The Frame

"Captain America: Civil War" directors Joe and Anthony Russo went from directing TV sitcoms to the massive Marvel movie machine; how Beyoncé and Radiohead are changing the music marketing game; Millennials are forcing film schools to make MFA programs more responsive to their needs.

Tyler is a comedian, actress, talk show and podcast host, a voice on the animated series “Archer,” and she's about to direct her first film; David O. Russell and other prominent directors talk about the important job of script supervisor.

Playwright Stephen Karam tells the story of making "The Humans" a Broadway hit; "Hamilton" broke a Tony nomination record and Broadway proves more diverse than Hollywood; Anybody who's anyone in the digital media world is making online videos, so what's hot at the Newfronts?

The Broadway musical "School of Rock" stars Alex Brightman in the role originated by Jack Black in the 2003 movie of the same name; the married musical duo Marty and Elayne celebrate 35 years of their lounge act at The Dresden Room; a massive festival planned by the promoters of Coachella is stacked with some of the biggest — and oldest — names in classic rock.

Susan Sarandon and Rose Byrne star in Lorene Scafaria's film that was inspired by her own meddlesome mother; North Carolina’s so-called “bathroom law" has some film/TV studios threatening to move out of state. Three below-the-line workers tells us how their lives and careers could be upended; Pace Gallery opens its first West Coast venue in Palo Alto.

Tracy Oliver co-wrote "Barbershop: The Next Cut," her biggest credit in a career that's only getting bigger; What does Comcast's $3.8 billion deal to buy DreamWorks Animation say about the state of Hollywood?; musician and composer Adam Young is writing scores for movies that haven't been made.

Raymond Lee channels the mindset of a school shooter, and the legacy of Korean rage, in the new play "Office Hour"; Vulture's Kyle Buchanan on the trend of casting actors such as Idris Elba and Lupita Nyong'o in roles where you don't see their faces; Kevin Morby finds musical inspiration in his L.A. neighborhood.

Eddie Huang criticized ABC's adaptation of his memoir, "Fresh Off The Boat." He's turned to reality TV for the Viceland food-travel series "Huang's World"; Turner Classic Movies and Criterion Collection are creating a streaming service for film fanatics; painter Lily Simonson's new exhibit depicts the world she found while on a research expedition to Antarctica.

The official weapons master for "Game of Thrones," Tommy Dunne, shares secrets from the show's war chest; "After The Thrones" is the official GoT after-show, hosted by Andy Greenwald; Beyoncé takes a bold artistic and personal leap forward with her new album and short film.

John Carney ("Once") makes a love letter to '80s rock with his new movie, "Sing Street"; playwright, choreographer and theatrical activist Larissa FastHorse chronicles what it means to be a Native American in Los Angeles through her play, "Urban Rez."

Lauren Morelli created the Netflix reboot of a 1994 PBS series that was ahead of its time; screenwriter Max Landis faces multiple allegations of sexual abuse and harassment; the band Big Thief.

The prolific artist wrote many songs that were recorded by other artists. Susannah Melvoin talks about "Nothing Compares 2 You"; Hollywood gets caught up in China trade war; film composer Bear McCreary ("Child's Play").

The Irish actress plays a Scottish singer trying to make it big in Nashville in what she hopes is her breakout movie role; is "Men in Black: International" the latest proof that audiences are suffering from sequel fatigue?; the Cuban singer known as Cimafunk draws comparisons to James Brown.

Bryan Cranston wins a Tony; Eleni Mandell makes music with prisoners; playwright Lucas Hnath tells brings the true story of his mother's kidnapping to stage. Also, a top film critic wants Hollywood to bring back sex scenes of yore and best friends made a love letter to their city with the film "The Last Black Man in San Francisco."

The legendary singer-songwriter's 1975 tour is revisited in a new documentary by Martin Scorsese; the cultural week-in-review with L.A. Times TV critic Lorraine Ali; the new surf film, "Self-Discovery for Social Survival.”

After a Broadway run, her play about a 1920s obscenity trial comes to Los Angeles; the annual E3 convention draws to a close with plenty of news from the gaming world; the band Making Movies got a boost on its latest album from Ruben Blades.

The singer-songwriter's latest album, "Wake Up Again," was inspired by teaching songwriting at a women’s prison in Southern California; Washington Post movie critic Ann Hornaday wonders why American movies shy away from sex scenes; media critic and feminist Anita Sarkeesian on sexist and misogynist depictions in video games.

A new docu-drama by Don Argott and Sheena M. Joyce explores the car designer's turbulent career and flamboyant life; YouTube’s struggle to dealing with hateful and harmful content; 'Baskets' returns for its fourth season.

The film is loosely based on the story of actor Jimmie Fails. He once lived with his friend Joe Talbot, who would eventually direct and co-write the film; re-capping the Tony Awards, and revisiting our interview with Bryan Cranston, who won Best Leading Actor in a Play.

Emma Thompson talks about her new movie "Late Night." Neil Gaiman adapts his novel "Good Omens" into an Amazon series. Plus, we meet up with Mexico guitar duo Rodrigo y Gabriela in a Los Angeles guitar shop. All that, and more, on this debut episode of The Frame Weekend.

Barak Goodman's new documentary looks at the many challenges the festival's promoters encountered as they planned and produced the event that helped define a generation.

The acclaimed playwright fashioned a show from interviews his mother conducted that recount her five-month abduction in 1997.