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Leo Politi painted their Bunker Hill home before it was razed. They finally saw the originals

A painting of a house with children playing outside.
The painting, “Grandmother’s House,” from Leo Politi’s book, "Bunker Hill: Reminiscences of Bygone Days".

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Vicki Gonzalez and her family gathered at Central Library in downtown Los Angeles in September — blocks from where they lived more than half a century ago — to see their lives on Bunker Hill portrayed by a famous painter they called “Mr. Politi.”

In the 1960s, Caldecott-winning artist Leo Politi painted the historic Bunker Hill neighborhood. Thousands of people were forced by eminent domain to relocate for the modernization plan known as the Bunker Hill Redevelopment Project. Politi, who had once lived there himself, took it upon himself to sketch, then paint, some of the houses that were soon to be demolished.

“I saw these beautiful mansions being torn down,” Politi told an interviewer at KCET in 1987, “and I says, ‘I just got to start drawing them and recording them,’ so I did a lot of studies up there, and when I finished, I did the book.”

A painting of two girls playing under trees.
"The Veranda" by Leo Politi in "Bunker Hill, Los Angeles: Reminiscences of Bygone Days". The drawing features Ruby and Julie.
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A scan from the book.
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In 1964, he published a selection of what he captured in a book, Bunker Hill Los Angeles: Reminiscences of Bygone Days. The beloved childhood home of Vicki and her family was featured in those paintings.

Watching Mr. Politi at work

Vicki, her sister Ruby Besing, and their cousin Julie Lendt remember playing outside the house they all lived in at 221 S. Bunker Hill Avenue and watching Politi sketch.

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They didn’t know then that the friendly man with an easel and paints was a lauded artist. When they saw the finished product, they were thrilled to find that Politi called them “the last children on Bunker Hill.”

A black and white photo of a home.
Photo taken in 1960 of 221 S. Bunker Hill Ave., where the Bruce family lived.
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Historic American Buildings Survey
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Courtesy Library of Congress
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How Politi's art ended up at the library

In 1965, after displaying some of Politi’s paintings from the book, Central Library acquired 44 of his sketches and drawings for $3,000. Though collecting art isn’t typically part of the library’s mandate, librarians deemed the pictures of the now-leveled neighborhood to be of important historical value.

Vicki and her family — who relocated to Echo Park after being forced to move — learned a few years ago that several of the artworks had been put on display in the library’s children’s section.

But the picture of their family home at 221 S. Bunker Hill Avenue wasn’t one of them. It was housed in the library’s Special Collections.

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How the Bruce family came to Bunker Hill

Though Politi refers to the house in the book as belonging to their grandmother, it actually belonged to Vicki’s parents, Byron and Vaden Bruce, who’d grown up poor in Kentucky and moved west in the mid-1940s to Los Angeles in search of a better life.

Byron’s aunt, a preacher named Stasia Mobley who ran a mission on Skid Row, married the couple in May 1946. They celebrated their wedding with a dinner at Clifton’s Cafeteria, a special treat that they indulged in on their anniversary each year after.

A man and a photo in their wedding pic taken in the 1940s.
Vaden and Byron Bruce on their wedding day at Clifton’s Cafeteria in May 1946.
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Courtesy Ruby Besing
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Byron Bruce was a musician whose sight was limited. Since he couldn’t drive, Bunker Hill was the perfect launch point from which he could walk to the many bars and clubs that dotted the downtown landscape. He was also a smart businessperson who cobbled together the money to buy a few homes around the neighborhood, sliced into apartments, which he maintained for his tenants. Vaden worked for over 30 years in the administrative office at the Sears in Boyle Heights.

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Vicki, Ruby and Julie all walked down the hill each day and through the 2nd Street tunnel to Fremont Elementary School.

Leaving Bunker Hill

As they played in the streets while Politi worked to capture them, they had no idea about the yearslong battle to level their neighborhood. The Bruces never troubled their children with the unfolding drama over its purchase by eminent domain. (Those who didn’t own their home — the majority of the people evicted from Bunker Hill — were forced out without any assistance.)

When they finally had to leave in the summer of 1963, their childhood on the hill became a cherished memory.

Three women standing in front of a drawing at a library.
Vicki Rodriguez, Ruby Besing and Julie Lendt pose with a sketch they’d never seen from the Leo Politi Collection at Central Library
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Lisa Napoli
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LAist
)

For 30 years now, Vicki, who lives with her husband in Tujunga, has been a longtime secretary of my neighbor on the modern Bunker Hill — directly across the street from where the Bruce family once lived.

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When he told me about Vicki’s roots in the neighborhood, I helped her connect with the library.

What the family found in the library's collection

Four women in a library. One of them is holding a painting of the Bunker Hill home they lived in.
Ruby Besing, librarian Ani Boyadjian, Julie Lendt and Vicki Rodriguez.
(
Lisa Napoli
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LAist
)

In September, Vicki, Betsy, Julie, and Vicki’s son, Jeffrey, huddled around boxes of art as librarian Ani Boyadjian carefully opened the first. The very first piece she pulled out was one depicting their Bunker Hill Avenue home. But it wasn’t the picture Politi used in the book — it was another one that the family hadn’t known about.

Looking at paintings and sketches they didn’t know existed, these last children on Bunker Hill, now in their 60s and 70s, found themselves transported back in time to their beloved neighborhood — and flabbergasted to see how much attention Politi had paid them, even Ruby’s beloved childhood pet cat, Poncho.

“To our knowledge, there were only the two paintings in the book. And then at the library, we see there are something like 15 sketches and paintings, renderings of the house we’d never seen before,” Vicki said after the visit. “It blew me away. Seeing this artwork was a dream come true.”

The story continues

A few days after their visit, Vicki, Ruby and Julie returned to the library so that librarian Boyadjian could record their oral histories. Listen to what they told her here.

To learn how to access the Library’s special collections, visit this link.

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