The Frame

Jocelyn DeBoer and Dawn Luebbe talk about their satirical film, which they wrote, directed, and star in; the legacy of film producer Robert Evans; Song Exploder with Raphael Saadiq.

What Robert Pattinson loves about acting and why he made the surreal film "The Lighthouse"; the buried American history inside HBO's "Watchmen," and "Jojo Rabbit" director Taika Waititi defends his anti-hate satire.

The sound editor turns director for her documentary on "The Art of Cinematic Sound"; pianist Cameron Graves is part of L.A.'s young generation of jazz artists.

The actor has in recent years taken on dark roles in the movie "Get Out" and the TV series, "The Handmaid’s Tale.” So he decided to lighten up with a sitcom.

The filmmaker — who endured an ill-advised screening at a major film festival, followed by The Weinstein Company filing for bankruptcy — is finally seeing the release of “The Current War: Director’s Cut”; is "South Park" worth $500 million on the streaming market?; Morrissey's political leanings may be jeopardizing his large Latino fanbase.

The actor bought the rights to Jonathan Lethem's book in 1999, and finally was able to direct his own adaptation of the novel.

In the singer/songwriter's new memoir, she reflects on death, sex, motherhood and misogyny.

Why Bradley Whitford is following his dark roles in "Get Out" and "The Handmaids Tale" with a new NBC sit-com; "Batwoman" creator says her lead was always going to be gay; The Chambers Brothers recount their musical journey

The actor has two major films this Fall, “Marriage Story” and “The Report.” He spoke with John Horn at the Telluride Film Festival.

The director adapted the screenplay for "JOJO Rabbit," a satire about a young German boy and his imaginary friend, Adolf Hitler; the plight of assistants in Hollywood.

"A Wrinkle In Time" author Madeleine L'Engle mixed spirituality and science in her controversial book, now it's a big Disney movie; filmmaker Alma Har'el challenges the advertising business to hire more women to direct commercials; Spotify promises to expand your musical choices, but does it?

Hiro Murai had only directed music videos when Donald Glover tapped him to direct "Atlanta"; Amy Adrion's documentary, "Half the Picture," takes an empowering view of women in filmmaking; Tom Brosseau's latest album is titled "Treasures Untold."

The company that produced "The Wolf of Wall Street" is fined $60 million in embezzlement case; Shawn Colvin's new album is made for kids and their parents; Quiara Alegría Hudes' trilogy of plays gets a first-ever simultaneous staging.

Aparna Nancherla manages to find comic relief in her own depression and anxiety; how to fix an Academy Awards broadcast that hit an all-time ratings low; Tamar-kali's score for "Mudbound" is "the blood beneath the mud."

From the diversity seen on the red carpet and onstage, to the pointed messages delivered during the ceremony, the movie industry is at a tipping point.

We take one last look at the nominees and the larger cultural and political issues surrounding the ceremony; talent agencies have been in the middle of Hollywood's abuse scandals. Maha Dakhil talks about what role the agencies should play to protect their clients.

Wall Street Journal reporter Ben Fritz's book, “The Big Picture: The Fight for the Future of Movies,” examines the fallout from Sony's computers being hacked; Spotify seeks cash infusion as it prepares to sell stocks in the company; the Independent Spirit Awards take place on the eve of the Oscars.

John Horn & Rebecca Keegan of Vanity Fair look at key Academy Award nominees in a year that saw significant contributions by women. And, at least this year, it's not #OscarsSoWhite.

Lawrence Wright's book about the prelude to the 9/11 attacks has been turned into a TV series on Hulu; Nick Hakim's album, “Green Twins,” was partly inspired by his idol, Marvin Gaye; a recording of Allen Ginsberg's epic poem is being reissued on vinyl.

"Black Panther" is dominating the box office, but Hollywood’s diversity problem is far from over, according to a UCLA report; Only two women have ever won Academy Awards for composing. Taura Stinson, Laura Karpman and Lesley Barber discuss how women composers are faring these days in Hollywood.

Stacy Rukeyser is executive producer of "Unreal," a fictional TV series about the behind-the-scenes drama of a “Bachelor”-style reality show; there's an effort underway to pressure Amazon, Apple, Roku and Chromecast to drop NRA TV from the streaming services.

With two Russian Olympic athletes accused of doping at the games in South Korea, it brings renewed attention to "Icarus," the Oscar-nominated documentary that blew the lid off Russia's doping program; Anna Deavere Smith debuts "Notes From the Field," in which she portrays people she interviewed about race and class in America.