory Rodriguez?; artist Ben Noam looks for inspiration in a park.

Dan Sterling talks about the genesis of "The Interview" (starring James Franco, left, and Seth Rogen, right) and how North Korea's leader Kim Jong Un made his way into the script; we launch our week-long farewell tribute to "The Colbert Report."

The British actor drops his accent as he reprises his role from BBC America's “Broadchurch” for Fox’s “Gracepoint”; "How to Get Away With Murder" sets a new ratings record for "delayed viewing"; and reality sets in for Fox's "Utopia."

Director Jason Reitman talks about his latest film, which explores how the Internet has changed the way we talk about sex; and the CityLab conference examines how the Golden State can restore its production luster.

What the early Academy Award predictions are telling us about diversity — or the lack thereof — among this year’s potential nominees; the documentary "This Ain't No Mouse Music," about Bay Area recording legend Chris Strachwitz, gives new insight into what drove his musical journey.

“The Simpsons” launched its 26th season Sunday. Vulture.com editor Jesse David Fox joins us to discuss how they chose the 100 Best Simpsons episodes; “The Equalizer” won the box office this weekend, but we also take a look at how some smaller, independent films are doing.

The FAA just approved use of drones for feature films. We talk with the owner of a company that stands to benefit; an Asian-American theater company explores how cultural bias can warp a family’s ability to discuss mental illness; Antoine Fuqua first directed Denzel Washington in "Training Day." Now they're together again for "The Equalizer."

Soloway talks about how Lena Dunham and Louis CK changed the way she writes; pianist and composer Cathlene Pineda discusses her commission for the Angel City Jazz Festival; and Viola Davis on why her casting for "How To Get Away With Murder" is groundbreaking

Kenya Barris, creator of the new ABC series "black-ish," says they had written an episode about spanking before the Adrian Peterson story broke. His challenge: Getting the network to buy in to the controversial topic; Artist Ai Weiwei debuts a new installation at Alcatraz that touches on themes such as freedom and human rights.

The actress founded an institute on gender in media that reports women don't get enough speaking roles in Hollywood; art and science intersect at the AxS Festival; New York's Metropolitan Opera opens its season amid protests, and more.

Colin Farrell will star in the next season of HBO's "True Detective"; Matt Atchity of Rotten Tomatoes chats about this weekend's box office winners and losers, including "The Maze Runner" (pictured). Plus, Jon Stewart discusses his first time on a comedy stage, Fox debuts “Gotham," and more.

How Scott Frank convinced Liam Neeson to star in yet another hostage movie; “Last Days in Vietnam” portrays the U.S. exit from Saigon; and a look at the legendary jazz musician at the heart of “Keep On Keepin’ On.”

The Toronto International Film Festival has a late-night series that brings out devoted horror fans; a group of artists and activists put a spotlight on LA's waterway; the indie band Allah-Las returns to its roots at Amoeba Records; and film director Ned Benson talks about his accidental trilogy, "The Disappearance of Eleanor Rigby."

In our latest episode, we get a preview of one of the largest and most vital film festivals on the circuit; we sit under a 340-ton boulder to interview Doug Pray about the subject of his documentary, "Levitated Mass: The Story of Michael Heizer's Monolithic Sculpture"; and we chat with Teller (yes, of Penn & Teller) and Aaron Posner — co-directors of a novel staging of "The Tempest" at South Coast Repertory.