Support for LAist comes from
Audience-funded nonprofit news
Stay Connected
Audience-funded nonprofit news
Listen
Podcasts FilmWeek
Feature: 1972 Munich Hostage Crisis broadcast gets revisited in ‘September 5,’ we discuss the film with its director.
solid red rectangular banner
()
FilmWeek Tile 2024
Dec 13, 2024
Listen 19:02
Feature: 1972 Munich Hostage Crisis broadcast gets revisited in ‘September 5,’ we discuss the film with its director.

We talk to filmmaker Tim Fehlbaum about the making of September 5 and the 1972 Olympics incident in which 11 Israeli hostages were held by Palestinian militants.

White man with medium- long blonde hair is seen wearing a black blazer and holding microphone while he sits in wooden chair on a stage.
LOS ANGELES, CALIFORNIA - DECEMBER 10: Director Tim Fehlbaum speaks onstage while attending a Paramount Pictures and Zurich Film Festival Screening and Q&A of “September 5” in Los Angeles at the DGA Theater Complex on December 10, 2024, in Los Angeles, California. (Photo by Unique Nicole/Getty Images for Paramount Pictures)
(
Unique Nicole/Getty Images for Paramount Pictu
)

Feature: 1972 Munich Hostage Crisis broadcast gets revisited in ‘September 5,’ we discuss the film with its director.

Movies centered on journalists have been somewhat of a trend over the years, with Spotlight and The Post serving as recent examples, and some older classics like All The President’s Men and The Insider. Writer-director Tim Fehlbaum’s latest project, September 5, looks to add to the tradition with a timely story of broadcast journalists attempting to cover an international incident in real-time. The film follows the 1972 Munich Olympics, with its inciting incident being 11 Israeli hostages held by Palestinian militants. It was coverage that was watched by roughly 900 million viewers, showing just how serious this event was. Hansjörg Weißbrich, the film’s editor, creates tension despite most of the film being set in one building; his work on the film has since been acknowledged by the Los Angeles Film Critics Association, which awarded September 5 for its Best Editing category. For this week’s feature, we talk to filmmaker Tim Fehlbaum about the making of September 5 and the work it took to revisit a dark moment in history.

Critics
Film Critic, FilmWeek
Film Critic, FilmWeek
Film Critic, FilmWeek
Film Critic, FilmWeek
Film Critic, FilmWeek
Film Critic, FilmWeek
Film Critic, FilmWeek
Film Critic, FilmWeek
Film Critic, FilmWeek
Film Critic, FilmWeek
Credits
Host, AirTalk
Associate Producer, AirTalk & FilmWeek
Apprentice News Clerk, FilmWeek