The Frame

Whether you're attending Coachella or following via YouTube or Sirius, you need to know who's playing and when; director Jay Chandrasekhar used a crowd sourcing campaign to fund 'Super Troopers 2'; Judith Hill (pictured) goes from backup singer to releasing her debut solo album with a little help from Prince.

On the 100th anniversary of her birth, we revisit a 1948 performance by Billie Holiday (pictured) at the Shrine Auditorium; the band Night Terrors of 1927 is a Coachella Music Festival newbie; writer/director Alex Garland explores artificial intelligence in the new film, "Ex Machina."

WonderCon turned the Anaheim Convention Center into pop culture nirvana over the weekend; the hip-hop old schoolers from De La Soul (pictured) are in the studio with an album financed by their fans; getting the new TV show “American Odyssey” on the air was an odyssey unto itself.

Tips on which "Mad Men" episodes to watch before the series begins its swan song (pictured); the landmark exhibition by Chinese dissident artist Ai Wei Wei is in its last month on Alcatraz Island; animal trainer Teresa Ann Miller talks about casting and wrangling 250 dogs for the new movie, “White God"

Comic book editor Janelle Asselin is reviving the romance genre in a new magazine anthology (pictured); L.A. stage actors are voting on contract changes that would pay them more, but could result in fewer roles; 'Game of Thrones' novelist George R.R. Martin drops an excerpt from his next book. (Spoiler alert!)

Director Bob Yari (pictured, far left) recently shot the first American feature film in Cuba in more than 50 years; 2015 is already shaping up as perhaps the best year for hip-hop music ever; Amber Tamblyn's third book of poetry is about young actresses who died tragically.

Should Trevor Noah’s Tweets cost him his job as the new host of "The Daily Show"?; “Furious 7” director James Wan (pictured at left, with Vin Diesel) reveals why he needed to finish the film after the death of actor Paul Walker; The Los Angeles Philharmonic completes its tour of Asia, jet lag and all.

Comedy Central drops a surprise by announcing Trevor Noah (pictured) will replace Jon Stewart; young musicians from L.A. and Fukushima get to work with Gustavo Dudamel; Dreamworks gets a much-needed hit with "Home"; transgender actors are in demand during TV pilot season.

Fifteen young musicians from L.A. are collaborating with counterparts from the Japanese region struck by disaster four years ago (pictured); Burger Records has built a mini-indie empire in Southern California; Alex Gibney's documentary about the Church of Scientology debuts on HBO.

The Youth Orchestra is in Japan to conduct some teenage musical diplomacy (pictured); "Marilyn Forever" gives the Hollywood icon the opera treatment; Chapman University's film program decides to compete at the multiplex; Rihanna’s singing career just collided with her film career — and not in a good way.

The director and co-writer talks about making a movie that's more than just racing scenes; the Congressional Hispanic Caucus meets with Hollywood execs about representation; veterans turn to ancient Greek dramas to tell their own stories.

Mark Ruffalo wants to make movies that make a difference and make Marvel films too; "Honey Boy" director Alma Har'el on how she and Shia LaBeouf bonded; Nell Scovell confronts David Letterman; How "Moonface" was made; Writer Nell Scovell confronts her old boss, David Letterman.

After her longtime stint in Sonic Youth, followed by a two-person band called Body/Head, the singer and bassist has her first solo album, "No Home Record"; writer Nell Scovell mends fences (sort of) with David Letterman; Mati Diop's Senegalese film, "Atlantics."

The author's latest deep dive into pop culture is about his love for cinema; why did the Marciano Art Foundation suddenly shut its doors?; "The Red Thread" magic show.

The director wrote the script based on conversations with friends about marriage and divorce; Adam Driver talks about "Marriage Story," his fourth collaboration with Baumbach; Mexican composer Gabriela Ortiz on her ongoing relationship with the L.A. Philharmonic.

Alma Har'el talks about making her narrative feature directing debut in the film that stars Shia LaBeouf in his first feature-length screenplay; an oral history of "Blade Runner."

The former first lady of the Philippines gave access to filmmaker Lauren Greenfield for a new documentary; why are same-sex love scenes being edited out of films on Delta Airlines?; the new podcast "Moonface" examines homosexuality and cultural barriers.

Ed Norton brings "Motherless Brooklyn" to theaters 20 years after he first had the idea; star Cynthia Erivo and director Kasi Lemons tell the story of telling the story of Harriet Tubman on screen; Should arts orgs partner with Saudi Arabia?; Josh Homme of Queens of the Ston

On his new double album, the mixmaster works with other prominent hip hop artists, but he also composed instrumentals for an orchestra; why isn't Martin Scorsese's "The Irishman" in more theaters?

Over more than a half-century, George Rodriguez has taken countless photos of celebrities, but also of social movements such as farmworker strikes and student protests; after a high-profile departure, what's next for the "Star Wars" franchise?; singer San Cha

Director Kasi Lemmons and actress Cynthia Erivo talk about bringing Harriet Tubman's story to the big screen; HBO's new streaming service will launch with a vast library; singer, songwriter and producer Ayoni.

Series producer Caroline Dries talks about the responsibility of telling an LGBTQ+ story through the show's heroine; what's at stake for the first batch of shows from Apple Plus?; Josh Homme returns to the desert.