The Frame

Adrian Tomine's most recent book, "Killing and Dying," is showing up on a lot of "Best of 2015" lists; Lucas Hnath, who once considered becoming a preacher, addresses themes of faith and salvation in "The Christians"; young British actors John Boyega and Daisy Ridley are in "The Force Awakens"

Will Smith reveals why he was reluctant to be in "Concussion" and how he sees Hollywood's diversity problem; Star Wars mega premiere and Disney's plans to monetize the new movie to the tune of billions; Spike Lee commends J.J. Abrams

Mary Steenburgen may be the busiest actress in TV. She can be seen on "Togetherness,” “Orange Is the New Black” and “The Last Man on Earth”; the annual list of the top un-produced screenplays is out; The Force is strong on the shelves of grocery and drug stores where you’ll find an endless variety of "Star Wars" tie-ins.

Nick Hornby is an esteemed novelist who also adapts other authors for the big screen, including his latest, "Brooklyn"; composer Dustin O’Halloran deconstructs his theme music from "Transparent" for Song Exploder; the Havana Film Festival showcases the nascent Cuban indie film movement.

The screenwriter talks about dramatizing the Apple co-founder's story and how Donald Trump "may be the end of political satire"; John Malkovich's reading of Plato's "Allegory of the Cave" has been set to music by Yoko Ono, Ric Ocasek and other musicians.

The premise of the comedy "You're the Worst," created by Stephen Falk, is that even the most flawed people deserve to find love; the Screen Actors Guild Award nominations provide an early indicator of Oscar choices; The Beach Boys' album, "Pet Sounds," gets a spoken word treatment, of sorts.

Nathan Fielder offers off-the-wall business advice on his Comedy Central series, "Nathan For You"; the Grammys could be a face-off between friends Taylor Swift and Kendrick Lamar; Scott Fagan's 1968 album, "South Atlantic Blues," gets new life thanks to Light In the Attic records.

Daniel Wu was born in California but launched his acting career in China. Now he's starring in an AMC series that puts his martial arts background to good use; Katie Couric and Stephanie Soechtig will debut "Under the Gun" at the Sundance Film Festival.

At 82, Michael Caine plays the lead in 'Youth' but for the most part he considers himself retired; Roy Orbison's son releases his dad's 1969 lost album 'One Of The Lonely Ones'; The Oscar short list for documentaries is out and Sundance is the big winner.

Alan Yang says the Netflix series he created with Aziz Ansari was sparked by their shared experiences as millennials and second-generation Americans; Hollywood power brokers have ideas for improving the standing of women in the entertainment industry; the Sundance festival will include the directing debut of actress Clea Duvall.

Joel Edgerton talks about directing his adaptation of a memoir about a boy (played by Lucas Hedges) whose parents (Nicole Kidman and Russell Crowe) won't accept his homosexuality; can politicians play any music they want at rallies?; Jadis is prop store in Santa Monica like no other,

Eli Horowitz and Micah Bloomberg created "Homecoming" as a scripted, fictional podcast, and now they're overseeing the Amazon TV version; the movie ratings system has existed for 50 years, but it has occasionally been plagued by inconsistencies.

The new documentary examines the relationship between art, money, success and notoriety; “Delusion: The Blue Blade" is an immersive theater production described by its creator as "Indiana Jones"-meets-"Blade Runner."

Game designer Ben Esposito takes a user-friendly approach to examine L.A.'s changing neighborhoods; does NBC's Megyn Kelly have a future in TV?; the past, present and future of the L.A. Philharmonic (part 2).

Two prominent music critics look at where the orchestra has been and where it's heading; filmmaker Sandi Tan looks for a lost film of hers in "Shirkers."

Aoife O'Donovan, Sarah Jarosz and Sara Watkins all have successful individual careers, but decided to combine forces for their folk-Americana trio; how is "House of Cards" concluding without Kevin Spacey?; MOCA puts the spotlight on influential painter and film critic Manny Farber.

"The Good Place" creator Michael Schur and writer Jen Statsky talk about making a sitcom that takes on ethics and philosophy; as the Trump Administration reportedly considers rolling back civil rights protections for trans people, we revisit The Frame's 2017 roundtable discussion on transgender representation on television.

The award-winning Broadway smash with music and lyrics by Benj Pasek and Justin Paul finally arrives in Los Angeles; how deep are Saudi Arabia's tentacles in American museums?; the Berlin-based performance group, Gob Squad, examines how we cope with aging.

The mezzo-soprano had a promising hoops career, but then she discovered singing; Netflix buys a huge production studio in Albuquerque; Janelle Monáe breaks down her song, "So Afraid."

She's a rare female minority show-runner, but her main goal is to let the mom character have some fun; how are immigrants depicted on TV?; the L.A. Master Chorale takes its show on the road.

Actor Peter Dinklage and filmmaker Sacha Gervasi on making "My Dinner With Hervé," about the French actor Hervé Villechaize; how do "The Conners" fare without Roseanne? L.A. Times TV critic Lorraine Ali shares her thoughts.

Muslim comedian Mo Amer once sat next to Eric Trump on an international flight. That's just one of many stories in his Netflix special "Vagabond." In the wake of Jamal Khashoggi's disapperance, Hollywood rethinks its relationship with Saudi Arabia. Plus, how Dieter Ruehle came to be the Dodgers' organist.