The Frame

Best-selling author Michael Connelly has taken his famous detective, Harry Bosch, off the page and onto the screen (pictured); Oscar-nominated short doc "Crisis Hotline: Veterans Press 1;" L.A. screenwriters in coffee shops; Paying tribute to the original Carpetbagger of The New York Times, David Carr.

The creative process behind the Oscar-nominated song "Everything Is Awesome" from "The Lego Movie"; "Fifty Shades of Grey" gives a boost to adult toy retailers; GKIDS Films brings animated movies from around the globe to U.S. audiences and Oscar ballots; An artist whose love of heavy metal music informs his quilting.

Jon Stewart dropped a bombshell when he said he'll leave his show later this year; Richard Linklater's longtime film editor, Sandra Adair, cut 12 years of footage for "Boyhood"; If you want to make it as a stand-up comic, move to L.A.

Wes Anderson (at left, with Jude Law) talks about seeing his words come to life in his Oscar-nominated "The Grand Budapest Hotel;" Can Marvel Studios breathe new life into the "Spider-Man" franchise?; At the Huntington Museum: the work of two American photographers abroad; David Oyelowo to be a presenter at the Oscars.

Filmmaker Andrew Jarecki made a feature and now an HBO documentary series (pictured) about Robert Durst, an heir-turned-suspected murderer; the comedy trio Culture Clash revisits "Chavez Ravine," about a key moment in L.A. history; "Jupiter Ascending" and "Seventh Son" are big budget box office flops.

Beyoncé (pictured) is up for six Grammys, including album of the year. Who will win trophies and who should?; Pitchfork has established itself as the go-to music website for millennials; The zombie guru from "Walking Dead" tells all; "Jupiter Ascending" is earthbound, according to critics.

In the wake of the studio's embarrassing computer hack, the co-chair of Sony Pictures will become a producer; Dick Cavett plays himself in a stage play (pictured) that recounts a famous literary feud; "Wild Tales" director Damián Szifrón's film is Argentina's entry in the Academy Awards foreign language film category.

Was Jay-Z wise to plunk down $56 million for the Aspiro music streaming company? The Decemberists (pictured) return with their seventh studio album; Frank Gehry's home was the inspiration for music commissioned by the L.A. Chamber Orchestra; Lynn Shelton talks about directing the pilot for "Fresh Off the Boat."

Director Pawel Pawlikowski on his foreign film nominee, "Ida" (pictured); "Cartel Land" director Matthew Heineman on facing danger in Mexico; "High Maintenance" is a web series that's like “Cheers,” but with weed instead of whiskey; what might Hollywood do with the sequel to “To Kill a Mockingbird"?

Recapping this year's Sundance Film Festival, and a chat with the co-directors of "Meru," which won the Audience Award for U.S. Documentary; actor Randall Park goes from the fire ("The Interview") to the frying pan ("Fresh Off the Boat," pictured).

Jill Soloway on the making of the "musicale finale" of "Transparent" — without actor Jeffrey Tambor; a group of up-and-coming film composers and indie directors convene at Skywalker Ranch for some intensive collaboration.

Jim Gaffigan is best known for his comedy, but can play a mean child kidnapper too; what the retirement of the head of the Rock & Roll Hall of Fame could mean for overlooked artists; singer/songwriter Lupita Infante carries on her grandfather's legacy.

The LA-based contemporary dance company BodyTraffic debuts new works; what The Black Keys concert fiasco says about the live music industry; how the prolific musician Alex G transforms his voice.

Executive producers Susannah Grant and Sarah Timberman on their Netflix adaptation of a true story about the search for a serial rapist; concerns in Aurora, Colorado about the themes in "Joker"; the band Trashcan Sinatras.

The actress talks about playing the iconic singer and actress Judy Garland; Emmys were a big night for Phoebe Waller-Bridge, not so good for the broadcast networks; our resident "Downton Abbey" nerds revel in their big weekend.

Television is exploding and it’s time to celebrate! Join The Frame's John Horn and L.A. Times TV critic Lorraine Ali as they break down the year in television and this year's Emmy-worthy shows.

Documentary filmmaker Irene Taylor Brodsky turns the camera on her 11-year-son and his effort to learn Beethoven's composition; Hollywood struggles to strike the right note of climate urgency; how sound becomes a character in the film, "The Sound of Silence."

The writer/director of the hit film talks about the making of the movie, and life as a woman director in Hollywood; "Bandersnatch" is not your average TV movie.

In the animated series from the people behind “Bojack Horseman” (Raphael Bob-Waksburg and Kate Purdy), there’s no horse, but there’s still an existential crisis; the play Mike Pesca on SNL's on- again, off-again casting of Shane Gillis; "American Mariachi" is a soundtrack for Mexican-American life.

The director and co-writer of the space epic talks about his new film, which stars Brad Pitt as an astronaut on a perilous mission; NBC announces plans for its streaming service, which will be called Peacock; Rhiannon Giddens talks about her affinity for country music.

The singer and songwriter has a new album and a new movie score coming up, plus a documentary about his time with The Band; Variety film critic Peter Debruge wraps up the Toronto International Film Festival.

Nick Offerman goes on tour; NYT TV critic deconstructs Donald Trump's TV character; Gay of Thrones and The Handmaid's Tale costumer go for Creative Arts Emmys; La Santa Cecilia plays in El Paso and "This Close" is a TV show created by and starring deaf people.