The Frame

FX chief John Landgraf says his warning of there being too much TV for the industry to bear -- and the consumer to watch -- struck a chord with other network heads; How composer Jóhann Jóhannsson created the haunting score for 'Sicario'

The actor has directed a documentary about the rise and fall of the once powerful record store chain; the first-ever Politicon was a sort of Comic-Con for political junkies, journalists and jokesters; Fox is developing more TV shows with comic book heroes, including "X-Men" characters.

Kelly Sue DeConnick describes her feminist sci-fi series, "Bitch Planet," as "Margaret Atwood meets Inglourious Basterds”; Cary Fukunaga encountered severe challenges while shooting "Beasts of No Nation" in Ghana.

Producer Aline Brosh McKenna wants to upend genre stereotypes on her new CW network comedy. (Cue the band!) ; several films hitting theaters this fall are tackling stories of women striving for equality; Kurt Vile has a new album of chilled-out folk music.

The actress is getting raves for her role in "Room" as a kidnap victim raising a son in captivity; Jeff Russo has gone from rock band guitarist to Emmy-nominated composer; Warner Bros.' big budget "Pan" opened badly, but the company's other divisions are performing well.

The actor/comedian is also a noted art collector and now he's curating a show of work by Canadian painter Lawren Harris; El Teatro Campesino collaborates with Center Theatre Group and Boyle Heights residents for a show at Grand Park; Jafar Panahi is banned from making films in his homeland, but that hasn't stopped him.

Julie Plec has "The Vampire Diaries" and "The Originals" on The CW Network, and she'll soon add a third show, albeit one that's fang-free; it's been two decades since the Scottish band Garbage and singer Shirley Manson burst on the scene; the EEOC is looking into hiring practices for women filmmakers.

Director Danny Boyle says tech titans like the late Apple founder have to be called into account; stage director Peter Sellars collaborated with novelist Toni Morrison on a re-imagining of "Othello"; the Church of Scientology continues its campaign against Gibney's documentary, "Going Clear."

Photographer Eilon Paz and editor Sheila Burgel collaborated on a book about obsessive vinyl fans; the L.A. Philharmonic and the Simón Bolívar Symphony Orchestra of Venezuela team up for a Beethoven marathon; can TiVo's new device make a dent in the market?

Scott directed the science fiction classics "Blade Runner" and "Alien," but he says "The Martian" is science fact; a hilarious encounter with Chinese-to-English translations inspired Hwang's play, "Chinglish"; the Chinese dissident artist Ai Wei Wei discovered listening devices in his Beijing studio.

Author, religion scholar and TV consultant Reza Aslan adds talk show host to his credits with "Rough Draft"; Oscar nominee Lon Burden breaks down the sound design for a crucial scene in "The Revenant"; the toughest Oscars trivia contest happens at a pub in Santa Monica.

The Black Version is a group of improv performers who put an Afro-centric spin on mainstream movies; Leonardo DiCaprio sees environmental parallels between the 1820s when "The Revenant" is set and modern-day America; eligibility rules for the Oscars raise questions for the original score nominees.

Will this year’s Academy Awards be the tipping point for racial representation in Hollywood? Marc Bernardin of The Hollywood Reporter weighs in; The Song Exploder podcast takes apart a song with the band Clipping; "Inside Out" writer Meg LeFauve gets a Pixar education and now takes on Ms. Marvel.

USC's Institute for Diversity and Empowerment at Annenberg tracked the representation of women, people of color, and the LGBT community in film and television and found Hollywood is still "a straight, white boys club." Then co-star and co-creator of the HBO show 'Togetherness', Steve Zissis, mines his life-- failures and all-- for the show. And comedian Kamau Bell is excited to see Chris Rock turn #OscarsSoWhite into comic gold at the Academy Awards.

Comedian Paul Rust went from Iowa to working with his childhood heroes Judd Apatow and Paul Rubens, and now he's landed the Netflix series "Love," which comes out today. The Coen Brothers bring water ballet back to the big screen in "Hail, Caesar!" with the L.A. aquatic dance troupe Aqualillies. Also, we deconstruct the Oscar race for Best Picture with John Horn and Kyle Buchanan from The Awards Show Show.

Writer-director Robert Eggers' impressive feature debut is about witches in colonial New England; after camera assistant Sarah Jones was killed on a film set, her parents became advocates for production safety; the play 'Placas' tells the story of a man who escapes one of the world's most brutal gangs.

David Javerbaum created @TheTweetOfGod, which led to the hit Broadway play, "An Act of God," currently starring Sean Hayes; faced with low ratings, ABC fires network chief Paul Lee; singer-songwriter M. Ward revisits his early years in the Conejo Valley on his new album.

The producer of the Record of the Year Grammy talks about what went into making the dance hit, "Uptown Funk"; France's Academy Awards entry for Foreign Language Film was actually shot in Turkey by a Turkish-born filmmaker; Edward Gero played Supreme Court Justice Antonin Scalia in a show at Arena Stage.

Leonardo DiCaprio and Alejandro G. Iñárritu of "The Revenant" are among the filmmakers and actors on The Frame's annual Academy Awards preview. You'll also hear from Sylvester Stallone, Brie Larson, Bryan Cranston and many others.

Sylvester Stallone turned down the part of an ailing Rocky Balboa in "Creed" twice before agreeing to do it-- with the help of an acting coach. Now he's nominated for an Oscar. Grammy nominated musician Lianne La Havas finds inspiration in Jamaica. How only Kanye West could pack Madison Square Garden while playing an album off his laptop.

The Marley family has launched a line of marijuana products to be distributed at dispensaries around the country; Catherine Opie shows a wide range of her work in three current L.A. exhibitions; John Horn and Kyle Buchanan assess the Academy Awards campaign season.

"The Hateful Eight" came along at the right time for Jennifer Jason Leigh, and won her an Oscar nomination; the infamous freeway chase was diligently re-created for "American Crime Story: The People v. O.J. Simpson"; things are getting slightly better for female characters in movies, but only slightly.