The Frame

Memorable moments with David Letterman from comedian Paul Morrissey, Louie Pérez of Los Lobos, and former assistant Cassie St. Onge; comc book writer G. Willow Wilson famously created Ms. Marvel — a female superhero who, like Wilson, is an American Muslim.

"Mad Max: Fury Road" production designer Colin Gibson (pictured) was responsible for the film's insanely tricked-out cars, trucks and motorcycles; Hot Chip's new album goes in a different direction for the indie-electro band; Deaf West Theatre moves its hit production of the musical "Spring Awakening" to a larger space.

A vocal group from "Pitch Perfect 2" (pictured) takes us inside the world of competitive singing; a week after Chris Burden died, his final work launches at the L.A. County Museum of Art; the Minnesota Orchestra plays a role in normalizing relations between the U.S. and Cuba; critics are effusive about the debut album by Shamir.

You know who’s really sad to see “Mad Men” end? The local businesses that supplied all that vintage clothing and furniture; musician Robert Cray and filmmaker Antoine Fuqua pay tribute to blues legend B.B. King (pictured); director Andrew Niccol’s new film, “Good Kill,” examines the difficult life of an Air Force drone pilot.

"Mad Men" creator Matthew Weiner (far right) talks about the show's legacy; if Harry Shearer leaves "The Simpsons," what would Ned Flanders, Kent Brockman and Mr. Burns say?; Chad Hodge sheds some light on his confusing new series, "Wayward Pines"; CBS' fall plans include "Supergirl."

Marc Maron (pictured) does stand-up, hosts a popular podcast, and his TV show is beginning its second season; at the TV upfronts in New York, the never-ending search for Latino audiences goes on; an artist-turned-radio producer seeks to find out why he's compelled to draw while riding the subway.

"Mad Max: Fury Road" has the hottest trailer, the best reviews and one of the oldest working filmmakers. We go deep with director George Miller (pictured with Charlize Theron); Crash the red carpet with our sneak peek of the Cannes Film Festival; ABC doubles down on diversity for fall season.

Reggie Watts (pictured), the one-man band from "Comedy Bang Bang," has moved on to become a bonafide bandleader on CBS' "The Late Late Show"; L.A. Times art critic Christopher Knight discusses the work of the late Chris Burden, who created two popular installations at the L.A. County Museum of Art.

As the Los Angeles County Museum of Art marks its 50th anniversary, CEO Michael Govan discusses the museum's past, present and future; the museum's coming exhibitions include a showcase for the late L.A. assemblage artist, Noah Purifoy.

As the big TV networks prep to unveil their new Fall line-ups, one show looms large — "Empire"; a new film about Gloria Trevi, known as "The Mexican Madonna"; former MTV news correspondent Tabitha Soren has a new photo exhibit of her work documenting the careers of minor league baseball players (pictured).

The writer-director called on some of her own experiences for the semi-autobiographical film about a troubled standup comic; diversity in Hollywood is depicted as writers are asked to #ShowUsYourRoom; the soundtrack for 'The House with a Clock in its Walls' makes use of a vintage instrument.

A dying man is hired to deliver a message to a recent suicide victim in "The Untranslatable Secrets of Nikki Corona"; Latino Vietnam veterans share their experiences in the play, “Ring Of Red: A Barrio Story;” at age 38, violinist Hilary Hahn's already had a long career.

Alex Honnold's daring climb of Yosemite's famous rock formation is chronicled in a new National Geographic documentary; with Bill Cosby's sentencing hearing this week, and other disgraced entertainment figures re-entering the arena, culture critic Megan Garber examines the “familiarity fallacy” and “accountability theater.”

The Prince archive releases songs that the artist may not have wanted the public to hear; Director Tom Shadyac once made movies with Jim Carrey and Eddie Murphy but his new film is no joke; Spotify's co-dependent relationship with the music biz gets tense.

"Monsters and Men," director Reinaldo Marcus Green's feature debut, examines the complicated fallout of a fatal police shooting of an unarmed black man; the LA Film Festival kicks off today.

The site-specific show at the Huntington's Chinese Garden weaves a story that merges Latino and Chinese elements; the U.S. Senate passes the long-awaited Music Modernization Act; the Los Angeles legacy of jazz musician Alice Coltrane.

HBO and the streaming services dominated the night as the broadcast networks face an increasingly daunting future.

Bekah Brunstetter's play is about a conservative Christian baker who is asked to make a cake for a lesbian wedding — and one of the women is an old friend; yes, the Emmys are tonight, but who might win next year's trophies?; looking back with punk pioneer Ana da Silva.

Hear what it takes to get an Emmy nomination from 13 people who have one (or more). Guests include: Brian Tyree Henry, Sarah Paulson, Bill Hader, Carrie Brownstein and Nikolaj Coster-Waldau. Plus, the creators of "Glow" and "Black-ish." This Emmy special is co-hosted by The Frame's John Horn and LA Times TV critic Lorraine Ali who discuss the social and political relevance of television in this 2017-18 season.

Jim Stern shot his documentary during the 2016 presidential campaign, seeking insights into the support for Donald Trump; the advent of smart phones has changed the world of fashion photography; why is it suddenly more difficult for foreign artists to obtain visas to the U.S.?

The iconic Los Angeles artist is now 80 years ago and remains a vital and influential force; CBS' programming under Les Moonves was male-centric, but that's about to change; how has the FBI been depicted in film and television?

The remake that stars Bradley Cooper and Lady Gaga is getting early Oscar buzz; musician Bryce Dessner of The National is branching out through a new collaborative; how has the FBI been depicted in film and television?