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Richard Marx brings his take on the Great American Songbook to SoCal
Richard Marx knows how to write a pop hit.
His first seven singles all reached the top five of the Billboard Hot 100, with hits like "Satisfied" and "Right Here Waiting." His writing credits include Luther Vandross' "Dance With My Father."
But his latest album is showcasing a different side of him.
After Hours blends Great American Songbook standards with original songs that Marx wrote in that classic style. There's also a five-song EP, After Hours: Live From the Grammy Museum, which came from his August performance there.
Marx will bring the album to the Yaamava’ Theater at Yaamava’ Resort & Casino in Highland on Sunday, Nov. 1.
From backup singer to hitmaker
Marx's journey started when he arrived in Los Angeles at 18.
"The first door opened for me kind of immediately," Marx said in an interview with LAist Morning Edition Host Austin Cross. "The first job I had right out of the gate was singing background vocals for Lionel Richie on his first solo album."
That connection allowed Marx to meet Kenny Rogers, with whom he wrote the No. 1 country song "Crazy." But it would still take years before Marx would find his own success as an artist.
"I remember when I started having success as a songwriter and singing on all these other people's hit records," Marx said. "I really thought that would be the fuel, but every record company rejected me for several years. I got rejected time and time again on songs that became massive hits. So, you have to just believe in yourself and wait for that right opportunity to come around."
Writing like it's 1948
Marx's new album is a real departure from the music that made him a star. Initially, he didn't think he was ready to record these types of songs.
"It was a delusion on my part that I wasn't old enough," Marx said. "I thought, 'I'm not old enough to sing those old standards.' Then it dawned on me that I'm 63 years old."
Marx decided not to just record American classics. He also wrote original music in that same style.
"When I realized that I could create something special in writing half the album, it all started to make sense to me," Marx said. "And I have to say that the writing of this album was the most challenging and enjoyable songwriting I think I've ever done."
The first song Marx wrote for the album was called "All I Ever Needed," which features a trumpet solo by Chris Botti.
"I pretended that I was a young, struggling songwriter in 1948, trying to get Sinatra to cut one of my songs," Marx said. "I took a long walk, and I thought whatever comes into my mind, I'm gonna go with it. An hour later, when I came back home, that whole song was written."
For another song called "Magic Hour," Marx got an assist from his wife, Daisy Fuentes.
"It's my favorite song on the album," Marx said. "The lyrics plagued me for a while. So [Fuentes] and I sat down and had a martini, and she just kept talking and telling me this story, and I turned it into lyrics."
Another highlight on After Hours is Marx's duet with Rod Stewart on the song "Young at Heart."
"Rod was just such a hero my whole life," Marx said. "We just kind of accidentally became great friends over the last four years. And in that process, it was Rod who suggested that we do a duet."
Marx is now looking for new goals.
"I'm in the process now of building my new bucket list, and there's really nothing on it so far," Marx said. "I wanna keep making music that makes me feel the way this album made me feel."
See him live
Tickets for Marx's upcoming show at the Yaamava’ Theater at Yaamava’ Resort & Casino in Highland on Sunday, Nov. 1, are available through AXS.