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Arts & Entertainment

If the Emmys were up to us ... Plus, how to watch the show

a quadrant of photos from 4 television shows.
Clockwise from top left: Yahya Adbul-Mateen II in "Wonder Man," Rhea Seehorn in "Pluribus," Noah Wyle in "The Pitt, " Lisa Kudrow in "The Comeback."
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Suzanne Tenner/Marvel/Disney+; Apple TV; Warrick Page/MAX; Apple TV; Emma Simkin/HBO
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TV critics care a lot about the people who bring us the shows we love, so of course we each have folks we're pulling for this Emmy season. The Pitt, Hacks, Widow's Bay and Pluribus are leading the Emmy nominations pack this year. Here's who we'll have our fingers crossed for during the ceremony on Monday night.

How to watch

The 2026 Emmys will air live on NBC and stream on Peacock on Monday, Sept. 14, 2026, beginning at 5 p.m. PT.

Outstanding drama series: Pluribus 

A photo still from a TV show.
Rhea Seehorn in "Pluribus."
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Apple TV
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HBO Max hit The Pitt likely wins here. But Apple TV's Pluribus triumphs as a revolutionary sci-fi story; a virus, created with instructions sent from the stars, unites humanity in a giant hive mind, creating paradise or the largest cult in history. — Eric Deggans

Outstanding lead actor, drama: Noah Wyle, The Pitt 

A photo still from a TV show featuring a white man in a hospital setting.
Noah Wyle in "The Pitt."
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Warrick Page
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MAX
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It's easy to overlook the massive feat star Noah Wyle achieved on The Pitt's second season; pushing a beloved character to the brink of unlikability. Wyle plays struggling Dr. "Robby" Rabinovich as a good guy in serious crisis, finding new depths. — Eric Deggans 

Outstanding lead actress, drama: Rhea Seehorn, Pluribus 

A photo still from a TV show with a white woman standing somewhere outside.
Rhea Seehorn in "Pluribus."
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<i>Apple TV</i>
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At least half of this show is just watching Rhea Seehorn's Carol all by herself, parsing out the rules of a new post-apocalyptic world while mourning her wife. Yet it's always compelling, because Seehorn is a talent who should already have an Emmy! — Aisha Harris

Outstanding supporting actress, drama: Karolina Wydra, Pluribus 

A photo from a TV show featuring a woman in a peacoat.
Karolina Wydra in "Pluribus."
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Apple TV
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Hoping Emmy voters look past the four actresses nominated from The Pitt to honor a performer who brought empathy and depth to a thankless role: Karolina Wydra as Zosia, the voice of the global hive mind, talking to Rhea Seehorn's Carol in Pluribus. — Eric Deggans 

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Outstanding comedy series: Margo's Got Money Troubles  

A photo from a TV show featuring a young woman in a club-like setting.
Elle Fanning in "Margo's Got Money Troubles."
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<i>Apple TV</i>
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Apple TV's Margo's Got Money Troubles is a comedy nominee that doesn't seem like one. But the story of a young woman leaning into problematic choices to build a life with her baby and quirky family was the year's most surprising, energizing show. — Eric Deggans 

Outstanding lead actor, comedy: Yahya Abdul-Mateen II, Wonder Man  

A photo from a TV show of a black man in front of a ring light.
Yahya Adbul-Mateen II in "Wonder Man."
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Suzanne Tenner
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Marvel/Disney+
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This nomination was a surprise after Marvel cancelled its creative, quirky superhero series, Wonder Man. But star Yahya Abdul-Mateen II is spellbinding as a superpowered guy who just wants to be a successful actor, blending comedy, pathos and drama. — Eric Deggans 

Outstanding lead actress, comedy: Lisa Kudrow, The Comeback   

A still from a TV show of a woman smiling big.
Lisa Kudrow in "The Comeback."
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Emma Simkin
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HBO
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The category's stacked, but Lisa Kudrow's Valerie Cherish threads many needles beautifully: self-absorbed yet caring, oft-humiliated yet resilient, wacky but grounded when necessary. As a character in Season 3 says to her: "To me, you're it." Indeed. — Aisha Harris  

Outstanding supporting actress, comedy: Kate O'Flynn, Widow's Bay  

A photo from a TV show of a woman staring quizzingly at someone offscreen.
Kate O'Flynn in "Widow's Bay."
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Apple TV
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It's all there in Episode 4, the one in which Patricia's desperate play to improve her social status — a cocktail party — goes awry. Kate O'Flynn knows this character, what drives her and what makes her so cringe (to us). It's utterly mesmerizing. — Aisha Harris 

Outstanding supporting actor, comedy: Nick Offerman, Margo's Got Money Troubles  

A still from a TV show of a man with a beard and in a tank top.
Nick Offerman in "Margo's Got Money Troubles."
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<i>Apple TV</i>
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Nick Offerman excels playing macho guys who are more sensitive than anyone expects. But he scales new heights as Jinx, an ex-wrestler/once-estranged dad, struggling with addiction while trying to support his daughter in Margo's Got Money Troubles. — Eric Deggans 

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Outstanding writing for a comedy series: The Comeback 

A photo still from a TV show of a white people with orange ginger hair on a soundstage.
Lisa Kudrow in "The Comeback."
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Erin Simkin
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HBO
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A new season comes around every 10 years (like the census!) to provide us a clear-eyed accounting (like the census!). This show was right about reality TV and streaming services; we ignore this season's dire, hilarious warnings about AI at our peril. — Glen Weldon 

Outstanding limited or anthology series: DTF St. Louis  

A photo from a TV show featuring two people doing yoga.
Jason Bateman and David Harbour in "DTF St. Louis."
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Tina Rowden
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HBO
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It's tough to explain how a show about the mysterious death of a schlubby guy stuck in a love triangle became the year's most creatively quirky limited series. Somehow, star David Harbour turns this tale of middle-aged desperation into poignant, dark comedy. — Eric Deggans 

And already announced

I'm happy to report that two of my picks already took home their Emmys in a ceremony last weekend formerly known as the Creative Arts Emmys. So congratulations to Betty Gilpin, who won outstanding guest actress in a comedy for Widow's Bay, and to The Muppet Show for outstanding writing for a variety special. (A third pick — Connor Storrie's game, goofball turn as SNL host — didn't end up winning outstanding guest actor in a comedy, but seeing as that award went to the late Rob Reiner for The Bear, I'm not complaining.) — Glen Weldon
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