The Frame

Is Apple the big bad wolf of the music streaming world? The tech giant will withhold all payments to labels and artists for the first three months of Apple Music. Runaway film score production leads Hollywood composers and musicians to take action. How the Pixar filmmakers created the world of a little girls mind and the character based on her emotions for "Inside Out." Arnold is back and scaring people on Hollywood Blvd.

Filmmaker Maya Forbes cast Mark Ruffalo to play her likable bipolar dad in "Infinitely Polar Bear" and shows the human side of mental illness. Singer/Songwriter Ryn Weaver's quick rise to fame and the internet haters that came with it. Report from the floor of the massive video game trade show E3; Neil Young v. Donald Trump

"Dope" filmmaker Rick Famuyiwa was influenced by Inglewood, Hip Hop and John Hughes movies. Author Jillian Lauren and her Weezer bassist husband share tales of a rock 'n' roll tour life with their young son. E3 Day one: Star Wars and virtual reality. Is Jeb Bush a "Die Hard" fan?

The 5 lessons to be learned from 'Jurassic World''s $500 million weekend. An experimental comedy show puts comedians in purgatory. Filmmaker Zoe Cassavetes takes on ageism in Hollywood. What the heck are Will Ferrell and Kristen Wiig doing in a Lifetime movie?

Pete Docter and Ronnie Del Carmen talk about depicting the inner life of a child’s mind in "Inside Out" (pictured); on our latest "Song Exploder" segment, the composer for "Game of Thrones" deconstructs his theme music; FIFA invested $32 million in a film that virtually no one will see.

Alfonso Gomez-Rejon used his film, "Me and Earl and the Dying Girl" (pictured), to process his father’s death; a long-lost silent cartoon by Walt Disney finally gets a musical score; Rupert Murdoch takes the next step for his sons' future at 21st Century Fox.

As Pixar readies the release of "Inside Out," we visit the animation studio's Bay Area campus (pictured); former NBA star Baron Davis co-directed a documentary that takes him back to his basketball roots; the Ojai Music Festival presents the West Coast premiere of a work by Pulitzer Prize-winning composer John Luther Adams.

'The Wolfpack' is a documentary about six brothers, sheltered in a New York apartment, who look to movies as their refuge (pictured); FFS is a new supergroup that combines the bands Franz Ferdinand and Sparks; the Charles Manson case continues to reverberate in pop culture through a TV series, feature film and podcast.

Apple finally announced its streaming service, with a little help from Drake (pictured); the 21st annual Los Angeles Film Festival will once again include a showcase called LA Muse; the Tony Awards made some Broadway history with a first-time win for women composers.

Popular comics are tackling more serious issues these days, says Megan Garber in her essay, "How Comedians Became Public Intellectuals" (pictured: John Oliver); Joan Scheckel is a popular teacher for many directors, writers and actors, but what goes on inside her studio?; Australian singer Vance Joy talks about the ups and downs of life on tour.

Joel Edgerton talks about directing his adaptation of a memoir about a boy (played by Lucas Hedges) whose parents (Nicole Kidman and Russell Crowe) won't accept his homosexuality; can politicians play any music they want at rallies?; Jadis is prop store in Santa Monica like no other,

Eli Horowitz and Micah Bloomberg created "Homecoming" as a scripted, fictional podcast, and now they're overseeing the Amazon TV version; the movie ratings system has existed for 50 years, but it has occasionally been plagued by inconsistencies.

The new documentary examines the relationship between art, money, success and notoriety; “Delusion: The Blue Blade" is an immersive theater production described by its creator as "Indiana Jones"-meets-"Blade Runner."

Game designer Ben Esposito takes a user-friendly approach to examine L.A.'s changing neighborhoods; does NBC's Megyn Kelly have a future in TV?; the past, present and future of the L.A. Philharmonic (part 2).

Two prominent music critics look at where the orchestra has been and where it's heading; filmmaker Sandi Tan looks for a lost film of hers in "Shirkers."

Aoife O'Donovan, Sarah Jarosz and Sara Watkins all have successful individual careers, but decided to combine forces for their folk-Americana trio; how is "House of Cards" concluding without Kevin Spacey?; MOCA puts the spotlight on influential painter and film critic Manny Farber.

"The Good Place" creator Michael Schur and writer Jen Statsky talk about making a sitcom that takes on ethics and philosophy; as the Trump Administration reportedly considers rolling back civil rights protections for trans people, we revisit The Frame's 2017 roundtable discussion on transgender representation on television.

The award-winning Broadway smash with music and lyrics by Benj Pasek and Justin Paul finally arrives in Los Angeles; how deep are Saudi Arabia's tentacles in American museums?; the Berlin-based performance group, Gob Squad, examines how we cope with aging.

The mezzo-soprano had a promising hoops career, but then she discovered singing; Netflix buys a huge production studio in Albuquerque; Janelle Monáe breaks down her song, "So Afraid."

She's a rare female minority show-runner, but her main goal is to let the mom character have some fun; how are immigrants depicted on TV?; the L.A. Master Chorale takes its show on the road.

Actor Peter Dinklage and filmmaker Sacha Gervasi on making "My Dinner With Hervé," about the French actor Hervé Villechaize; how do "The Conners" fare without Roseanne? L.A. Times TV critic Lorraine Ali shares her thoughts.

Muslim comedian Mo Amer once sat next to Eric Trump on an international flight. That's just one of many stories in his Netflix special "Vagabond." In the wake of Jamal Khashoggi's disapperance, Hollywood rethinks its relationship with Saudi Arabia. Plus, how Dieter Ruehle came to be the Dodgers' organist.