The Frame

Jocelyn DeBoer and Dawn Luebbe talk about their satirical film, which they wrote, directed, and star in; the legacy of film producer Robert Evans; Song Exploder with Raphael Saadiq.

What Robert Pattinson loves about acting and why he made the surreal film "The Lighthouse"; the buried American history inside HBO's "Watchmen," and "Jojo Rabbit" director Taika Waititi defends his anti-hate satire.

The sound editor turns director for her documentary on "The Art of Cinematic Sound"; pianist Cameron Graves is part of L.A.'s young generation of jazz artists.

The actor has in recent years taken on dark roles in the movie "Get Out" and the TV series, "The Handmaid’s Tale.” So he decided to lighten up with a sitcom.

The filmmaker — who endured an ill-advised screening at a major film festival, followed by The Weinstein Company filing for bankruptcy — is finally seeing the release of “The Current War: Director’s Cut”; is "South Park" worth $500 million on the streaming market?; Morrissey's political leanings may be jeopardizing his large Latino fanbase.

The actor bought the rights to Jonathan Lethem's book in 1999, and finally was able to direct his own adaptation of the novel.

In the singer/songwriter's new memoir, she reflects on death, sex, motherhood and misogyny.

Why Bradley Whitford is following his dark roles in "Get Out" and "The Handmaids Tale" with a new NBC sit-com; "Batwoman" creator says her lead was always going to be gay; The Chambers Brothers recount their musical journey

The actor has two major films this Fall, “Marriage Story” and “The Report.” He spoke with John Horn at the Telluride Film Festival.

The director adapted the screenplay for "JOJO Rabbit," a satire about a young German boy and his imaginary friend, Adolf Hitler; the plight of assistants in Hollywood.

We discuss some of the films that screened at TIFF and look at how the triad of fall film festivals (which includes Venice and Telluride) have already begun to shape the awards races; Reality TV veteran Jonathan Murray's latest show "Born This Way," follows a group of seven young adults with Down syndrome and their families.

The Pacific Standard Time art extravaganza features more than 60 institutions across Southern California presenting Latino art; Hollywood Reporter TV critic Daniel Fienberg chats about who will win at the Emmy Awards; actress Natalie Portman has helped turn Jonathan Safran Foer’s book, “Eating Animals," into a documentary of the same name.

Artist Ai Wei Wei, now no longer under house arrest in China, spent a year traveling around the world to track the global refugee crisis for his documentary, "Human Flow." He tells The Frame he wants audiences to realize this crisis is a human crisis that cannot be ignored. And actor Giancarlo Esposito reveals the personal reasons he wanted to direct, produce and star in "The Show"– a satire about society's obsession with sensationalized reality TV.

Actress Greta Gerwig goes behind the camera for her directing debut, "Lady Bird"; despite claims from studios, there's no apparent corollary between Rotten Tomatoes scores and box office performance; the Diaz sisters, aka Ibeyi, break down their song, "Deathless."

For his new movie, "Brad's Status," writer-director Mike White taps into his relationship with his father. The Whites discuss how their social anxieties are reflected in Ben Stiller's character in the film; we revisit conversations with Creative Arts Emmy winners: songwriter Common, voiceover actor Ashly Burch and "Fargo" composer Jeff Russo.

Actor and producer Nnamdi Asomugha ("Crown Heights") reveals how he made the transition from pro football player to Hollywood; the Toronto International Film Festival (TIFF) begins with hot movies starring the likes of Jennifer Lawrence and Shia LeBoeuf; how the Venezuelan artist Carlos Cruz-Diez and High School students turned the crosswalks outside the Broad museum into colorful art.

The French street artist JR has installed a provocative image on the U.S.-Mexico border; Oscar's new president, John Bailey, inherits big challenges; "Trophy" examines the politics and controversy of big-game hunting.

The filmmaker debuted his new movie at the Telluride Film Festival — an unlikely love story between a cleaning lady and an amphibious creature being held by the government; DACA recipient Christian Hurtado is included in a documentary about abuse of construction workers in Texas.

The Telluride Film Festival premiered the movie about the 1973 tennis match between Billie Jean King and Bobby Riggs; "Dolores" tells the story of the woman who co-founded the United Farm Workers union.

Several venues in Houston's downtown theater district suffered flood damage from Hurricane Harvey; director Scott Cooper debuts his period western, "Hostiles," at the Telluride Film Festival; a new virtual reality experience puts you in flatline mode.

The Telluride festival has become a reliable bellwether for Academy Award attention; Kira Kelly is a Hollywood rarity: an African-American female cinematographer; behind the scenes with the sound engineers at the Bowl.

In the wake of Hurricane Harvey, we revisit our recent interview with former Vice-President Al Gore about his latest climate change documentary; in "Patti Cake$," Danielle MacDonald plays a rapper from New Jersey whose rocky road is not unlike the path traveled by the actress herself.