The Frame

Don Randi recalls his days as a pianist with the legendary studio band The Wrecking Crew in his memoir, "You've Heard These Hands"; the documentary "Song of Lahore" tells the unlikely story of how a group of Pakistani musicians found worldwide acclaim; YouTube enters the streaming biz with an app.

The actor goes behind the camera to direct his first feature, "Shelter," starring his wife, Jennifer Connelly; Katie Theroux is the sole L.A. semi-finalist in the Thelonious Monk Jazz Competition; the Hollywood Reporter will still name the industry's 100 most powerful women, but they won't be ranked.

Director Patricia Riggen and cinematographer Checco Varese — her husband — were partners above and below ground on the mining disaster film, "The 33"; Boston Globe reporter Mike Rezendes is played by Mark Ruffalo in "Spotlight"; Song Exploder dissects a song by Dan Auerbach's side project, The Arcs.

One year out from the 2016 Presidential election, we hear from Beau Willimon, an executive producer of "House of Cards," and Jay Roach, director of an HBO film about Lyndon Johnson.

Ewan McGregor and filmmaker Rodrigo Garcia share stories of making their movie about Jesus wandering the desert; Leon Bridges' quick rise to soul stardom; Do box office results impact Oscar voting?

Michael Keaton leads the cast in "Spotlight," about the Boston archdiocese cover-up of sexual abuse cases; NBC and "Saturday Night Live" have resisted calls to remove Donald Trump as host of the show; Performance artist and composer Laurie Anderson examines love and loss in the documentary, "Heart of a Dog."

Director Catherine Hardwicke's new movie is written by and about women. As an advocate for women in Hollywood she practices what she preaches; Flailing TV shows remain on the air in this new era; Two Chicago institutions bring dance and sketch comedy together.

The actor says the experience of Dalton Trumbo and other blacklist victims still resonates today; Quentin Tarantino is facing a boycott of his films because of comments he made at a protest against police brutality; the German classic film, "M," was remade for American audiences but never released.

Disney is delaying publication of a companion book to "The Force Awakens" in hopes of keeping the story line under wraps; Jason Segel's performance as David Foster Wallace is another example of a cult figure on the big screen; Women wrote just 22 percent of the plays produced last year in the U.S.

The Irish actress plays a young immigrant in a story that mirrors what her own parents experienced; Kyle Buchanan of Vulture.com assembled a list of women directors who Hollywood studios should be hiring; "Songs from Suicide Bridge" is another excavation project from Light In the Attic records.

Ilene Chaiken runs "Empire" while co-creator Lee Daniels develops his next show for Fox, "Star"; the SxSW Interactive Conference is getting heat for canceling sessions about sexism in the gaming industry; the Hammer Museum will benefit from UCLA's purchase of the Occidental Petroleum building.

The duo's production company, Smokehouse, has examined politics in the TV series, "K Street," and the films “The Ides of March" and "Good Night and Good Luck." Their latest is "Our Brand is Crisis."

Rock star Courtney Love has acted in films and TV, but now she's hitting the boards in Todd Almond's "Kansas City Choir Boy"; the "Steve Jobs" biopic got good reviews from critics, but audiences are staying away in droves; Upright Citizens Brigade is taking its comedy franchise online.

Sean Rameswaram of WNYC and Soraya Nadia McDonald of the Washington Post talk about the week's top stories from the wide world of culture; the new music ensemble Bang on a Can All-Stars performs Brian Eno's "Music for Airports" for the first time in an American airport.

Mark Mothersbaugh, a founding member of the new wave band Devo, is also a film and TV composer with a long list of credits that includes "The Last Man on Earth"; an exhibition of Cuban art arrives as the island nation develops a new relationship with the United States.

"Suffragette" screenwriter Abi Morgan and director Sarah Gavron made a period film that has current-day resonance; Disney is going all out to sell "Star Wars" in the world's second-biggest film market; Pakistani and L.A. musicians collaborated to create a new East-meets-West sound.

Filmmaker James Vanderbilt revisits the story that led to Dan Rather and a "60 Minutes" producer losing their jobs at CBS; producer Noah Hawley says the key to making "Fargo" a TV series was to not be bound by the Coen brothers movie.

As the most prominent woman on HBO's "Project Greenlight," film producer Effie Brown has had to address race and gender issues; Lenny Abrahamson wrote a long letter to "Room" novelist Emma Donoghue to convince her that he was the right director for the film version.

FX chief John Landgraf says his warning of there being too much TV for the industry to bear -- and the consumer to watch -- struck a chord with other network heads; How composer Jóhann Jóhannsson created the haunting score for 'Sicario'

The actor has directed a documentary about the rise and fall of the once powerful record store chain; the first-ever Politicon was a sort of Comic-Con for political junkies, journalists and jokesters; Fox is developing more TV shows with comic book heroes, including "X-Men" characters.

Kelly Sue DeConnick describes her feminist sci-fi series, "Bitch Planet," as "Margaret Atwood meets Inglourious Basterds”; Cary Fukunaga encountered severe challenges while shooting "Beasts of No Nation" in Ghana.

Producer Aline Brosh McKenna wants to upend genre stereotypes on her new CW network comedy. (Cue the band!) ; several films hitting theaters this fall are tackling stories of women striving for equality; Kurt Vile has a new album of chilled-out folk music.