The Frame

Considering the success of TV shows such as "Fresh Off the Boat" (pictured), two casting directors discuss whether the demand for diversity has turned into a new form of affirmative action; filmmaker Noah Baumbach joins us for a discussion about his new film, "While We're Young."

Last year, for the first time, the record industry made more money from streaming services than from the sale of CDs; British singer/songwriter Laura Marling (pictured) talks about her love-hate relationship with L.A.; “Justified” creator Graham Yost on how the show maintained its spirit after the death of co-creator, Elmore Leonard.

NPR music critic Ann Powers provides a rundown of standout acts, including Leon Bridges (pictured), at SxSW; Twin Shadow goes from indie rock to pop music on his latest album, “Eclipse"; Lacey Schwartz talks about uncovering her secret racial identity in her documentary, "Little White Lie."

This weekend GLAAD honors entertainment and media that best represent LGBT characters. But handing out awards isn’t the group's only job in Hollywood; Why the Iranian band Kiosk had to flee their country to fully realize their art; Suge Knight's bail is set to $25 million, and his lawyers accuse the prosecution of equating Knight with "Empire."

James Corden reveals his hopes and fears as host of the revamped "Late Late Show." Actor Ethan Hawke and pianist Seymour Bernstein talk stage fright and their new documentary. Mr. T gets a reality show gig.

ASCAP president and board chairman Paul Williams (pictured) advocates better pay for songwriters; The Emmys define TV comedies by length; Hammer Museum celebrates the work of artist Charles Atlas.

Apple plans to offer an online package of 25 TV channels including ABC, CBS and FOX, perhaps as soon as this fall; singer/songwriter Tobias Jesso Jr. turned his misfortune into a music career that's blowing up.

Violinist Bing Wang (pictured) is one of the 120-plus L.A. Philharmonic musicians on a two-week tour of Asia; HBO's "The Jinx" is just the latest documentary to play a key role in a criminal case; hanging out with the dudes at the 14th annual celebration of "The Big Lebowski."

How is SxSW in Austin different from all other film festivals?; artist Charles Gaines (pictured) reflects on being black in the art world and gets a retrospective of his very own at the Hammer Museum.

The L.A. Philharmonic is set to leave on a tour of Asia, where it will make its first visit to mainland China and conductor Gustavo Dudamel will work with a youth orchestra born out of the Fukushima disaster in Japan; We take an audio tour of the Bjork exhibit at MOMA that's generating so much snark

The director says his biopic is a father-daughter story that reflects on screenwriter Aaron Sorkin as well as Boyle. He says it's important to tell stories about men like Jobs who now have more power than governments and who are humanized by the women in their lives.

"Spotlight" centers around the true story of how the Boston Globe uncovered the massive scandal of child molestation within that city's Catholic archdiocese. The Frame's John Horn spoke with the people behind the film about keeping true to the real story, which Keaton and McCarthy have personal connections to.

The actress talks with John Horn about the British suffragette movement as depicted in her new film, the courage of Pakistani activist Malala, and women in Hollywood.

Rooney Mara is 30 and has only been in a handful of films, but she's worked with some top directors, including Spike Jonze, Steven Soderbergh and now Todd Haynes for "Carol." Mara talks about how she never was good at anything until she found acting, how her moods affect what roles she chooses, and why getting a tribute at a young age is still a shock.

The filmmaker's film, set in the 1950s, stars Cate Blanchett and Rooney Mara and is based on the Patricia Highsmith novel. Haynes talks about why he makes movies about women, how the gay rights movements impacted his creativity, and how he left his hometown of L.A. to come into his own as a filmmaker.

The 42nd edition of the Telluride Film Festival begins today and John Horn and The Frame are there. We'll be talking with many of the filmmakers and stars and updating the feed a few times a day with our interviews with director Danny Boyle, actor Rooney Mara, screenwriter Charlie Kaufman and others.

David Newman performed on the score to "E.T." and now he's conducting the music with the L.A. Philharmonic; Telluride festival is a showcase for Oscar hopefuls; Should drug-fueled electronic dance festivals be allowed on county property?

Writer Jonathan Ames turns the erudite actor Patrick Stewart into a rambunctious TV news anchor in "Blunt Talk"; Emails from the hack of Sony Pictures reveal the studio's concern over alienating the NFL with its film, "Concussion"; Kera and the Lesbians calls its sound "bi-polar folk."

The duo Black Violin mixes strings with hip hop beats and challenges stereotypes; Could Apple get into the film and TV game?; Diane Coffee (aka Shaun Fleming) is the drummer for Foxygen, but finds his own voice on a side project.

Lake Bell talks about balancing personal and professional life in Hollywood; Emergency room physicians say electronic music festivals should not be held on county-owned property; Gigmor is a new website for musicians seeking kindred spirits.

Chiwetel Ejiofor plays a scientist in “Z for Zachariah,” an apocalypse movie unlike any you’ve seen; Jenny Yang and Keiko Agena created a comedy festival as a showcase for Asian-American performers; actors really get tipsy on "Drunk History," which is exactly what creator Derek Waters wants.

Jeffrey Tambor and the "Transparent" cast and crew are shooting the second season of the hit show, which has garnered 11 Emmy nominations; a scene in the postponed season finale of "Mr. Robot" rekindles the debate over gun violence on television.