The Frame

OITNB's Crazy Eyes actress Uzo Aduba embraces her Nigerian looks; African-American artist Mark Bradford puts a unique South L.A. spin on abstract art; How we watch TV today hurts the market value of traditional media companies.

Cinespia lures Angelenos to the Hollywood Forever Cemetery for outdoor movies; The 50th anniversary of the Watts Riots inspires a new play; Sarah and Sean Watkins make an album with Fiona Apple and other friends who play in their Watkins Family Hour stage show

From Stephen Colbert's late-night foray to Kim Jeong's new sitcom, we recap the news from the Television Critics Association press tour; Thundercat breaks down his song "Them Changes" in the latest Song Exploder podcast; Cheating death and finding love while making the documentary 'Meru'. The Log Lady is ready for the new "Twin Peaks."

F. Gary Gray dealt with drama both on and off set to get his vision right for "Straight Outta Compton"; comedian Jen Kirkman takes us backstage at Outside Lands Fest; it's got an Emmy nomination but what the hell is Acorn TV?

The new Broad Museum is getting ready for its close-up. We get a sneak peek at the work it takes to curate and install hundreds of piece of art; The spectacular demise of “Fantastic Four” offers a case study in what can go wrong when a studio rushes a film into production and clashes with its director; John Ridley and actor Richard Cabral on how life imitated art in the ABC series "American Crime."

The hip-hop producer hasn't released an album in 16 years, but he's back with a collection inspired by the movie, "Straight Outta Compton"; Roberto and Kim Benabib combine comedy with global conflict in HBO's “The Brink”; MuseIque makes orchestral music more accessible with eclectic programs.

Kacee Clanton is one of two performers who play rock icon Janis Joplin in a classic jukebox musical; Vice's content tends to skew male, so it's targeting women with a new online channel; Will Geer started producing theater in Topanga Canyon more than 60 years ago, and his family is keeping up the tradition.

Before he landed on "The Daily Show," Jon Stewart was the host of several short-lived shows; a lifelong fascination with Kahlil Gibran's "The Prophet" led to Salma Hayek turning the book into an animated film; composer Reinhold Heil provides the tense score for the Sundance Channel's "Deutschland 83"

British actress Bel Powley is decidedly American in "The Diary of a Teenage Girl"; the Eagle Rock Gospel Choir is not a church-based group, but they've got the spirit; LA's theater community mourns the passing of playwright Lynn Manning.

The musician (Meryl Streep) at the heart of screenwriter Diablo Cody's "Ricki and the Flash" represents the common female struggle to balance family and work; an electronic dance festival in L.A. County is marred by two suspected drug-related deaths; Jon Stewart has inspired a group of Iraqi comedians to create a "Daily Show"-like web series.

Writer Lena Waithe and director Melina Matsoukas talk about their provocative film about a tragic incident involving a black couple and a white policeman; five years later, what has Hollywood learned from the Sony hack?

L.A.'s Marachi Arcoiris bills itself as the first LGBTQ group that plays traditional Mexican music; what should we make of the Golden Globes?; the Huntington Museum turns 100 with a centennial exhibition.

After her longtime stint in Sonic Youth, followed by a two-person band called Body/Head, the singer and bassist has her first solo album, "No Home Record"; writer Nell Scovell mends fences (sort of) with David Letterman; Mati Diop's Senegalese film, "Atlantics," is on the shortlist for best international feature film at the Academy Awards.

Greta Gerwig shares her passion for "Little Women"; one TV journalist surveys how Jewish women are portrayed on TV; Jonathan Pryce dons the robes of Pope Francis for "The Two Popes"; a photographer turns objects confiscated from detainees at the border into art; The Black List turns 15; the ambitious filming of "1917".

The actress not only stars in the movie about the downfall of Roger Ailes at Fox News, she is also credited as a producer; assistants in Hollywood want better pay and treatment; "Not at the Dinner Table" is a release valve for uncomfortable holiday gatherings.

Director Sam Mendes and cinematographer Roger Deakins collaborated to film the movie in a single, continuous shot; will "Cats" snuggle up to moviegoers?; songwriter Kathryn Bostic is on the shortlist of nominees for the Academy Awards best original song.

Jonathan Pryce talks about playing the reluctant Pope Francis and screenwriter Anthony McCarten talks about mixing fact and fiction; top screenplays in The Black List.

The director willed her way onto the project to tell the 1868 Louisa May Alcott story in a new way; a photographer turns items confiscated at the U.S.-Mexico border into subjects for an exhibition.

Abby McEnany stars in and co-created the series, which tells the tragi-comic story of a gender non-conforming woman struggling with her lot in life. She and executive producer Lilly Wachowski talk about the series; Kyle Buchanan, who writes The Carpetbagger blog for The New York Times, on awards season in Hollywood.

Charlize Theron produces and stars in "Bombshell"; Lilly Wachowski and Abby McEnany find comedy and connection on their series "Work In Progress"; Matthew Bourne brings "Swan Lake" back to LA; Jad Abumrad argues that Dolly Parton is the great unifier in our fractured country with his new podcast.

The podcast from Radiolab host Jad Abumrad explores the amazing career of "The Backwoods Barbie"; Netflix is accused of breaching awards etiquette and journalism ethics in its courting of Critics Choice Association members; the Australian band Good Morning has a surprising following in the U.S.

Choreographer Matthew Bourne, who shocked the dance world with his staging of the classic ballet, brings the production back to L.A.; why are insurance companies willing to offer policies that protect behavior of figures like Harvey Weinstein?; the podcast, “Prince the Story of 1999,” takes us inside the making of the landmark album.