The Frame

After her longtime stint in Sonic Youth, followed by a two-person band called Body/Head, the singer and bassist has her first solo album, "No Home Record"; writer Nell Scovell mends fences (sort of) with David Letterman; Mati Diop's Senegalese film, "Atlantics."

The author's latest deep dive into pop culture is about his love for cinema; why did the Marciano Art Foundation suddenly shut its doors?; "The Red Thread" magic show.

The director wrote the script based on conversations with friends about marriage and divorce; Adam Driver talks about "Marriage Story," his fourth collaboration with Baumbach; Mexican composer Gabriela Ortiz on her ongoing relationship with the L.A. Philharmonic.

Alma Har'el talks about making her narrative feature directing debut in the film that stars Shia LaBeouf in his first feature-length screenplay; an oral history of "Blade Runner."

The former first lady of the Philippines gave access to filmmaker Lauren Greenfield for a new documentary; why are same-sex love scenes being edited out of films on Delta Airlines?; the new podcast "Moonface" examines homosexuality and cultural barriers.

Ed Norton brings "Motherless Brooklyn" to theaters 20 years after he first had the idea; star Cynthia Erivo and director Kasi Lemons tell the story of telling the story of Harriet Tubman on screen; Should arts orgs partner with Saudi Arabia?; Josh Homme of Queens of the Ston

On his new double album, the mixmaster works with other prominent hip hop artists, but he also composed instrumentals for an orchestra; why isn't Martin Scorsese's "The Irishman" in more theaters?

Over more than a half-century, George Rodriguez has taken countless photos of celebrities, but also of social movements such as farmworker strikes and student protests; after a high-profile departure, what's next for the "Star Wars" franchise?; singer San Cha

Director Kasi Lemmons and actress Cynthia Erivo talk about bringing Harriet Tubman's story to the big screen; HBO's new streaming service will launch with a vast library; singer, songwriter and producer Ayoni.

Series producer Caroline Dries talks about the responsibility of telling an LGBTQ+ story through the show's heroine; what's at stake for the first batch of shows from Apple Plus?; Josh Homme returns to the desert.

The screenwriters of "Avengers: Infinity War" explain how the sitcom "Frasier" influenced the film; the Hulu documentary “Tiny Shoulders: Rethinking Barbie” shows how executives at Mattel went about changing the body shape of their iconic and controversial doll.

Alia Shawkat co-wrote and stars in “Duck Butter," a movie about two women who spend 24 hours doing nothing but being with each other and having sex; San Francisco's Grace Cathedral holds a Beyoncé-themed service; YouTube struggles to clean up its act.

With her new film, "Disobedience," Rachel Weisz found something she had been seeking but couldn't find: a story with two female leads; former comedian and TV host Byron Allen has quietly built a company with interests in both film and television.

Movie theater owners look beyond popcorn to find new concessions at CinemaCon; Chicano photographer George Rodriguez captures two very different L.A.'s over a 50-year period; CalArts celebrates world music with its own salsa band.

Andrew Form and Bradley Fuller, producers of the hit horror movie, "A Quiet Place," talk about the film's surprising box office success; movie studios at CinemaCon tout sequels, more sequels, and a Tarantino movie; meet poet and singer-songwriter Jamila Woods.

Married comedians Natasha Leggero and Moshe Kasher turned their honeymoon into a comedy tour a three-part series for Netflix; Harry Potter mania arrives on Broadway with the opening of the two-part play, “Harry Potter and the Cursed Child.”

Former "Daily Show" correspondent Wyatt Cenac has a new, weekly HBO show that examines pressing social issues; movie theater owners are trying to fight the popularity of streaming services; Hasan Minhaj's "Homecoming King" wins a Peabody Award.

Prince died two years ago without leaving behind a will and now his estate is in disarray. Washington Post reporter Karen Heller fills us in on where things stand with Prince’s estate; In the podcast “Dear Franklin Jones,” producer Jonathan Hirsch revisits his childhood and how it was dominated by his parents’ guru; A play by Tim Robbins' Actors’ Gang forces audience members to ask themselves if America is still a welcome place for immigrants.

With Earth Day approaching, "FernGully" director Bill Kroyer and KPCC environment reporter Emily Guerin talk about the 1992 film's impact; Barry Avrich made a second documentary about Harvey Weinstein after a struggle with the mogul thwarted his first.

How director Joshua Marston and screenwriter Marcus Hinchey made "Come Sunday"– a movie about a Pentecostal bishop's spiritual epiphany first documented by This American Life; could MoviePass be the next film industry disruptor?; Moses Sumney dissects his song, "Quarrel."

Queen Bey's performance at Coachella set a new standard; The HBO documentary "I Am Evidence" examines the backlog of untested rape kits around the country; Kendrick Lamar is the first winner of the Pulitzer Prize for music who is not a classical or jazz artist.

Zhao takes stories and events from her untrained actors’ real lives and writes them into a fictionalized script; Hari Kondabolu’s documentary, “The Problem with Apu,” gets a response from "The Simpsons"; “Will & Grace” and “Roseanne” are hits again, but how strong is the appetite for reunion shows?