The Frame

The iconoclastic theater/opera director Peter Sellars (pictured) uses Los Angeles as his base while he travels the world to mount work with themes of social justice; a new investigation concludes North Korea wasn't behind the Sony hack; and a look at the top films of 2014.

We break down the Christmas weekend box office and video-on-demand numbers for the controversial film, "The Interview"; writer/director J.C. Chandor talks about his latest film, "A Most Violent Year," starring Oscar Isaac and Jessica Chastain (pictured); David Lynch's artwork is featured in a major museum exhibition.

Alamo Drafthouse cinema on convincing Sony to release "The Interview"; The screenwriter of ‘The Imitation Game’ always wanted to tell the true story of Alan Turing; Celebrating 10 years of The Black List, the place where Oscar winners “Argo,” “Slumdog Millionaire” and “The King’s Speech” debuted; What television to binge-watch over the holidays.

Sony will allow "The Interview" to be seen after all! We talk to the founder of the Downtown Independent about his quest to get the film at his theater; The screenwriters of “Big Eyes” spent a decade trying to get their movie about kitschy art made —and it cost them dearly; Song Exploder dissects a tune from the rock band, The National; Meet the L.A. rabbi with a side job in television.

Playwright James Lapine compares the Hollywood and Broadway versions of "Into The Woods"; "Nightcrawler" writer/director Dan Gilroy weighs in on the Sony hack and "The Interview" scandal; and a Festivus for the rest of us.

Director Angelina Jolie talks about her personal commitment to bring Lou Zamperini’s story to the screen in the movie “Unbroken.” Seth Rogen and James Franco, the stars of “The Interview,” got a special shout-out from President Obama at a White House news conference.

Since you won't see "The Interview," we have a recap of the film, and two critics weigh in on whether the movie is worth all the drama; The Museum of Latin American Art in Long Beach has the first solo U.S. museum exhibition of contemporary Cuban artist Esterio Segura; and we end our Colbert Countdown.

Sony won't release "The Interview" amid threats and the largest theater chains declining to screen the film; writer/director Judd Apatow weighs in on potential harm to the industry; Day 3 of our countdown to the end of 'The Colbert Report'; Rafe Fiennes on working with Wes Anderson.

The Japanese rock star Miyavi was picked by Angelina Jolie to play a WWII prison commandant for his first acting role; what makes Stephen Colbert geek-out, and what did an appearance on "The Colbert Report" do for author Gregory Rodriguez?; artist Ben Noam looks for inspiration in a park.

Dan Sterling talks about the genesis of "The Interview" (starring James Franco, left, and Seth Rogen, right) and how North Korea's leader Kim Jong Un made his way into the script; we launch our week-long farewell tribute to "The Colbert Report."

Apple is expected to introduce its music streaming service next week, but can the company make gains against Spotify?; L.A. Philharmonic music director Gustavo Dudamel (pictured) reflects on his six seasons on the podium and his long-term future here; Pete Townsend has recorded a new version of his rock opera, "Quadrophenia," with actual opera singers.

Writer-director Paul Feig gets to fulfill his Bond movie fantasy with "Spy"; the bistro at Whole Foods in Pasadena hosts a monthly comedy night (pictured); "San Andreas" director Brad Peyton takes us into his edit suite to show how he assembled one key sequence for the disaster film.

Cameron Crowe's new movie, "Aloha," is being savaged by critics; a visit with legendary L.A. artist Ed Moses (pictured) at his Venice compound; the arts organization Clockshop is making good use of a parcel of land on the banks of the Los Angeles River.

Terry Teachout turned his biography of Louis Armstrong into a play, "Satchmo at the Waldorf" (pictured); a tour of the inventory for special effects and makeup master Rick Baker's auction of his monstrous creations; Film LA reports an increase in movie production in California in 2013 — even before the new tax incentives kicked in.

U2 begins a string of five shows at The Forum on its Innocence + Experience Tour; a new work by Philip Glass is being premiered by the L.A. Philharmonic; Special effects and makeup master Rick Baker (far right) is auctioning a career's worth of monstrous creations.

The Cannes Film Festival wrapped up in typical fashion with an unexpected grand prize winner alongside the requisite victim of critics' ire; in our "Song Exploder" segment, a breakdown of the "Downton Abbey" theme music; playwright Paul Oakley Stovall tackles racism and homophobia among African-Americans in "Immediate Family" (pictured).

Four filmmakers talk about possible solutions for an industry that's been criticized for "widespread exclusion" of women directors; the movie "Tomorrowland" continues the futuristic vision promoted by Walt Disney (pictured at left); Memorial Day is no longer the beginning of summer for the movie business.

Four successful women filmmakers share their stories about an industry that's been criticized for "widespread exclusion" of women directors (pictured: Catherine Hardwicke); classical guitarist Angel Romero performs "Concierto de Aranjuez" with the L.A. Philharmonic; the Rolling Stones rolled into L.A. for a semi-secret show. Were you there?

Memorable moments with David Letterman from comedian Paul Morrissey, Louie Pérez of Los Lobos, and former assistant Cassie St. Onge; comc book writer G. Willow Wilson famously created Ms. Marvel — a female superhero who, like Wilson, is an American Muslim.

"Mad Max: Fury Road" production designer Colin Gibson (pictured) was responsible for the film's insanely tricked-out cars, trucks and motorcycles; Hot Chip's new album goes in a different direction for the indie-electro band; Deaf West Theatre moves its hit production of the musical "Spring Awakening" to a larger space.

A vocal group from "Pitch Perfect 2" (pictured) takes us inside the world of competitive singing; a week after Chris Burden died, his final work launches at the L.A. County Museum of Art; the Minnesota Orchestra plays a role in normalizing relations between the U.S. and Cuba; critics are effusive about the debut album by Shamir.

You know who’s really sad to see “Mad Men” end? The local businesses that supplied all that vintage clothing and furniture; musician Robert Cray and filmmaker Antoine Fuqua pay tribute to blues legend B.B. King (pictured); director Andrew Niccol’s new film, “Good Kill,” examines the difficult life of an Air Force drone pilot.