The Frame

Is Apple the big bad wolf of the music streaming world? The tech giant will withhold all payments to labels and artists for the first three months of Apple Music. Runaway film score production leads Hollywood composers and musicians to take action. How the Pixar filmmakers created the world of a little girls mind and the character based on her emotions for "Inside Out." Arnold is back and scaring people on Hollywood Blvd.

Filmmaker Maya Forbes cast Mark Ruffalo to play her likable bipolar dad in "Infinitely Polar Bear" and shows the human side of mental illness. Singer/Songwriter Ryn Weaver's quick rise to fame and the internet haters that came with it. Report from the floor of the massive video game trade show E3; Neil Young v. Donald Trump

"Dope" filmmaker Rick Famuyiwa was influenced by Inglewood, Hip Hop and John Hughes movies. Author Jillian Lauren and her Weezer bassist husband share tales of a rock 'n' roll tour life with their young son. E3 Day one: Star Wars and virtual reality. Is Jeb Bush a "Die Hard" fan?

The 5 lessons to be learned from 'Jurassic World''s $500 million weekend. An experimental comedy show puts comedians in purgatory. Filmmaker Zoe Cassavetes takes on ageism in Hollywood. What the heck are Will Ferrell and Kristen Wiig doing in a Lifetime movie?

Pete Docter and Ronnie Del Carmen talk about depicting the inner life of a child’s mind in "Inside Out" (pictured); on our latest "Song Exploder" segment, the composer for "Game of Thrones" deconstructs his theme music; FIFA invested $32 million in a film that virtually no one will see.

Alfonso Gomez-Rejon used his film, "Me and Earl and the Dying Girl" (pictured), to process his father’s death; a long-lost silent cartoon by Walt Disney finally gets a musical score; Rupert Murdoch takes the next step for his sons' future at 21st Century Fox.

As Pixar readies the release of "Inside Out," we visit the animation studio's Bay Area campus (pictured); former NBA star Baron Davis co-directed a documentary that takes him back to his basketball roots; the Ojai Music Festival presents the West Coast premiere of a work by Pulitzer Prize-winning composer John Luther Adams.

'The Wolfpack' is a documentary about six brothers, sheltered in a New York apartment, who look to movies as their refuge (pictured); FFS is a new supergroup that combines the bands Franz Ferdinand and Sparks; the Charles Manson case continues to reverberate in pop culture through a TV series, feature film and podcast.

Apple finally announced its streaming service, with a little help from Drake (pictured); the 21st annual Los Angeles Film Festival will once again include a showcase called LA Muse; the Tony Awards made some Broadway history with a first-time win for women composers.

Popular comics are tackling more serious issues these days, says Megan Garber in her essay, "How Comedians Became Public Intellectuals" (pictured: John Oliver); Joan Scheckel is a popular teacher for many directors, writers and actors, but what goes on inside her studio?; Australian singer Vance Joy talks about the ups and downs of life on tour.

The director and co-writer talks about making a movie that's more than just racing scenes; the Congressional Hispanic Caucus meets with Hollywood execs about representation; veterans turn to ancient Greek dramas to tell their own stories.

Mark Ruffalo wants to make movies that make a difference and make Marvel films too; "Honey Boy" director Alma Har'el on how she and Shia LaBeouf bonded; Nell Scovell confronts David Letterman; How "Moonface" was made; Writer Nell Scovell confronts her old boss, David Letterman.

After her longtime stint in Sonic Youth, followed by a two-person band called Body/Head, the singer and bassist has her first solo album, "No Home Record"; writer Nell Scovell mends fences (sort of) with David Letterman; Mati Diop's Senegalese film, "Atlantics."

The author's latest deep dive into pop culture is about his love for cinema; why did the Marciano Art Foundation suddenly shut its doors?; "The Red Thread" magic show.

The director wrote the script based on conversations with friends about marriage and divorce; Adam Driver talks about "Marriage Story," his fourth collaboration with Baumbach; Mexican composer Gabriela Ortiz on her ongoing relationship with the L.A. Philharmonic.

Alma Har'el talks about making her narrative feature directing debut in the film that stars Shia LaBeouf in his first feature-length screenplay; an oral history of "Blade Runner."

The former first lady of the Philippines gave access to filmmaker Lauren Greenfield for a new documentary; why are same-sex love scenes being edited out of films on Delta Airlines?; the new podcast "Moonface" examines homosexuality and cultural barriers.

Ed Norton brings "Motherless Brooklyn" to theaters 20 years after he first had the idea; star Cynthia Erivo and director Kasi Lemons tell the story of telling the story of Harriet Tubman on screen; Should arts orgs partner with Saudi Arabia?; Josh Homme of Queens of the Ston

On his new double album, the mixmaster works with other prominent hip hop artists, but he also composed instrumentals for an orchestra; why isn't Martin Scorsese's "The Irishman" in more theaters?

Over more than a half-century, George Rodriguez has taken countless photos of celebrities, but also of social movements such as farmworker strikes and student protests; after a high-profile departure, what's next for the "Star Wars" franchise?; singer San Cha

Director Kasi Lemmons and actress Cynthia Erivo talk about bringing Harriet Tubman's story to the big screen; HBO's new streaming service will launch with a vast library; singer, songwriter and producer Ayoni.

Series producer Caroline Dries talks about the responsibility of telling an LGBTQ+ story through the show's heroine; what's at stake for the first batch of shows from Apple Plus?; Josh Homme returns to the desert.