The Frame

The director says his biopic is a father-daughter story that reflects on screenwriter Aaron Sorkin as well as Boyle. He says it's important to tell stories about men like Jobs who now have more power than governments and who are humanized by the women in their lives.

"Spotlight" centers around the true story of how the Boston Globe uncovered the massive scandal of child molestation within that city's Catholic archdiocese. The Frame's John Horn spoke with the people behind the film about keeping true to the real story, which Keaton and McCarthy have personal connections to.

The actress talks with John Horn about the British suffragette movement as depicted in her new film, the courage of Pakistani activist Malala, and women in Hollywood.

Rooney Mara is 30 and has only been in a handful of films, but she's worked with some top directors, including Spike Jonze, Steven Soderbergh and now Todd Haynes for "Carol." Mara talks about how she never was good at anything until she found acting, how her moods affect what roles she chooses, and why getting a tribute at a young age is still a shock.

The filmmaker's film, set in the 1950s, stars Cate Blanchett and Rooney Mara and is based on the Patricia Highsmith novel. Haynes talks about why he makes movies about women, how the gay rights movements impacted his creativity, and how he left his hometown of L.A. to come into his own as a filmmaker.

The 42nd edition of the Telluride Film Festival begins today and John Horn and The Frame are there. We'll be talking with many of the filmmakers and stars and updating the feed a few times a day with our interviews with director Danny Boyle, actor Rooney Mara, screenwriter Charlie Kaufman and others.

David Newman performed on the score to "E.T." and now he's conducting the music with the L.A. Philharmonic; Telluride festival is a showcase for Oscar hopefuls; Should drug-fueled electronic dance festivals be allowed on county property?

Writer Jonathan Ames turns the erudite actor Patrick Stewart into a rambunctious TV news anchor in "Blunt Talk"; Emails from the hack of Sony Pictures reveal the studio's concern over alienating the NFL with its film, "Concussion"; Kera and the Lesbians calls its sound "bi-polar folk."

The duo Black Violin mixes strings with hip hop beats and challenges stereotypes; Could Apple get into the film and TV game?; Diane Coffee (aka Shaun Fleming) is the drummer for Foxygen, but finds his own voice on a side project.

Lake Bell talks about balancing personal and professional life in Hollywood; Emergency room physicians say electronic music festivals should not be held on county-owned property; Gigmor is a new website for musicians seeking kindred spirits.

Joel Edgerton talks about directing his adaptation of a memoir about a boy (played by Lucas Hedges) whose parents (Nicole Kidman and Russell Crowe) won't accept his homosexuality; can politicians play any music they want at rallies?; Jadis is prop store in Santa Monica like no other,

Eli Horowitz and Micah Bloomberg created "Homecoming" as a scripted, fictional podcast, and now they're overseeing the Amazon TV version; the movie ratings system has existed for 50 years, but it has occasionally been plagued by inconsistencies.

The new documentary examines the relationship between art, money, success and notoriety; “Delusion: The Blue Blade" is an immersive theater production described by its creator as "Indiana Jones"-meets-"Blade Runner."

Game designer Ben Esposito takes a user-friendly approach to examine L.A.'s changing neighborhoods; does NBC's Megyn Kelly have a future in TV?; the past, present and future of the L.A. Philharmonic (part 2).

Two prominent music critics look at where the orchestra has been and where it's heading; filmmaker Sandi Tan looks for a lost film of hers in "Shirkers."

Aoife O'Donovan, Sarah Jarosz and Sara Watkins all have successful individual careers, but decided to combine forces for their folk-Americana trio; how is "House of Cards" concluding without Kevin Spacey?; MOCA puts the spotlight on influential painter and film critic Manny Farber.

"The Good Place" creator Michael Schur and writer Jen Statsky talk about making a sitcom that takes on ethics and philosophy; as the Trump Administration reportedly considers rolling back civil rights protections for trans people, we revisit The Frame's 2017 roundtable discussion on transgender representation on television.

The award-winning Broadway smash with music and lyrics by Benj Pasek and Justin Paul finally arrives in Los Angeles; how deep are Saudi Arabia's tentacles in American museums?; the Berlin-based performance group, Gob Squad, examines how we cope with aging.

The mezzo-soprano had a promising hoops career, but then she discovered singing; Netflix buys a huge production studio in Albuquerque; Janelle Monáe breaks down her song, "So Afraid."

She's a rare female minority show-runner, but her main goal is to let the mom character have some fun; how are immigrants depicted on TV?; the L.A. Master Chorale takes its show on the road.

Actor Peter Dinklage and filmmaker Sacha Gervasi on making "My Dinner With Hervé," about the French actor Hervé Villechaize; how do "The Conners" fare without Roseanne? L.A. Times TV critic Lorraine Ali shares her thoughts.

Muslim comedian Mo Amer once sat next to Eric Trump on an international flight. That's just one of many stories in his Netflix special "Vagabond." In the wake of Jamal Khashoggi's disapperance, Hollywood rethinks its relationship with Saudi Arabia. Plus, how Dieter Ruehle came to be the Dodgers' organist.